Fractional sharp notation: Difference between revisions

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VERY WIP (I'll move it to the main namespace if it's finished.)
The '''fractional sharp notation''' (FSN) is a notation developed by [[User:CompactStar|CompactStar]] that is an extension of [[chain-of-fifths notation]], supporting almost all [[EDO]]s and several [[rank-2 temperament]] systems. It represents all intervals with conventional accidentals, but with sharps and flats extended to have an arbitrary rational amount, denoted by a superscript, such as #<sup>1/2</sup> for half-sharp, except for in the case of single and double accidentals. If ASCII compatibility is required, superscripts can be substituted for carets–in this case, #^(a/b) is preferred over #^a/b for clarity.


The '''fractional sharp notation''' (FSN) is a notation developed by [[User:CompactStar|CompactStar]] that is an extension of [[chain-of-fifths notation]], supporting a wide range of [[EDO]] and [[rank-2 temperament]] systems. It represents all intervals with conventional accidentals, but with sharps and flats extended to have an arbitrary rational amount, denoted by a superscript, such as #<sup>1/2</sup> for half-sharp, except for in the case of single and double accidentals. If ASCII compatibility is required, superscripts can be substituted for carets–in this case, #^(a/b) is preferred over #^a/b for clarity.
<nowiki>#</nowiki><sup>a/b</sup> (can be spoken as "a over b sharp") is always taken to raise by a/b chromatic semitones, and b<sup>a/b</sup> is always taken to lower by a/b chromatic semitones. The "augmented" and "diminished" qualifiers for interval names are also extended to arbitrary rational amounts, where a/b-augmented (a/b-A) widens the interval by a/b chromatic semitones and a/b-diminished (a/b-d) narrows the interval by a/b chromatic semitones. Intervals between minor and major are expressed as a/b-augmented minor or a/b-diminished major (this was suggested by [[User:Frostburn]]). For example, 1/3 of the way from a minor third to a major third is a 1/3-augmented minor third, while 2/3 of the way from a minor third to a major third is a 1/3-diminished major third. Because 1/2-augmented minor and 1/2-diminished major are identical, they are instead referred to by the more conventional "neutral" (n).
 
As in the original chain-of-fifths notation, the sharp and flat accidentals are always taken to raise and lower by an augmented union or chromatic semitone. For interval naming, augmented and diminished are expanded to fractional values: a/b-augmented (abbreviated as a/b-A, as in [[User:M-yac/Neutral_Intervals_and_the_FJS#Generalizing|semi-neutral FJS]]) is a/b of a chromatic semitone above a major or perfect interval, and a/b-diminished (abbreviated as a/b-d) is a/b of a chromatic semitone below a minor or perfect interval. Additionally, for intervals between minor and major, a/b-augmented minor is used for a/b chromatic semitones above a minor interval, and a/b-diminished major is used for a/b chromatic semitones below a major interval (this was suggested by [[User:Frostburn|Frostburn]]). 1/2-augmented minor and 1/2-diminished major are identical, corresponding to halfway between minor and major, so both are replaced with the more conventional term "neutral" (abbreviated as lowercase n).


== For EDOs ==
== For EDOs ==
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{{Navbox notation}}
[[Category:Notation]]