5120/5103: Difference between revisions

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Correction: 7/5k > 5/7k via the community of sagittal notation
Dave Keenan (talk | contribs)
Sagittal notation: Changed "simplest ratio" to "simplest interval". Changed colons to slashes and dash. Replaced hair-space with nbhsp template call.
 
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{{Infobox Interval
{{Infobox Interval
| Icon =
| Name = hemifamity comma, 5/7-kleisma, aberschisma
| Ratio = 5120/5103
| Color name = sry1, saruyo 1sn,<br>Saruyo comma
| Monzo = 10 -6 1 -1
| Comma = yes
| Cents = 5.75780
| Name = hemifamity, <br>5/7-kleisma
| Color name =
| FJS name = P1<sup>5</sup><sub>7</sub>
| Sound =  
}}
}}
'''5120/5103''', the '''hemifamity comma''', '''5/7-kleisma''', or '''aberschisma''', is a [[small comma|small]] [[7-limit]] [[comma]] measuring about 5.8{{cent}}. It is the difference between [[7/5]] (small septimal tritone) and [[1024/729]] (Pythagorean diminished fifth), or between [[10/7]] (large septimal tritone) and [[729/512]] (Pythagorean augmented fourth). It is also the difference between [[15/14]] and [[2187/2048]], between [[21/20]] and [[256/243]], between [[80/63]] and [[81/64]], etc., hence, between the septimal comma of [[64/63]] and the syntonic comma of [[81/80]], as well as between [[schisma|32805/32768]], the schisma, and [[225/224]], the marvel comma.


The '''hemifamity''' or '''5/7-kleisma''', '''5120/5103''', is a [[7-limit]] [[small comma]] measuring about 5.8 cents. It is the difference between [[7/5]] (small septimal tritone) and [[1024/729]] (Pythagorean diminished fifth), or between [[10/7]] (large septimal tritone) and [[729/512]] (Pythagorean augmented fourth). It is also the difference between [[15/14]] and [[2187/2048]], between [[21/20]] and [[256/243]], between [[80/63]] and [[81/64]], etc., hence, between the septimal comma of [[64/63]] and the syntonic comma of [[81/80]].  
== Temperaments ==
Tempering it out leads to the rank-3 [[hemifamity]] temperament, which splits the septimal quartertone [[36/35]] into two equal parts, each representing 81/80~64/63. Rank-2 temperaments that temper it out include [[hemififths]] and [[amity]], to name two. [[Edo]]s that temper it out include [[12edo|12]], {{EDOs| 29, 34, 41, 46, 53, 58, 87, 94, 99, 111, 140, 145, 152, 239, 292, 391 }}, etc. See [[Hemifamity family]] for the rank-3 family where it is tempered out. See [[Hemifamity temperaments]] for a collection of rank-2 temperaments where it is tempered out.  


Tempering it out leads to the rank-3 [[hemifamity family]], which splits the septimal quartertone [[36/35]] into two equal parts, each representing 81/80~64/63. Rank-2 temperaments that temper it out include [[hemififths]] and [[amity]], to name two. Edos that temper it out include {{EDOs|29, 34, 41, 46, 53, 58, 87, 94, 99, 111, 140, 239, 292, 391}}, etc.  
== Sagittal notation ==
In the [[Sagittal]] system, the downward version of this comma (possibly tempered) is represented by the sagittal {{sagittal | !( }} and is called the '''7/5 kleisma''', or '''7/5k''' for short, because the simplest interval it notates is 7/5, as for example in B-F{{nbhsp}}{{sagittal | !( }}. The upward version is called '''5/7k''' or '''7/5k up''' and is represented by {{sagittal| |( }}.


== See also ==
== Etymology ==
* [[Hemifamity family]]
The name ''hemifamity'' was given by [[Gene Ward Smith]] in 2005 as a contraction of ''hemififths'' and ''amity''<ref>[https://yahootuninggroupsultimatebackup.github.io/tuning-math/topicId_12900.html Yahoo! Tuning Group | ''Seven limit comma names from pairs of temperament names'']</ref>.
* [[Hemifamity temperaments]]
 
* [[Comma]]
An alternate name for the comma, the ''aberschisma'', was given by [[User:Tristanbay|Tristan Bay]] in 2024 in reference to [[groundfault]]'s [[aberrismic theory]], being the difference between two of the most common aberrismas in just intonation (81/80 and 64/63).
 
== Notes ==


[[Category:7-limit]]
[[Category:Small comma]]
[[Category:Ratio]]
[[Category:Hemifamity]]
[[Category:Hemifamity]]

Latest revision as of 07:02, 10 October 2024

Interval information
Ratio 5120/5103
Factorization 210 × 3-6 × 5 × 7-1
Monzo [10 -6 1 -1
Size in cents 5.757802¢
Names hemifamity comma,
5/7-kleisma,
aberschisma
Color name sry1, saruyo 1sn,
Saruyo comma
FJS name [math]\displaystyle{ \text{P1}^{5}_{7} }[/math]
Special properties reduced
Tenney height (log2 nd) 24.6391
Weil height (log2 max(n, d)) 24.6439
Wilson height (sopfr(nd)) 50
Comma size small
S-expression S8 / S9
Open this interval in xen-calc

5120/5103, the hemifamity comma, 5/7-kleisma, or aberschisma, is a small 7-limit comma measuring about 5.8 ¢. It is the difference between 7/5 (small septimal tritone) and 1024/729 (Pythagorean diminished fifth), or between 10/7 (large septimal tritone) and 729/512 (Pythagorean augmented fourth). It is also the difference between 15/14 and 2187/2048, between 21/20 and 256/243, between 80/63 and 81/64, etc., hence, between the septimal comma of 64/63 and the syntonic comma of 81/80, as well as between 32805/32768, the schisma, and 225/224, the marvel comma.

Temperaments

Tempering it out leads to the rank-3 hemifamity temperament, which splits the septimal quartertone 36/35 into two equal parts, each representing 81/80~64/63. Rank-2 temperaments that temper it out include hemififths and amity, to name two. Edos that temper it out include 12, 29, 34, 41, 46, 53, 58, 87, 94, 99, 111, 140, 145, 152, 239, 292, 391, etc. See Hemifamity family for the rank-3 family where it is tempered out. See Hemifamity temperaments for a collection of rank-2 temperaments where it is tempered out.

Sagittal notation

In the Sagittal system, the downward version of this comma (possibly tempered) is represented by the sagittal ⁠ ⁠ and is called the 7/5 kleisma, or 7/5k for short, because the simplest interval it notates is 7/5, as for example in B-F⁠ ⁠⁠ ⁠. The upward version is called 5/7k or 7/5k up and is represented by ⁠ ⁠.

Etymology

The name hemifamity was given by Gene Ward Smith in 2005 as a contraction of hemififths and amity[1].

An alternate name for the comma, the aberschisma, was given by Tristan Bay in 2024 in reference to groundfault's aberrismic theory, being the difference between two of the most common aberrismas in just intonation (81/80 and 64/63).

Notes