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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
When a piece of music is to be performed repeatedly the same way, or performed by people who weren't the originators of the piece, it helps to have a score. In the history of objectifying music, scores were the currency until they were displaced by recordings. There are many types of [[musical notation|microtonal notation]], such as [[Sagittal_notation#Scores in Sagittal notation|Sagittal notation]], [[color notation]] and [[Ups and downs notation|ups and downs notation]].
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2015-08-20 07:30:48 UTC</tt>.<br>
: The original revision id was <tt>557026781</tt>.<br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
<h4>Original Wikitext content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">**&lt;span style="font-size: 130%;"&gt;A word about scores&lt;/span&gt;**
When a piece of music wants to be performed repeatedly the same way, (or) by people who weren't the originators of the piece, it helps to have a score. In the history of objectifying music, scores were the currency until they were displaced by recordings.


[[toc|flat]]
== Historically significant microtonal scores ==
----
=Historically significant microtonal scores=  
Check your local gigantic university library. If they don't have it, they could probably be persuaded to get it.
Check your local gigantic university library. If they don't have it, they could probably be persuaded to get it.
* Charles Ives's Three Quarter Tone Pieces (1913-1924)
 
* Harry Partch
* [[Charles Ives]]'s ''Three Quarter Tone Pieces'' (1923-1924)
* Ben Johnston, esp. string quartets
* [[Harry Partch]], all works
* Alois Hába, esp. string quartets
* [[Ben Johnston]], esp. string quartets
* Easley Blackwood, esp. Twelve Microtonal Etudes for Electronic Music Media, op. 28
* [[Alois Hába]], esp. string quartets
* publishings of [[http://diapason.xentonic.org/|Diapason Press]]
* [[Ivan Wyschnegradsky]], all microtonal works
* [[Easley Blackwood]], esp. ''Twelve Microtonal Etudes for Electronic Music Media'', op. 28
* publishings of [http://diapason.xentonic.org/ Diapason Press]
* this list is so obviously incomplete that you should help finish it.
* this list is so obviously incomplete that you should help finish it.


=Links to Microtonal Scores, by Composer=  
== Links to microtonal scores, by composer ==
Please contribute to this list of scores that are available (i.e. downloadable). This is meant as a resource for performers interested in microtonal music. Feel free to make wiki pages for "notable" compositions; the wiki supports file attachments up to 10 MB each.
Please contribute to this list of scores that are available (i.e. downloadable). This is meant as a resource for performers interested in microtonal music. Feel free to make wiki pages for "notable" compositions; the wiki supports file attachments up to 10 MB each.
===Jacob Barton===
 
* De-quinin' for two Bb clarinets (one tuned 33¢ flat)
{{TOC Horizontal
* Moods for 3 keyboards
| a1=[[#A|A]]
* Kluh for 11 performers on 21 tuned bottles
| a2=[[#B|B]]
* [[Eighty-one ninth chords]] for 2 pianos, [[17edo]]
| a3=[[#C|C]]
* [[Land Urchin]] for string band in 11-limit just intonation
| a4=[[#D|D]]
===David Canright===
| a5=[[#E|E]]
* [[http://www.redshift.com/%7Edcanright/suite/index.htm|Fibonacci Suite]] (piano retuned to 7-limit JI, seven hands)
| a6=[[#F|F]]
=== ===
| a7=[[#G|G]]
===[[@http://www.williamcopper.com|William Copper]]===
| a8=[[#H|H]]
* [[@http://www.hartenshield.com/0400_romance.pdf|Romance for Violin and Orchestra]]
| a9=[[#I|I]]
* [[@http://www.hartenshield.com/0499_holyday_overture.pdf|Holy Day Overture]]
| a10=[[#J|J]]
===[[http://kylegann.com/Gannmusic.html|Kyle Gann]]===  
| a11=[[#K|K]]
* The Day Revisited for flute, clarinet, electric bass, 2 keyboards
| a12=[[#L|L]]
* Charing Cross for keyboard and tape
| a13=[[#M|M]]
* New Aunts for keyboard
| a14=[[#N|N]]
* Triskaidekaphonia for keyboard
| a15=[[#O|O]]
* Fugitive Objects for keyboard
| a16=[[#P|P]]
* Custer and Sitting Bull, "electronic cantata"
| a17=[[#Q|Q]]
* Love Scene for string quartet
| a18=[[#R|R]]
===**[[http://roberthasegawa.com/|Robert Hasegawa]]**===  
| a19=[[#S|S]]
* Spiral for chamber ensemble
| a20=[[#T|T]]
* Chaconne for James Tenney for chamber ensemble (JI/[[96edo]]
| a21=[[#U|U]]
* Due Corde for 2 pianos, [[19edo]]
| a22=[[#V|V]]
===Andrew Heathwaite===
| a23=[[#W|W&ndash;Z]]
* [[Clouds (Andrew Heathwaite)|Clouds]], [[72edo]]
}}
* [[Prayer of Thanks]], 7-limit just intonation
 
===&lt;span style="color: #000000; text-decoration: none;"&gt;[[http://www.handmaderecords.com/|Paul Kotheimer ]]&lt;/span&gt;===
=== A ===
* Goes to Eleven (2009) for ensemble, 11-limit JI
=== B ===
* Three Short Poems (2008) for voices and drones, 5- and 7-limit JI
; [[Jacob Barton]]
* Mercy (2008) for voice and drone (and udderbot), 13-limit JI
* ''De-quinin''' for two Bb clarinets (one tuned 33¢ flat)
===Mats Öljare===  
* ''Moods'' for 3 keyboards
* [[file:sunday3.pdf|Sunday Pipes]], [[22edo]]
* ''Kluh'' for 11 performers on 21 tuned bottles
===**[[http://www.tuistgeorgetucker.com/scores1.html|Tui St. George Tucker]]**===
* ''[[Eighty-one ninth chords]]'' for 2 pianos, [[17edo]]
* three Quartertone Lullabies for wind trios
* ''[[Land urchin]]'' for string band in 11-limit just intonation
* Vigil I and Vigil II for organ
 
* Little pieces for quartertone piano
=== C ===
* Sarabande for quartertone harpsichord
; David Canright
===**[[http://users.rcn.com/dante.interport//justguitar.html|Dante Rosati]]**===  
* ''[http://home.comcast.net/~dcanright/suite/index.htm Fibonacci Suite]''{{dead link}} for piano retuned to 7-limit JI, seven hands
* "Arbor Low" for 21-tone Just Intonation guitar
 
===Ryan Stickney===
; [[William Copper]]
* [[http://oneforall.ytmnd.com|One for All]]
 
===[[http://home.datacomm.ch/straub/musik/index_e.html|Hans Straub]]===
* ''[https://williamcopper.com/compositions/elixir-of-love L'elisir d'amore]''  Opera using Intonalism, a form of Just Intonation
* [[http://homepage.hispeed.ch/hsstraub/musik/Sharks_2008-05-27.pdf|Sharks]] (2008) for 17-tone pianos
 
===Thomas Edwin Scheurich III===  
* ''[https://williamcopper.com/recordings Ave Regina]'' A cappella choral work using Intonalism; on same page links to recordings of orchestral works using Intonalism.
* Three Lonely, Uninspired Ways to Play in 17tet (2006) for 2 pianos
 
* Attention! Attention! Attention! (2007) for 17-tone ensemble (soprano, udderbot, slide whistles, violin, viola, cello, pianos, laptop, percussion)
=== D ===
* Story Worth Telling (2008) chamber operetta in [[17edo]]
; [[Ivor Darreg]]
* Xenharmonic Curiosities II (2009) for voices and viola
* [[:File:Ivor_Darreg,_Suite.pdf|''On the Enharmonic Tetrachord'' (from ''Suite'', Op. 62)]], in [[22edo]]. Originally printed in the Spring 1975 issue of [[Xenharmonikon]] in quarter-tone notation. Transcribed to Sagittal by [[Juhani Nuorvala]].
===[[http://home.snafu.de/djwolf/WorksDescriptive.htm|Daniel Wolf]]===
; [[Bryan Deister]]
* Etudes for solo microtonal instruments in equal tunings 8-23
* ''Bryan Deister microtonal improvisations transcribed (31edo to 50edo)''. Transcribed by [[Stephen Weigel]].
* Figure and Ground for string trio
** [https://www.youtube.com/watch?v=ljaSpsQP2qc watch the free video version (YouTube)]
[[Chris Vaisvil]]
** [https://www.patreon.com/posts/bryan-deister-31-112681475 buy the printable PDF version (Patreon)]
* [[@http://micro.soonlabel.com/centaur_tuning/Prelude_For_Centaur_Tuned_Piano.pdf|Prelude for Centaur Tuned Piano]]
 
* [[http://micro.soonlabel.com/65cET_37ed4/slumber_of_thought/Slumber%20of%20Thought-20120513.pdf|Slumber of Thought]] (for 65cent equal temperament tuned piano)
=== E ===
=Scores in Sagittal Notation=
; [[Paul Erlich]]
See [[Sagittal notation#Scores%20in%20Sagittal%20notation]]</pre></div>
* ''Tibia'' in [[22edo]]: [http://www.tallkite.com/words/Tibia.mp3 MP3] | (CORRECTED pdf scores) [[:File:Tibia in G CORRECTED-1.png|page 1]] | [[:File:Tibia in G CORRECTED-2.png|page 2]]
<h4>Original HTML content:</h4>
 
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;Scores&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;strong&gt;&lt;span style="font-size: 130%;"&gt;A word about scores&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
=== F ===
When a piece of music wants to be performed repeatedly the same way, (or) by people who weren't the originators of the piece, it helps to have a score. In the history of objectifying music, scores were the currency until they were displaced by recordings.&lt;br /&gt;
=== G ===
&lt;br /&gt;
; [[Kyle Gann]]
&lt;!-- ws:start:WikiTextTocRule:36:&amp;lt;img id=&amp;quot;wikitext@@toc@@flat&amp;quot; class=&amp;quot;WikiMedia WikiMediaTocFlat&amp;quot; title=&amp;quot;Table of Contents&amp;quot; src=&amp;quot;/site/embedthumbnail/toc/flat?w=100&amp;amp;h=16&amp;quot;/&amp;gt; --&gt;&lt;!-- ws:end:WikiTextTocRule:36 --&gt;&lt;!-- ws:start:WikiTextTocRule:37: --&gt;&lt;a href="#Historically significant microtonal scores"&gt;Historically significant microtonal scores&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:37 --&gt;&lt;!-- ws:start:WikiTextTocRule:38: --&gt; | &lt;a href="#Links to Microtonal Scores, by Composer"&gt;Links to Microtonal Scores, by Composer&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:38 --&gt;&lt;!-- ws:start:WikiTextTocRule:39: --&gt;&lt;!-- ws:end:WikiTextTocRule:39 --&gt;&lt;!-- ws:start:WikiTextTocRule:40: --&gt;&lt;!-- ws:end:WikiTextTocRule:40 --&gt;&lt;!-- ws:start:WikiTextTocRule:41: --&gt;&lt;!-- ws:end:WikiTextTocRule:41 --&gt;&lt;!-- ws:start:WikiTextTocRule:42: --&gt;&lt;!-- ws:end:WikiTextTocRule:42 --&gt;&lt;!-- ws:start:WikiTextTocRule:43: --&gt;&lt;!-- ws:end:WikiTextTocRule:43 --&gt;&lt;!-- ws:start:WikiTextTocRule:44: --&gt;&lt;!-- ws:end:WikiTextTocRule:44 --&gt;&lt;!-- ws:start:WikiTextTocRule:45: --&gt;&lt;!-- ws:end:WikiTextTocRule:45 --&gt;&lt;!-- ws:start:WikiTextTocRule:46: --&gt;&lt;!-- ws:end:WikiTextTocRule:46 --&gt;&lt;!-- ws:start:WikiTextTocRule:47: --&gt;&lt;!-- ws:end:WikiTextTocRule:47 --&gt;&lt;!-- ws:start:WikiTextTocRule:48: --&gt;&lt;!-- ws:end:WikiTextTocRule:48 --&gt;&lt;!-- ws:start:WikiTextTocRule:49: --&gt;&lt;!-- ws:end:WikiTextTocRule:49 --&gt;&lt;!-- ws:start:WikiTextTocRule:50: --&gt;&lt;!-- ws:end:WikiTextTocRule:50 --&gt;&lt;!-- ws:start:WikiTextTocRule:51: --&gt;&lt;!-- ws:end:WikiTextTocRule:51 --&gt;&lt;!-- ws:start:WikiTextTocRule:52: --&gt;&lt;!-- ws:end:WikiTextTocRule:52 --&gt;&lt;!-- ws:start:WikiTextTocRule:53: --&gt;&lt;!-- ws:end:WikiTextTocRule:53 --&gt;&lt;!-- ws:start:WikiTextTocRule:54: --&gt; | &lt;a href="#Scores in Sagittal Notation"&gt;Scores in Sagittal Notation&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:54 --&gt;&lt;!-- ws:start:WikiTextTocRule:55: --&gt;
Gann creates tuning guides for many of his pieces, list at the bottom of [http://www.kylegann.com/tuning.html this page].
&lt;!-- ws:end:WikiTextTocRule:55 --&gt;&lt;hr /&gt;
* ''The Day Revisited'' for flute, clarinet, electric bass, 2 keyboards
&lt;!-- ws:start:WikiTextHeadingRule:0:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc0"&gt;&lt;a name="Historically significant microtonal scores"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:0 --&gt;Historically significant microtonal scores&lt;/h1&gt;
* ''Charing Cross'' for keyboard and tape
Check your local gigantic university library. If they don't have it, they could probably be persuaded to get it.&lt;br /&gt;
* ''New Aunts'' for keyboard
&lt;ul&gt;&lt;li&gt;Charles Ives's Three Quarter Tone Pieces (1913-1924)&lt;/li&gt;&lt;li&gt;Harry Partch&lt;/li&gt;&lt;li&gt;Ben Johnston, esp. string quartets&lt;/li&gt;&lt;li&gt;Alois Hába, esp. string quartets&lt;/li&gt;&lt;li&gt;Easley Blackwood, esp. Twelve Microtonal Etudes for Electronic Music Media, op. 28&lt;/li&gt;&lt;li&gt;publishings of &lt;a class="wiki_link_ext" href="http://diapason.xentonic.org/" rel="nofollow"&gt;Diapason Press&lt;/a&gt;&lt;/li&gt;&lt;li&gt;this list is so obviously incomplete that you should help finish it.&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
* ''Triskaidekaphonia'' for keyboard
&lt;!-- ws:start:WikiTextHeadingRule:2:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc1"&gt;&lt;a name="Links to Microtonal Scores, by Composer"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:2 --&gt;Links to Microtonal Scores, by Composer&lt;/h1&gt;
* ''Fugitive Objects'' for keyboard
Please contribute to this list of scores that are available (i.e. downloadable). This is meant as a resource for performers interested in microtonal music. Feel free to make wiki pages for &amp;quot;notable&amp;quot; compositions; the wiki supports file attachments up to 10 MB each.&lt;br /&gt;
* ''Custer and Sitting Bull'', "electronic cantata"
&lt;!-- ws:start:WikiTextHeadingRule:4:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc2"&gt;&lt;a name="Links to Microtonal Scores, by Composer--Jacob Barton"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:4 --&gt;Jacob Barton&lt;/h3&gt;
* ''[http://www.kylegann.com/LoveScene.pdf Love Scene]'' for string quartet
&lt;ul&gt;&lt;li&gt;De-quinin' for two Bb clarinets (one tuned 33¢ flat)&lt;/li&gt;&lt;li&gt;Moods for 3 keyboards&lt;/li&gt;&lt;li&gt;Kluh for 11 performers on 21 tuned bottles&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/Eighty-one%20ninth%20chords"&gt;Eighty-one ninth chords&lt;/a&gt; for 2 pianos, &lt;a class="wiki_link" href="/17edo"&gt;17edo&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/Land%20Urchin"&gt;Land Urchin&lt;/a&gt; for string band in 11-limit just intonation&lt;/li&gt;&lt;/ul&gt;&lt;!-- ws:start:WikiTextHeadingRule:6:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc3"&gt;&lt;a name="Links to Microtonal Scores, by Composer--David Canright"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:6 --&gt;David Canright&lt;/h3&gt;
 
&lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.redshift.com/%7Edcanright/suite/index.htm" rel="nofollow"&gt;Fibonacci Suite&lt;/a&gt; (piano retuned to 7-limit JI, seven hands)&lt;/li&gt;&lt;/ul&gt;&lt;!-- ws:start:WikiTextHeadingRule:8:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc4"&gt;&lt;!-- ws:end:WikiTextHeadingRule:8 --&gt; &lt;/h3&gt;
; [[Kite Giedraitis]] (Tall Kite)
&lt;!-- ws:start:WikiTextHeadingRule:10:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc5"&gt;&lt;a name="Links to Microtonal Scores, by Composer--William Copper"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:10 --&gt;&lt;a class="wiki_link_ext" href="http://www.williamcopper.com" rel="nofollow" target="_blank"&gt;William Copper&lt;/a&gt;&lt;/h3&gt;
* [https://www.tallkite.com/music/EveningRondo.html ''Evening Rondo''] (2021) for solo Kite guitar, 41edo
&lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.hartenshield.com/0400_romance.pdf" rel="nofollow" target="_blank"&gt;Romance for Violin and Orchestra&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.hartenshield.com/0499_holyday_overture.pdf" rel="nofollow" target="_blank"&gt;Holy Day Overture&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;!-- ws:start:WikiTextHeadingRule:12:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc6"&gt;&lt;a name="Links to Microtonal Scores, by Composer--Kyle Gann"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:12 --&gt;&lt;a class="wiki_link_ext" href="http://kylegann.com/Gannmusic.html" rel="nofollow"&gt;Kyle Gann&lt;/a&gt;&lt;/h3&gt;
* [https://www.tallkite.com/music/DownminorNocturne.html ''Downminor Nocturne''] (2021) for Kite guitar duet, 41edo
&lt;ul&gt;&lt;li&gt;The Day Revisited for flute, clarinet, electric bass, 2 keyboards&lt;/li&gt;&lt;li&gt;Charing Cross for keyboard and tape&lt;/li&gt;&lt;li&gt;New Aunts for keyboard&lt;/li&gt;&lt;li&gt;Triskaidekaphonia for keyboard&lt;/li&gt;&lt;li&gt;Fugitive Objects for keyboard&lt;/li&gt;&lt;li&gt;Custer and Sitting Bull, &amp;quot;electronic cantata&amp;quot;&lt;/li&gt;&lt;li&gt;Love Scene for string quartet&lt;/li&gt;&lt;/ul&gt;&lt;!-- ws:start:WikiTextHeadingRule:14:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc7"&gt;&lt;a name="Links to Microtonal Scores, by Composer--Robert Hasegawa"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:14 --&gt;&lt;strong&gt;&lt;a class="wiki_link_ext" href="http://roberthasegawa.com/" rel="nofollow"&gt;Robert Hasegawa&lt;/a&gt;&lt;/strong&gt;&lt;/h3&gt;
* [https://www.tallkite.com/music/WithoutYou.html ''Without You''] (2016) for piano/bass/drums/vocal, 7-limit JI
&lt;ul&gt;&lt;li&gt;Spiral for chamber ensemble&lt;/li&gt;&lt;li&gt;Chaconne for James Tenney for chamber ensemble (JI/&lt;a class="wiki_link" href="/96edo"&gt;96edo&lt;/a&gt;&lt;/li&gt;&lt;li&gt;Due Corde for 2 pianos, &lt;a class="wiki_link" href="/19edo"&gt;19edo&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;!-- ws:start:WikiTextHeadingRule:16:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc8"&gt;&lt;a name="Links to Microtonal Scores, by Composer--Andrew Heathwaite"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:16 --&gt;Andrew Heathwaite&lt;/h3&gt;
* [https://www.tallkite.com/music/IHearNumbers.html ''I Hear Numbers''] (2016) for synth/keys/guitar/bass/drums/congas/vocals, 7-limit JI
&lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link" href="/Clouds%20%28Andrew%20Heathwaite%29"&gt;Clouds&lt;/a&gt;, &lt;a class="wiki_link" href="/72edo"&gt;72edo&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/Prayer%20of%20Thanks"&gt;Prayer of Thanks&lt;/a&gt;, 7-limit just intonation&lt;/li&gt;&lt;/ul&gt;&lt;!-- ws:start:WikiTextHeadingRule:18:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc9"&gt;&lt;a name="Links to Microtonal Scores, by Composer--Paul Kotheimer"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:18 --&gt;&lt;span style="color: #000000; text-decoration: none;"&gt;&lt;a class="wiki_link_ext" href="http://www.handmaderecords.com/" rel="nofollow"&gt;Paul Kotheimer &lt;/a&gt;&lt;/span&gt;&lt;/h3&gt;
 
&lt;ul&gt;&lt;li&gt;Goes to Eleven (2009) for ensemble, 11-limit JI&lt;/li&gt;&lt;li&gt;Three Short Poems (2008) for voices and drones, 5- and 7-limit JI&lt;/li&gt;&lt;li&gt;Mercy (2008) for voice and drone (and udderbot), 13-limit JI&lt;/li&gt;&lt;/ul&gt;&lt;!-- ws:start:WikiTextHeadingRule:20:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc10"&gt;&lt;a name="Links to Microtonal Scores, by Composer--Mats Öljare"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:20 --&gt;Mats Öljare&lt;/h3&gt;
=== H ===
&lt;ul&gt;&lt;li&gt;&lt;a href="/file/view/sunday3.pdf/269076436/sunday3.pdf" onclick="ws.common.trackFileLink('/file/view/sunday3.pdf/269076436/sunday3.pdf');"&gt;Sunday Pipes&lt;/a&gt;, &lt;a class="wiki_link" href="/22edo"&gt;22edo&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;!-- ws:start:WikiTextHeadingRule:22:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc11"&gt;&lt;a name="Links to Microtonal Scores, by Composer--Tui St. George Tucker"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:22 --&gt;&lt;strong&gt;&lt;a class="wiki_link_ext" href="http://www.tuistgeorgetucker.com/scores1.html" rel="nofollow"&gt;Tui St. George Tucker&lt;/a&gt;&lt;/strong&gt;&lt;/h3&gt;
; [[Robert Hasegawa]]
&lt;ul&gt;&lt;li&gt;three Quartertone Lullabies for wind trios&lt;/li&gt;&lt;li&gt;Vigil I and Vigil II for organ&lt;/li&gt;&lt;li&gt;Little pieces for quartertone piano&lt;/li&gt;&lt;li&gt;Sarabande for quartertone harpsichord&lt;/li&gt;&lt;/ul&gt;&lt;!-- ws:start:WikiTextHeadingRule:24:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc12"&gt;&lt;a name="Links to Microtonal Scores, by Composer--Dante Rosati"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:24 --&gt;&lt;strong&gt;&lt;a class="wiki_link_ext" href="http://users.rcn.com/dante.interport//justguitar.html" rel="nofollow"&gt;Dante Rosati&lt;/a&gt;&lt;/strong&gt;&lt;/h3&gt;
* ''Spiral'' for chamber ensemble
&lt;ul&gt;&lt;li&gt;&amp;quot;Arbor Low&amp;quot; for 21-tone Just Intonation guitar&lt;/li&gt;&lt;/ul&gt;&lt;!-- ws:start:WikiTextHeadingRule:26:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc13"&gt;&lt;a name="Links to Microtonal Scores, by Composer--Ryan Stickney"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:26 --&gt;Ryan Stickney&lt;/h3&gt;
* ''Chaconne for James Tenney'' for chamber ensemble (JI/[[96edo]])
&lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://oneforall.ytmnd.com" rel="nofollow"&gt;One for All&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;!-- ws:start:WikiTextHeadingRule:28:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc14"&gt;&lt;a name="Links to Microtonal Scores, by Composer--Hans Straub"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:28 --&gt;&lt;a class="wiki_link_ext" href="http://home.datacomm.ch/straub/musik/index_e.html" rel="nofollow"&gt;Hans Straub&lt;/a&gt;&lt;/h3&gt;
* ''Due Corde'' for 2 pianos, [[19edo]]
&lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://homepage.hispeed.ch/hsstraub/musik/Sharks_2008-05-27.pdf" rel="nofollow"&gt;Sharks&lt;/a&gt; (2008) for 17-tone pianos&lt;/li&gt;&lt;/ul&gt;&lt;!-- ws:start:WikiTextHeadingRule:30:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc15"&gt;&lt;a name="Links to Microtonal Scores, by Composer--Thomas Edwin Scheurich III"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:30 --&gt;Thomas Edwin Scheurich III&lt;/h3&gt;
 
&lt;ul&gt;&lt;li&gt;Three Lonely, Uninspired Ways to Play in 17tet (2006) for 2 pianos&lt;/li&gt;&lt;li&gt;Attention! Attention! Attention! (2007) for 17-tone ensemble (soprano, udderbot, slide whistles, violin, viola, cello, pianos, laptop, percussion)&lt;/li&gt;&lt;li&gt;Story Worth Telling (2008) chamber operetta in &lt;a class="wiki_link" href="/17edo"&gt;17edo&lt;/a&gt;&lt;/li&gt;&lt;li&gt;Xenharmonic Curiosities II (2009) for voices and viola&lt;/li&gt;&lt;/ul&gt;&lt;!-- ws:start:WikiTextHeadingRule:32:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc16"&gt;&lt;a name="Links to Microtonal Scores, by Composer--Daniel Wolf"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:32 --&gt;&lt;a class="wiki_link_ext" href="http://home.snafu.de/djwolf/WorksDescriptive.htm" rel="nofollow"&gt;Daniel Wolf&lt;/a&gt;&lt;/h3&gt;
; [[Andrew Heathwaite]]
&lt;ul&gt;&lt;li&gt;Etudes for solo microtonal instruments in equal tunings 8-23&lt;/li&gt;&lt;li&gt;Figure and Ground for string trio&lt;/li&gt;&lt;/ul&gt;&lt;a class="wiki_link" href="/Chris%20Vaisvil"&gt;Chris Vaisvil&lt;/a&gt;&lt;br /&gt;
* ''[[Clouds_(Andrew_Heathwaite)|Clouds]]'', [[72edo]]
&lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/centaur_tuning/Prelude_For_Centaur_Tuned_Piano.pdf" rel="nofollow" target="_blank"&gt;Prelude for Centaur Tuned Piano&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/65cET_37ed4/slumber_of_thought/Slumber%20of%20Thought-20120513.pdf" rel="nofollow"&gt;Slumber of Thought&lt;/a&gt; (for 65cent equal temperament tuned piano)&lt;/li&gt;&lt;/ul&gt;&lt;!-- ws:start:WikiTextHeadingRule:34:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc17"&gt;&lt;a name="Scores in Sagittal Notation"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:34 --&gt;Scores in Sagittal Notation&lt;/h1&gt;
* ''[[Prayer of Thanks]]'', 7-limit just intonation
See &lt;a class="wiki_link" href="/Sagittal%20notation#Scores%20in%20Sagittal%20notation"&gt;Sagittal notation&lt;/a&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>
 
=== I ===
=== J ===
=== K ===
; [http://www.handmaderecords.com/ Paul Kotheimer]
* ''Goes to Eleven'' (2009) for ensemble, 11-limit JI
* ''Three Short Poems'' (2008) for voices and drones, 5- and 7-limit JI
* ''Mercy'' (2008) for voice and drone (and udderbot), 13-limit JI
 
=== L ===
; [[L4MPLIGHT]]
* [[Stephen Weigel]]’s [https://www.youtube.com/watch?v=EPMIWHouXSg animated transcription of L4MPLIGHT’s introductory composition] (YouTube).
 
=== M ===
 
; [[Herman Miller]]
* ''[https://drive.google.com/file/d/1rjyC9fRXKwRqpdsGEj3a3JHeJeWkdVWZ/view?usp=drive_link Luck of the Draw]'' - (tuning: [[37edo]] • year: 2023 • background: for the [[Monthly Tunings]] challenge)
** [https://soundcloud.com/morphosyntax-1/luck-of-the-draw (audio recording)]
 
=== N ===
=== O ===
; [[Mats Öljare]]
* ''[[:File:sunday3.pdf|Sunday Pipes]]'', [[22edo]]
 
=== P ===
=== Q ===
=== R ===
; [[Dante Rosati]]
* ''Arbor Low'' for 21-tone Just Intonation guitar
 
=== S ===
; [[Thomas Scheurich|Thomas Edwin Scheurich III]]
* ''Three Lonely, Uninspired Ways to Play in 17tet'' (2006) for 2 pianos
* ''Attention! Attention! Attention!'' (2007) for 17-tone ensemble (soprano, udderbot, slide whistles, violin, viola, cello, pianos, laptop, percussion)
* ''Story Worth Telling'' (2008) chamber operetta in [[17edo]]
* ''Xenharmonic Curiosities II'' (2009) for voices and viola
 
; [[Rosie Sheldon]]
* [https://www.sheetmusicdirect.com/en-US/se/ID_No/1382604/Product.aspx ''Microtonal Composition in "Fluid Just Intonation"''] (2021)
 
; Ryan Stickney
* ''[http://oneforall.ytmnd.com One for All]''
 
; [[Hans Straub]]
* ''[http://homepage.hispeed.ch/hsstraub/musik/Sharks_2008-05-27.pdf Sharks]''{{dead link}} (2008) for 17-tone pianos
 
=== T ===
; [http://www.tuistgeorgetucker.com/scores1.html Tui St. George Tucker]{{dead link}}
* ''Three Quartertone Lullabies'' for wind trios
* ''Vigil I'' and ''Vigil II'' for organ
* ''Little pieces'' for quartertone piano
* ''Sarabande'' for quartertone harpsichord
 
=== U ===
=== V ===
; [[Chris Vaisvil]]
* ''[http://micro.soonlabel.com/centaur_tuning/Prelude_For_Centaur_Tuned_Piano.pdf Prelude for Centaur Tuned Piano]''
* ''[http://micro.soonlabel.com/65cET_37ed4/slumber_of_thought/Slumber%20of%20Thought-20120513.pdf Slumber of Thought]'' (for 65cent equal temperament tuned piano)
 
=== W ===
; [[Stephen Weigel]]
* [https://xenharmonicgod.bandcamp.com/album/six-macrotonal-etudes-for-electronic-music-media Six Macrotonal Etudes for Electronic Music Media (compared to Easley Blackwood's - Half the Tunings, Double the Fun!)]
 
; [[Daniel Wolf]]
* ''Etudes'' for solo microtonal instruments in equal tunings 8-23
* ''Figure and Ground'' for string trio
 
[[Category:Scores| ]] <!-- main article -->
[[category:todo:update]]

Latest revision as of 01:09, 20 August 2025

When a piece of music is to be performed repeatedly the same way, or performed by people who weren't the originators of the piece, it helps to have a score. In the history of objectifying music, scores were the currency until they were displaced by recordings. There are many types of microtonal notation, such as Sagittal notation, color notation and ups and downs notation.

Historically significant microtonal scores

Check your local gigantic university library. If they don't have it, they could probably be persuaded to get it.

Links to microtonal scores, by composer

Please contribute to this list of scores that are available (i.e. downloadable). This is meant as a resource for performers interested in microtonal music. Feel free to make wiki pages for "notable" compositions; the wiki supports file attachments up to 10 MB each.

A

B

Jacob Barton
  • De-quinin' for two Bb clarinets (one tuned 33¢ flat)
  • Moods for 3 keyboards
  • Kluh for 11 performers on 21 tuned bottles
  • Eighty-one ninth chords for 2 pianos, 17edo
  • Land urchin for string band in 11-limit just intonation

C

David Canright
William Copper
  • Ave Regina A cappella choral work using Intonalism; on same page links to recordings of orchestral works using Intonalism.

D

Ivor Darreg
Bryan Deister

E

Paul Erlich

F

G

Kyle Gann

Gann creates tuning guides for many of his pieces, list at the bottom of this page.

  • The Day Revisited for flute, clarinet, electric bass, 2 keyboards
  • Charing Cross for keyboard and tape
  • New Aunts for keyboard
  • Triskaidekaphonia for keyboard
  • Fugitive Objects for keyboard
  • Custer and Sitting Bull, "electronic cantata"
  • Love Scene for string quartet
Kite Giedraitis (Tall Kite)

H

Robert Hasegawa
  • Spiral for chamber ensemble
  • Chaconne for James Tenney for chamber ensemble (JI/96edo)
  • Due Corde for 2 pianos, 19edo
Andrew Heathwaite

I

J

K

Paul Kotheimer
  • Goes to Eleven (2009) for ensemble, 11-limit JI
  • Three Short Poems (2008) for voices and drones, 5- and 7-limit JI
  • Mercy (2008) for voice and drone (and udderbot), 13-limit JI

L

L4MPLIGHT

M

Herman Miller

N

O

Mats Öljare

P

Q

R

Dante Rosati
  • Arbor Low for 21-tone Just Intonation guitar

S

Thomas Edwin Scheurich III
  • Three Lonely, Uninspired Ways to Play in 17tet (2006) for 2 pianos
  • Attention! Attention! Attention! (2007) for 17-tone ensemble (soprano, udderbot, slide whistles, violin, viola, cello, pianos, laptop, percussion)
  • Story Worth Telling (2008) chamber operetta in 17edo
  • Xenharmonic Curiosities II (2009) for voices and viola
Rosie Sheldon
Ryan Stickney
Hans Straub

T

Tui St. George Tucker[dead link]
  • Three Quartertone Lullabies for wind trios
  • Vigil I and Vigil II for organ
  • Little pieces for quartertone piano
  • Sarabande for quartertone harpsichord

U

V

Chris Vaisvil

W

Stephen Weigel
Daniel Wolf
  • Etudes for solo microtonal instruments in equal tunings 8-23
  • Figure and Ground for string trio