66edo: Difference between revisions
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{{Infobox ET}} | |||
{{ED intro}} | |||
The 66b val tempers out 16875/16384 in the 5-limit, 126/125, 1728/1715 and 2401/2400 in the 7-limit, 99/98 and 385/384 in the 11-limit, and 105/104, 144/143 and 847/845 in the 13-limit. | == Theory == | ||
[[ | The [[patent val]] of 66edo is [[contorted]] in the 5-limit, [[tempering out]] the same [[comma]]s ([[250/243]], [[2048/2025]], [[3125/3072]], etc.) as [[22edo]]. In the 7-limit it tempers out [[686/675]] and [[1029/1024]], in the 11-limit [[55/54]], [[100/99]] and [[121/120]], in the 13-limit [[91/90]], [[169/168]], [[196/195]] and in the 17-limit [[136/135]] and [[256/255]]. It provides the [[optimal patent val]] for the 11- and 13-limit [[ammonite]] temperament. Otherwise, 66edo is not exceptional when it comes to approximating prime harmonics; however, it contains a quite accurate approximation to the 5:7:9:11:13 chord and can therefore be used for various [[primodal]] [[over-5]] scales. | ||
The 66b val tempers out [[16875/16384]] in the 5-limit, [[126/125]], [[1728/1715]] and [[2401/2400]] in the 7-limit, [[99/98]] and [[385/384]] in the 11-limit, and [[105/104]], [[144/143]] and [[847/845]] in the 13-limit. | |||
109 steps of 66edo is extremely close to the [[acoustic pi]] with only +0.023{{c}} of error. | |||
=== Odd harmonics === | |||
{{Harmonics in equal|66}} | |||
=== Subsets and supersets === | |||
Since 66 factors into {{factorization|66}}, 66edo has subset edos {{EDOs| 2, 3, 6, 11, 22, and 33 }}. [[198edo]], which triples it, corrects its approximation to many of the lower harmonics. | |||
== Interval table == | |||
{{Interval table}} | |||
== Notation == | |||
=== Sagittal notation === | |||
This notation uses the same sagittal sequence as [[59edo#Sagittal notation|59-EDO]], and is a superset of the notations for EDOs [[22edo#Sagittal notation|22]] and [[11edo#Sagittal notation|11]]. | |||
==== Evo flavor ==== | |||
<imagemap> | |||
File:66-EDO_Evo_Sagittal.svg | |||
desc none | |||
rect 80 0 300 50 [[Sagittal_notation]] | |||
rect 300 0 748 80 [https://sagittal.org#periodic-table Periodic table of EDOs with sagittal notation] | |||
rect 20 80 190 106 [[513/512]] | |||
rect 190 80 320 106 [[144/143]] | |||
rect 320 80 430 106 [[81/80]] | |||
rect 430 80 570 106 [[1053/1024]] | |||
default [[File:66-EDO_Evo_Sagittal.svg]] | |||
</imagemap> | |||
==== Revo flavor ==== | |||
<imagemap> | |||
File:66-EDO_Revo_Sagittal.svg | |||
desc none | |||
rect 80 0 300 50 [[Sagittal_notation]] | |||
rect 300 0 694 80 [https://sagittal.org#periodic-table Periodic table of EDOs with sagittal notation] | |||
rect 20 80 190 106 [[513/512]] | |||
rect 190 80 320 106 [[144/143]] | |||
rect 320 80 430 106 [[81/80]] | |||
rect 430 80 570 106 [[1053/1024]] | |||
default [[File:66-EDO_Revo_Sagittal.svg]] | |||
</imagemap> | |||
In the diagrams above, a sagittal symbol followed by an equals sign (=) means that the following comma is the symbol's [[Sagittal notation#Primary comma|primary comma]] (the comma it ''exactly'' represents in JI), while an approximately equals sign (≈) means it is a secondary comma (a comma it ''approximately'' represents in JI). In both cases the symbol exactly represents the tempered version of the comma in this EDO. | |||
== Instruments == | |||
=== Lumatone === | |||
[[Lumatone mapping for 66edo]] | |||
=== Skip fretting === | |||
'''Skip fretting system 66 7 11''' is a [[skip fretting]] system for [[66edo]]. All examples on this page are for 7-string [[guitar]]. | |||
; Prime harmonics | |||
1/1: string 2 open | |||
2/1: string 1 fret 11 and string 7 fret 11 | |||
3/2: string 3 fret 4 | |||
5/4: string 2 fret 3 | |||
7/4: string 3 fret 6 | |||
11/8: string 5 fret 9 | |||
13/8: string 3 fret 5 | |||
17/16: string 6 fret 4 | |||
19/16: string 5 fret 7 | |||
23/16: string 2 fret 5 | |||
29/16: string 4 fret 5 | |||
31/16: string 2 fret 9 | |||
== Music == | |||
; [[Bryan Deister]] | |||
* [https://www.youtube.com/shorts/jHwtQg0aR14 ''Spring Yard Zone (microtonal version in 66edo) - Sonic The Hedgehog''] (2022) | |||
* [https://www.youtube.com/shorts/Cn28RJSSgQ0 ''microtonal improvisation in 66edo''] (2025) |
Latest revision as of 05:57, 26 July 2025
← 65edo | 66edo | 67edo → |
66 equal divisions of the octave (abbreviated 66edo or 66ed2), also called 66-tone equal temperament (66tet) or 66 equal temperament (66et) when viewed under a regular temperament perspective, is the tuning system that divides the octave into 66 equal parts of about 18.2 ¢ each. Each step represents a frequency ratio of 21/66, or the 66th root of 2.
Theory
The patent val of 66edo is contorted in the 5-limit, tempering out the same commas (250/243, 2048/2025, 3125/3072, etc.) as 22edo. In the 7-limit it tempers out 686/675 and 1029/1024, in the 11-limit 55/54, 100/99 and 121/120, in the 13-limit 91/90, 169/168, 196/195 and in the 17-limit 136/135 and 256/255. It provides the optimal patent val for the 11- and 13-limit ammonite temperament. Otherwise, 66edo is not exceptional when it comes to approximating prime harmonics; however, it contains a quite accurate approximation to the 5:7:9:11:13 chord and can therefore be used for various primodal over-5 scales.
The 66b val tempers out 16875/16384 in the 5-limit, 126/125, 1728/1715 and 2401/2400 in the 7-limit, 99/98 and 385/384 in the 11-limit, and 105/104, 144/143 and 847/845 in the 13-limit.
109 steps of 66edo is extremely close to the acoustic pi with only +0.023 ¢ of error.
Odd harmonics
Harmonic | 3 | 5 | 7 | 9 | 11 | 13 | 15 | 17 | 19 | 21 | 23 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | +7.14 | -4.50 | -5.19 | -3.91 | -5.86 | -4.16 | +2.64 | +4.14 | -6.60 | +1.95 | +8.09 |
Relative (%) | +39.2 | -24.7 | -28.5 | -21.5 | -32.2 | -22.9 | +14.5 | +22.7 | -36.3 | +10.7 | +44.5 | |
Steps (reduced) |
105 (39) |
153 (21) |
185 (53) |
209 (11) |
228 (30) |
244 (46) |
258 (60) |
270 (6) |
280 (16) |
290 (26) |
299 (35) |
Subsets and supersets
Since 66 factors into 2 × 3 × 11, 66edo has subset edos 2, 3, 6, 11, 22, and 33. 198edo, which triples it, corrects its approximation to many of the lower harmonics.
Interval table
Steps | Cents | Approximate ratios | Ups and downs notation (Dual flat fifth 38\66) |
Ups and downs notation (Dual sharp fifth 39\66) |
---|---|---|---|---|
0 | 0 | 1/1 | D | D |
1 | 18.2 | ^D, vE♭♭♭♭ | ^D, vvE♭ | |
2 | 36.4 | D♯, E♭♭♭♭ | ^^D, vE♭ | |
3 | 54.5 | 31/30, 32/31, 33/32, 34/33 | ^D♯, vE♭♭♭ | ^3D, E♭ |
4 | 72.7 | 24/23 | D𝄪, E♭♭♭ | ^4D, ^E♭ |
5 | 90.9 | 20/19 | ^D𝄪, vE♭♭ | v4D♯, ^^E♭ |
6 | 109.1 | 16/15, 33/31 | D♯𝄪, E♭♭ | v3D♯, ^3E♭ |
7 | 127.3 | 14/13 | ^D♯𝄪, vE♭ | vvD♯, ^4E♭ |
8 | 145.5 | D𝄪𝄪, E♭ | vD♯, v4E | |
9 | 163.6 | 11/10, 34/31 | ^D𝄪𝄪, vE | D♯, v3E |
10 | 181.8 | E | ^D♯, vvE | |
11 | 200 | 28/25 | ^E, vF♭♭♭ | ^^D♯, vE |
12 | 218.2 | 17/15, 25/22 | E♯, F♭♭♭ | E |
13 | 236.4 | ^E♯, vF♭♭ | ^E, vvF | |
14 | 254.5 | 22/19 | E𝄪, F♭♭ | ^^E, vF |
15 | 272.7 | 34/29 | ^E𝄪, vF♭ | F |
16 | 290.9 | 13/11 | E♯𝄪, F♭ | ^F, vvG♭ |
17 | 309.1 | ^E♯𝄪, vF | ^^F, vG♭ | |
18 | 327.3 | 29/24 | F | ^3F, G♭ |
19 | 345.5 | ^F, vG♭♭♭♭ | ^4F, ^G♭ | |
20 | 363.6 | 21/17 | F♯, G♭♭♭♭ | v4F♯, ^^G♭ |
21 | 381.8 | ^F♯, vG♭♭♭ | v3F♯, ^3G♭ | |
22 | 400 | 29/23 | F𝄪, G♭♭♭ | vvF♯, ^4G♭ |
23 | 418.2 | 14/11 | ^F𝄪, vG♭♭ | vF♯, v4G |
24 | 436.4 | F♯𝄪, G♭♭ | F♯, v3G | |
25 | 454.5 | 13/10 | ^F♯𝄪, vG♭ | ^F♯, vvG |
26 | 472.7 | 21/16, 25/19 | F𝄪𝄪, G♭ | ^^F♯, vG |
27 | 490.9 | ^F𝄪𝄪, vG | G | |
28 | 509.1 | G | ^G, vvA♭ | |
29 | 527.3 | 19/14, 23/17 | ^G, vA♭♭♭♭ | ^^G, vA♭ |
30 | 545.5 | 26/19 | G♯, A♭♭♭♭ | ^3G, A♭ |
31 | 563.6 | ^G♯, vA♭♭♭ | ^4G, ^A♭ | |
32 | 581.8 | 7/5 | G𝄪, A♭♭♭ | v4G♯, ^^A♭ |
33 | 600 | 17/12, 24/17 | ^G𝄪, vA♭♭ | v3G♯, ^3A♭ |
34 | 618.2 | 10/7 | G♯𝄪, A♭♭ | vvG♯, ^4A♭ |
35 | 636.4 | ^G♯𝄪, vA♭ | vG♯, v4A | |
36 | 654.5 | 19/13 | G𝄪𝄪, A♭ | G♯, v3A |
37 | 672.7 | 28/19, 31/21, 34/23 | ^G𝄪𝄪, vA | ^G♯, vvA |
38 | 690.9 | A | ^^G♯, vA | |
39 | 709.1 | ^A, vB♭♭♭♭ | A | |
40 | 727.3 | 32/21 | A♯, B♭♭♭♭ | ^A, vvB♭ |
41 | 745.5 | 20/13 | ^A♯, vB♭♭♭ | ^^A, vB♭ |
42 | 763.6 | A𝄪, B♭♭♭ | ^3A, B♭ | |
43 | 781.8 | 11/7 | ^A𝄪, vB♭♭ | ^4A, ^B♭ |
44 | 800 | 35/22 | A♯𝄪, B♭♭ | v4A♯, ^^B♭ |
45 | 818.2 | ^A♯𝄪, vB♭ | v3A♯, ^3B♭ | |
46 | 836.4 | 34/21 | A𝄪𝄪, B♭ | vvA♯, ^4B♭ |
47 | 854.5 | ^A𝄪𝄪, vB | vA♯, v4B | |
48 | 872.7 | B | A♯, v3B | |
49 | 890.9 | ^B, vC♭♭♭ | ^A♯, vvB | |
50 | 909.1 | 22/13 | B♯, C♭♭♭ | ^^A♯, vB |
51 | 927.3 | 29/17 | ^B♯, vC♭♭ | B |
52 | 945.5 | 19/11 | B𝄪, C♭♭ | ^B, vvC |
53 | 963.6 | ^B𝄪, vC♭ | ^^B, vC | |
54 | 981.8 | 30/17 | B♯𝄪, C♭ | C |
55 | 1000 | 25/14 | ^B♯𝄪, vC | ^C, vvD♭ |
56 | 1018.2 | C | ^^C, vD♭ | |
57 | 1036.4 | 20/11, 31/17 | ^C, vD♭♭♭♭ | ^3C, D♭ |
58 | 1054.5 | 35/19 | C♯, D♭♭♭♭ | ^4C, ^D♭ |
59 | 1072.7 | 13/7 | ^C♯, vD♭♭♭ | v4C♯, ^^D♭ |
60 | 1090.9 | 15/8 | C𝄪, D♭♭♭ | v3C♯, ^3D♭ |
61 | 1109.1 | 19/10 | ^C𝄪, vD♭♭ | vvC♯, ^4D♭ |
62 | 1127.3 | 23/12 | C♯𝄪, D♭♭ | vC♯, v4D |
63 | 1145.5 | 31/16, 33/17 | ^C♯𝄪, vD♭ | C♯, v3D |
64 | 1163.6 | C𝄪𝄪, D♭ | ^C♯, vvD | |
65 | 1181.8 | ^C𝄪𝄪, vD | ^^C♯, vD | |
66 | 1200 | 2/1 | D | D |
Notation
Sagittal notation
This notation uses the same sagittal sequence as 59-EDO, and is a superset of the notations for EDOs 22 and 11.
Evo flavor

Revo flavor

In the diagrams above, a sagittal symbol followed by an equals sign (=) means that the following comma is the symbol's primary comma (the comma it exactly represents in JI), while an approximately equals sign (≈) means it is a secondary comma (a comma it approximately represents in JI). In both cases the symbol exactly represents the tempered version of the comma in this EDO.
Instruments
Lumatone
Skip fretting
Skip fretting system 66 7 11 is a skip fretting system for 66edo. All examples on this page are for 7-string guitar.
- Prime harmonics
1/1: string 2 open
2/1: string 1 fret 11 and string 7 fret 11
3/2: string 3 fret 4
5/4: string 2 fret 3
7/4: string 3 fret 6
11/8: string 5 fret 9
13/8: string 3 fret 5
17/16: string 6 fret 4
19/16: string 5 fret 7
23/16: string 2 fret 5
29/16: string 4 fret 5
31/16: string 2 fret 9