Perfect fourth
- This page is about the interval region. For the just perfect fourth, see 4/3.
A perfect fourth (P4) is an interval that is near 500 cents in size, distinct from augmented fourths (a type of tritone, about 600 cents). A rough tuning range for the perfect fourth is about 450 to 550 cents, though this is extremely wide; some might prefer to restrict it to around 470-530 cents. Another common range is the even stricter diatonic range, from 480 to ~514 cents, which corresponds to diatonic perfect fourths that can be used to generate a diatonic scale.
In just intonation
By prime limit
The only "perfect" fourth in JI is the Pythagorean perfect fourth of 4/3, about 498 cents in size, which corresponds to the MOS-based interval category of the diatonic perfect fourth and is the octave complement of the perfect fifth of 3/2. However, various "out of tune" fourths exist, such as the Pythagorean wolf fourth 177147/131072, which is sharp of 4/3 by one Pythagorean comma, and is about 522 cents in size.
Other "out of tune" fourths in higher limits include:
- The 5-limit acute fourth is a ratio of 27/20, and is about 520 cents
- The 7-limit subfourth is a ratio of 21/16, and is about 471 cents.
- The 11-limit augmented fourth is a ratio of 15/11, and is about 537 cents.
- There is also an 11-limit grave fourth, which is a ratio of 33/25, and is about 480 cents.
- The 13-limit infrafourth is a ratio of 13/10, and is about 454 cents, but it might be better analyzed as an ultramajor third. Despite that, it is also here for completeness.
By delta
| Delta 1 | Cents | Delta 3 | Cents | Delta 4 | Cents | Delta 5 | Cents | Delta 6 | Cents |
|---|---|---|---|---|---|---|---|---|---|
| 4/3 | 498c | 13/10 | 454c | 15/11 | 537c | 19/14 | 529c | 23/17 | 523c |
| 17/13 | 464c | 21/16 | 471c | 25/19 | 475c | ||||
In EDOs
The following table lists the best tuning of 4/3, as well as other fourths if present, in various significant EDOs.
| EDO | 4/3 | Other fourths |
|---|---|---|
| 5 | 480c | |
| 7 | 514c | |
| 12 | 500c | |
| 15 | 480c | |
| 16 | 525c | 450c ≈ 13/10 |
| 17 | 494c | |
| 19 | 506c | |
| 22 | 491c | 545c ≈ 15/11 |
| 24 | 500c | 450c ≈ 13/10, 550c ≈ 15/11 |
| 25 | 480c | 528c ≈ 27/20 |
| 26 | 508c | 462c ≈ 21/16, 13/10 |
| 27 | 489c | 533c ≈ 15/11 |
| 29 | 496c | 455c ≈ 13/10, 537c ≈ 15/11 |
| 31 | 503c | 464c ≈ 21/16, 541c ≈ 15/11 |
| 34 | 494c | 458c ≈ 13/10, 529c ≈ 27/20, 15/11 |
| 41 | 498c | 468c ≈ 21/16, 526c ≈ 27/20 |
| 53 | 498c | 452c ≈ 13/10, 476c ≈ 21/16, 521c ≈ 27/20, 543c ≈ 15/11 |
In temperaments
The simplest perfect 4th ratio is 4/3. The following notable temperaments are generated by it:
Temperaments that use 4/3 as a generator
- Compton, the temperament of the Pythagorean comma, equivalent to 12edo
- The 3-limit circular temperaments in general
- Archy, the temperament flattening 4/3 such that three 4/3s stack to 7/6
- Meantone, the temperament sharpening 4/3 such that three 4/3s stack to 6/5
- Mavila, the temperament sharpening 4/3 such that three 4/3s stack to 5/4
- Various historical well temperaments generated by tempered 4/3s or 3/2s, equivalent to 12edo as compton and meantone
| View • Talk • EditInterval classification | |
|---|---|
| Interval regions | |
| Unison and octave | Unison • Comma and diesis • Octave |
| Seconds | Minor second • Neutral second • Major second |
| Thirds | Minor third • Neutral third • Major third |
| Fourths and fifths | Perfect fourth • Superfourth • Tritone • Subfifth • Perfect fifth |
| Sixths | Minor sixth • Neutral sixth • Major sixth |
| Sevenths | Minor seventh • Neutral seventh • Major seventh |
| Interseptimal intervals | Interseptimal 2nd-3rd • Interseptimal 3rd-4th • Interseptimal 5th-6th • Interseptimal 6th-7th |
| Interval qualities | |
| Diatonic qualities | Diminished • Minor • Perfect • Major • Augmented |
| Tuning ranges | Neutral (interval quality) • Submajor and supraminor • Pental major and minor • Novamajor and novaminor • Neogothic major and minor • Supermajor and subminor • Ultramajor and inframinor |