Helmholtz–Ellis notation: Difference between revisions
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== Quick reference == | == Quick reference == | ||
Below is a quick guide to the accidentals and commas used in Helmholtz–Ellis notation. | Below is a quick guide to the accidentals and commas used in Helmholtz–Ellis notation. | ||
{| class="wikitable center-all" style="margin: auto auto auto auto;" | {| class="wikitable center-all" style="margin: auto auto auto auto;" | ||
|+ style="font-size: 105%;" |Formal commas | |+ style="font-size: 105%;" | Formal commas | ||
|- | |- | ||
!Prime!!Formal Comma | ! Prime !! Formal Comma | ||
|- | |- | ||
|[[5-limit|5]]||[[81/80]] | | [[5-limit|5]] || [[81/80]] | ||
|- | |- | ||
|[[7-limit|7]]||[[64/63]] | | [[7-limit|7]] || [[64/63]] | ||
|- | |- | ||
|[[11-limit|11]]||[[33/32]] | | [[11-limit|11]] || [[33/32]] | ||
|- | |- | ||
|[[13-limit|13]]||[[27/26]] | | [[13-limit|13]] || [[27/26]] | ||
|- | |- | ||
|[[17-limit|17]]||[[2187/2176]] | | [[17-limit|17]] || [[2187/2176]] | ||
|- | |- | ||
|[[19-limit|19]]||[[513/512]] | | [[19-limit|19]] || [[513/512]] | ||
|- | |- | ||
|[[23-limit|23]]||[[736/729]] | | [[23-limit|23]] || [[736/729]] | ||
|- | |- | ||
|[[29-limit|29]]||[[261/256]] | | [[29-limit|29]] || [[261/256]] | ||
|- | |- | ||
|[[31-limit|31]]||[[32/31]] | | [[31-limit|31]] || [[32/31]] | ||
|- | |- | ||
|[[37-limit|37]]||[[37/36]] | | [[37-limit|37]] || [[37/36]] | ||
|- | |- | ||
|[[41-limit|41]]||[[82/81]] | | [[41-limit|41]] || [[82/81]] | ||
|- | |- | ||
|[[43-limit|43]]||[[129/128]] | | [[43-limit|43]] || [[129/128]] | ||
|- | |- | ||
|[[47-limit|47]]||[[752/729]] | | [[47-limit|47]] || [[752/729]] | ||
|}<br /> | |}<br /> | ||
{| class="wikitable sortable center-all left-5" style="margin: auto auto auto auto;" | {| class="wikitable sortable center-all left-5" style="margin: auto auto auto auto;" | ||
|+ style="font-size: 105%;" |Odd harmonics in the harmonic series | |+ style="font-size: 105%;" | Odd harmonics in the harmonic series | ||
|- | |- | ||
! rowspan="2" |Harmonic | ! rowspan="2" | Harmonic | ||
! rowspan="2" |Just Ratio | ! rowspan="2" | Just Ratio | ||
! colspan="2" |Notation (assuming 1/1 is C) | ! colspan="2" | Notation (assuming 1/1 is C) | ||
! rowspan="2" |Comments | ! rowspan="2" | Comments | ||
|- | |- | ||
!2020 version | ! 2020 version | ||
!2004 version | ! 2004 version | ||
|- | |- | ||
|1 | | 1 | ||
|1/1 | | 1/1 | ||
| colspan="2" |[[File:HejiC.svg|48x48px]] | | colspan="2" | [[File:HejiC.svg|48x48px]] | ||
| rowspan="2" |Default staff notation represents Pythagorean tuning | | rowspan="2" | Default staff notation represents Pythagorean tuning | ||
|- | |- | ||
|3 | | 3 | ||
|3/2 | | 3/2 | ||
| colspan="2" |[[File:HejiG.svg|48x48px]] | | colspan="2" | [[File:HejiG.svg|48x48px]] | ||
|- | |- | ||
|5 | | 5 | ||
|5/4 | | 5/4 | ||
| colspan="2" |[[File:Heji17.svg|54x54px]][[File:HejiE.svg|48x48px]] | | colspan="2" | [[File:Heji17.svg|54x54px]][[File:HejiE.svg|48x48px]] | ||
| | | | ||
|- | |- | ||
|7 | | 7 | ||
|7/4 | | 7/4 | ||
| colspan="2" |[[File:Heji37.svg|54x54px]][[File:Heji11.svg|54x54px]][[File:HejiB.svg|48x48px]] | | colspan="2" | [[File:Heji37.svg|54x54px]][[File:Heji11.svg|54x54px]][[File:HejiB.svg|48x48px]] | ||
| | | | ||
|- | |- | ||
|9 | | 9 | ||
|9/8 | | 9/8 | ||
| colspan="2" |[[File:HejiD.svg|48x48px]] | | colspan="2" | [[File:HejiD.svg|48x48px]] | ||
|Default staff notation represents Pythagorean tuning | | Default staff notation represents Pythagorean tuning | ||
|- | |- | ||
|11 | | 11 | ||
|11/8 | | 11/8 | ||
| colspan="2" |[[File:Heji41.svg|54x54px]][[File:HejiF.svg|48x48px]] | | colspan="2" | [[File:Heji41.svg|54x54px]][[File:HejiF.svg|48x48px]] | ||
|[[File:Heji41.svg|54x54px]] is ''not'' a half-sharp, as [[File:Heji41.svg|54x54px]][[File:Heji41.svg|54x54px]]F is [[243/242|7.1¢]] flatter than F♯. | | [[File:Heji41.svg|54x54px]] is ''not'' a half-sharp, as [[File:Heji41.svg|54x54px]][[File:Heji41.svg|54x54px]]F is [[243/242|7.1¢]] flatter than F♯. | ||
|- | |- | ||
| 13 | | 13 | ||
|13/8 | | 13/8 | ||
| colspan="2" |[[File:Heji42.svg|54x54px]][[File:HejiA.svg|48x48px]] | | colspan="2" | [[File:Heji42.svg|54x54px]][[File:HejiA.svg|48x48px]] | ||
| | | | ||
|- | |- | ||
|15 | | 15 | ||
|15/8 | | 15/8 | ||
| colspan="2" |[[File:Heji17.svg|54x54px]][[File:HejiB.svg|48x48px]] | | colspan="2" | [[File:Heji17.svg|54x54px]][[File:HejiB.svg|48x48px]] | ||
| | | | ||
|- | |- | ||
|17 | | 17 | ||
|17/16 | | 17/16 | ||
|[[File:Heji44.svg|54x54px]][[File:Heji25.svg|54x54px]][[File:HejiC.svg|48x48px]] | | [[File:Heji44.svg|54x54px]][[File:Heji25.svg|54x54px]][[File:HejiC.svg|48x48px]] | ||
|[[File:Heji44.svg|54x54px]][[File:Heji12.svg|54x54px]][[File:HejiD.svg|48x48px]] | | [[File:Heji44.svg|54x54px]][[File:Heji12.svg|54x54px]][[File:HejiD.svg|48x48px]] | ||
|Definition of the accidental is revised from 256/255 to 2187/2176<br />in the 2020 version by Plainsound Music Edition | | Definition of the accidental is revised from 256/255 to 2187/2176<br />in the 2020 version by Plainsound Music Edition | ||
|- | |- | ||
|19 | | 19 | ||
|19/16 | | 19/16 | ||
| colspan="2" |[[File:Heji47.svg|54x54px]][[File:Heji11.svg|54x54px]][[File:HejiE.svg|48x48px]] | | colspan="2" | [[File:Heji47.svg|54x54px]][[File:Heji11.svg|54x54px]][[File:HejiE.svg|48x48px]] | ||
| | | | ||
|- | |- | ||
|21 | | 21 | ||
|21/16 | | 21/16 | ||
| colspan="2" |[[File:Heji37.svg|54x54px]][[File:HejiF.svg|48x48px]] | | colspan="2" | [[File:Heji37.svg|54x54px]][[File:HejiF.svg|48x48px]] | ||
| | | | ||
|- | |- | ||
|23 | | 23 | ||
| 23/16 | | 23/16 | ||
| colspan="2" |[[File:Heji49.svg|54x54px]][[File:Heji25.svg|48x48px]][[File:HejiF.svg|48x48px]] | | colspan="2" | [[File:Heji49.svg|54x54px]][[File:Heji25.svg|48x48px]][[File:HejiF.svg|48x48px]] | ||
| | | | ||
|- | |- | ||
|25 | | 25 | ||
|25/16 | | 25/16 | ||
| colspan="2" |[[File:Heji23.svg|54x54px]][[File:HejiG.svg|48x48px]] | | colspan="2" | [[File:Heji23.svg|54x54px]][[File:HejiG.svg|48x48px]] | ||
| | | | ||
|- | |- | ||
| 27 | | 27 | ||
|27/16 | | 27/16 | ||
| colspan="2" |[[File:HejiA.svg|48x48px]] | | colspan="2" | [[File:HejiA.svg|48x48px]] | ||
|Default staff notation represents Pythagorean tuning | | Default staff notation represents Pythagorean tuning | ||
|- | |- | ||
|29 | | 29 | ||
|29/16 | | 29/16 | ||
| | | (todo) | ||
|[[File:Heji51.svg|48x48px]][[File:Heji12.svg|48x48px]][[File:HejiB.svg|48x48px]] | | [[File:Heji51.svg|48x48px]][[File:Heji12.svg|48x48px]][[File:HejiB.svg|48x48px]] | ||
|Definition of the accidental is revised from 145/144 to 261/256<br />in the 2020 version by Plainsound Music Edition | | Definition of the accidental is revised from 145/144 to 261/256<br />in the 2020 version by Plainsound Music Edition | ||
|- | |- | ||
|31 | | 31 | ||
|31/16 | | 31/16 | ||
|[[File:Heji52.svg|48x48px]][[File:HejiC.svg|48x48px]] | | [[File:Heji52.svg|48x48px]][[File:HejiC.svg|48x48px]] | ||
|(todo) | | (todo) | ||
|Definition of the accidental is revised from 1024/1023 to 32/31<br />in the 2020 version by Plainsound Music Edition | | Definition of the accidental is revised from 1024/1023 to 32/31<br />in the 2020 version by Plainsound Music Edition | ||
|- | |- | ||
|33 | | 33 | ||
|33/32 | | 33/32 | ||
| colspan="2" |[[File:Heji41.svg|54x54px]][[File:HejiC.svg|48x48px]] | | colspan="2" | [[File:Heji41.svg|54x54px]][[File:HejiC.svg|48x48px]] | ||
| | | | ||
|- | |- | ||
|35 | | 35 | ||
|35/32 | | 35/32 | ||
| colspan="2" |[[File:Heji37.svg|54x54px]][[File:Heji17.svg|54x54px]][[File:HejiD.svg|48x48px]] | | colspan="2" | [[File:Heji37.svg|54x54px]][[File:Heji17.svg|54x54px]][[File:HejiD.svg|48x48px]] | ||
|- | |- | ||
|37 | | 37 | ||
|37/32 | | 37/32 | ||
|(todo) | | (todo) | ||
|(todo) | | (todo) | ||
| | | | ||
|- | |- | ||
|39 | | 39 | ||
|39/32 | | 39/32 | ||
| colspan="2" |[[File:Heji42.svg|54x54px]][[File:HejiE.svg|48x48px]] | | colspan="2" | [[File:Heji42.svg|54x54px]][[File:HejiE.svg|48x48px]] | ||
| | | | ||
|- | |- | ||
|41 | | 41 | ||
|41/32 | | 41/32 | ||
|(todo) | | (todo) | ||
|(todo) | | (todo) | ||
| | | | ||
|- | |- | ||
|43 | | 43 | ||
| 43/32 | | 43/32 | ||
|(todo) | | (todo) | ||
|(todo) | | (todo) | ||
| | | | ||
|- | |- | ||
|45 | | 45 | ||
|45/32 | | 45/32 | ||
| colspan="2" |[[File:Heji24.svg|54x54px]][[File:HejiF.svg|48x48px]] | | colspan="2" | [[File:Heji24.svg|54x54px]][[File:HejiF.svg|48x48px]] | ||
| | | | ||
|- | |- | ||
| 47 | | 47 | ||
|47/32 | | 47/32 | ||
| (todo) | | (todo) | ||
| (todo) | | (todo) | ||
Line 180: | Line 179: | ||
|} | |} | ||
==Helmholtz–Ellis glyphs== | == Helmholtz–Ellis glyphs == | ||
{{Todo|update|inline=1|comment=Update the 29-limit comma.}} | |||
<div style="margin: auto auto auto auto;"> | <div style="margin: auto auto auto auto;"> | ||
<gallery> | <gallery> | ||
File:Heji1.svg|Double flat lowered by | File:Heji1.svg | Double flat lowered by three syntonic commas | ||
File:Heji2.svg|Double flat lowered by two syntonic commas | File:Heji2.svg | Double flat lowered by two syntonic commas | ||
File:Heji3.svg|Double flat lowered by one syntonic comma | File:Heji3.svg | Double flat lowered by one syntonic comma | ||
File:Heji4.svg|Double flat | File:Heji4.svg | Double flat | ||
File:Heji5.svg|Double flat raised by one syntonic comma | File:Heji5.svg | Double flat raised by one syntonic comma | ||
File:Heji6.svg|Double flat raised by two syntonic commas | File:Heji6.svg | Double flat raised by two syntonic commas | ||
File:Heji7.svg|Double flat raised by three syntonic commas | File:Heji7.svg | Double flat raised by three syntonic commas | ||
File:Heji8.svg|Flat lowered by three syntonic commas | File:Heji8.svg | Flat lowered by three syntonic commas | ||
File:Heji9.svg|Flat lowered by two syntonic commas | File:Heji9.svg | Flat lowered by two syntonic commas | ||
File:Heji10.svg|Flat lowered by one syntonic comma | File:Heji10.svg | Flat lowered by one syntonic comma | ||
File:Heji11.svg|Flat | File:Heji11.svg | Flat | ||
File:Heji12.svg|Flat raised by one syntonic comma | File:Heji12.svg | Flat raised by one syntonic comma | ||
File:Heji13.svg|Flat raised by two syntonic commas | File:Heji13.svg | Flat raised by two syntonic commas | ||
File:Heji14.svg|Flat raised by three syntonic commas | File:Heji14.svg | Flat raised by three syntonic commas | ||
File:Heji15.svg|Natural lowered by three syntonic commas | File:Heji15.svg | Natural lowered by three syntonic commas | ||
File:Heji16.svg|Natural lowered by two syntonic commas | File:Heji16.svg | Natural lowered by two syntonic commas | ||
File:Heji17.svg|Natural lowered by one syntonic comma | File:Heji17.svg | Natural lowered by one syntonic comma | ||
File:Heji18.svg|Natural | File:Heji18.svg | Natural | ||
File:Heji19.svg|Natural raised by one syntonic comma | File:Heji19.svg | Natural raised by one syntonic comma | ||
File:Heji20.svg|Natural raised by two syntonic commas | File:Heji20.svg | Natural raised by two syntonic commas | ||
File:Heji21.svg|Natural raised by three syntonic commas | File:Heji21.svg | Natural raised by three syntonic commas | ||
File:Heji22.svg|Sharp lowered by three syntonic commas | File:Heji22.svg | Sharp lowered by three syntonic commas | ||
File:Heji23.svg|Sharp lowered by two syntonic commas | File:Heji23.svg | Sharp lowered by two syntonic commas | ||
File:Heji24.svg|Sharp lowered by one syntonic comma | File:Heji24.svg | Sharp lowered by one syntonic comma | ||
File:Heji25.svg|Sharp | File:Heji25.svg | Sharp | ||
File:Heji26.svg|Sharp raised by one syntonic comma | File:Heji26.svg | Sharp raised by one syntonic comma | ||
File:Heji27.svg|Sharp raised by two syntonic commas | File:Heji27.svg | Sharp raised by two syntonic commas | ||
File:Heji28.svg|Sharp raised by three syntonic commas | File:Heji28.svg | Sharp raised by three syntonic commas | ||
File:Heji29.svg|Double sharp lowered by three syntonic commas | File:Heji29.svg | Double sharp lowered by three syntonic commas | ||
File:Heji30.svg|Double sharp lowered by two syntonic commas | File:Heji30.svg | Double sharp lowered by two syntonic commas | ||
File:Heji31.svg|Double sharp lowered by one syntonic comma | File:Heji31.svg | Double sharp lowered by one syntonic comma | ||
File:Heji32.svg|Double sharp | File:Heji32.svg | Double sharp | ||
File:Heji33.svg|Double sharp raised by one syntonic comma | File:Heji33.svg | Double sharp raised by one syntonic comma | ||
File:Heji34.svg|Double sharp raised by two syntonic commas | File:Heji34.svg | Double sharp raised by two syntonic commas | ||
File:Heji35.svg|Double sharp raised by three syntonic commas | File:Heji35.svg | Double sharp raised by three syntonic commas | ||
File:Heji36.svg|Lower by two septimal commas | File:Heji36.svg | Lower by two septimal commas | ||
File:Heji37.svg|Lower by one septimal comma | File:Heji37.svg | Lower by one septimal comma | ||
File:Heji38.svg|Raise by one septimal comma | File:Heji38.svg | Raise by one septimal comma | ||
File:Heji39.svg|Raise by two septimal commas | File:Heji39.svg | Raise by two septimal commas | ||
File:Heji40.svg|Lower by one undecimal quartertone | File:Heji40.svg | Lower by one undecimal quartertone | ||
File:Heji41.svg|Raise by one undecimal quartertone | File:Heji41.svg | Raise by one undecimal quartertone | ||
File:Heji42.svg|Lower by one tridecimal third tone | File:Heji42.svg | Lower by one tridecimal third tone | ||
File:Heji43.svg|Raise by one tridecimal third tone | File:Heji43.svg | Raise by one tridecimal third tone | ||
File:Heji44.svg|Combining lower by one 17-limit schisma | File:Heji44.svg | Combining lower by one 17-limit schisma | ||
File:Heji45.svg|Combining raise by one 17-limit schisma | File:Heji45.svg | Combining raise by one 17-limit schisma | ||
File:Heji46.svg|Combining lower by one 19-limit schisma | File:Heji46.svg | Combining lower by one 19-limit schisma | ||
File:Heji47.svg|Combining raise by one 19-limit schisma | File:Heji47.svg | Combining raise by one 19-limit schisma | ||
File:Heji48.svg|Combining lower by one 23-limit comma | File:Heji48.svg | Combining lower by one 23-limit comma | ||
File:Heji49.svg|Combining raise by one 23-limit comma | File:Heji49.svg | Combining raise by one 23-limit comma | ||
File:Heji50.svg|Combining lower by one 29-limit schisma (old) | File:Heji50.svg | Combining lower by one 29-limit schisma (old) | ||
File:Heji51.svg|Combining raise by one 29-limit schisma (old) | File:Heji51.svg | Combining raise by one 29-limit schisma (old) | ||
File:Heji52.svg|Combining lower by one 31-limit quartertone | File:Heji52.svg | Combining lower by one 31-limit quartertone | ||
File:Heji53.svg|Combining raise by one 31-limit quartertone | File:Heji53.svg | Combining raise by one 31-limit quartertone | ||
</gallery></div> | </gallery></div> | ||
== External links == | |||
* [http://tonalsoft.com/enc/h/hewm.aspx HEWM Notation (Helmholtz-Ellis-Wolf-Monzo)] – Tonalsoft enyclopedia of microtonal music theory | |||
* [https://hejicalc.plainsound.org/ Plainsound Harmonic Space Calculator] | |||
==External links== | |||
*[http://tonalsoft.com/enc/h/hewm.aspx HEWM Notation (Helmholtz-Ellis-Wolf-Monzo)] – Tonalsoft enyclopedia of microtonal music theory | |||
*[https://hejicalc.plainsound.org/ Plainsound Harmonic Space Calculator] | |||
==See also== | == See also == | ||
*[[Color notation]] | * [[Color notation]] | ||
*[[Functional Just System]] (FJS) | * [[Functional Just System]] (FJS) | ||
*[[Ben Johnston's notation]] | * [[Ben Johnston's notation]] | ||
*[[:Category:SVG]] | * [[:Category:SVG]] | ||
==Notes== | == Notes == | ||
<references /> | <references /> | ||
Revision as of 08:46, 4 March 2025
The Helmholtz–Ellis JI pitch notation (HEJI) is a musical notation system for just intonation intervals up to the 47-limit. It consists of a set of accidentals defined by formal commas for each prime harmonic.
Further accidentals were designed by richie for primes up to the 89-limit; see richie's HEJI extensions.
Introductory materials
- The Helmholtz–Ellis JI Pitch Notation (HEJI) by Marc Sabat and Thomas Nicholson from Plainsound Music Edition – 2020 version with revised symbols for primes up to 47 entirely based on alterations of Pythagorean notes
- Extended Helmholtz–Ellis JI Pitch Notation by Marc Sabat and Wolfgang von Schweinitz from Plainsound Music Edition – deprecated[1] 2004 version
Quick reference
Below is a quick guide to the accidentals and commas used in Helmholtz–Ellis notation.
Prime | Formal Comma |
---|---|
5 | 81/80 |
7 | 64/63 |
11 | 33/32 |
13 | 27/26 |
17 | 2187/2176 |
19 | 513/512 |
23 | 736/729 |
29 | 261/256 |
31 | 32/31 |
37 | 37/36 |
41 | 82/81 |
43 | 129/128 |
47 | 752/729 |
Harmonic | Just Ratio | Notation (assuming 1/1 is C) | Comments | |
---|---|---|---|---|
2020 version | 2004 version | |||
1 | 1/1 | ![]() |
Default staff notation represents Pythagorean tuning | |
3 | 3/2 | ![]() | ||
5 | 5/4 | ![]() ![]() |
||
7 | 7/4 | ![]() ![]() ![]() |
||
9 | 9/8 | ![]() |
Default staff notation represents Pythagorean tuning | |
11 | 11/8 | ![]() ![]() |
![]() ![]() ![]() | |
13 | 13/8 | ![]() ![]() |
||
15 | 15/8 | ![]() ![]() |
||
17 | 17/16 | ![]() ![]() ![]() |
![]() ![]() ![]() |
Definition of the accidental is revised from 256/255 to 2187/2176 in the 2020 version by Plainsound Music Edition |
19 | 19/16 | ![]() ![]() ![]() |
||
21 | 21/16 | ![]() ![]() |
||
23 | 23/16 | ![]() ![]() ![]() |
||
25 | 25/16 | ![]() ![]() |
||
27 | 27/16 | ![]() |
Default staff notation represents Pythagorean tuning | |
29 | 29/16 | (todo) | ![]() ![]() ![]() |
Definition of the accidental is revised from 145/144 to 261/256 in the 2020 version by Plainsound Music Edition |
31 | 31/16 | ![]() ![]() |
(todo) | Definition of the accidental is revised from 1024/1023 to 32/31 in the 2020 version by Plainsound Music Edition |
33 | 33/32 | ![]() ![]() |
||
35 | 35/32 | ![]() ![]() ![]() | ||
37 | 37/32 | (todo) | (todo) | |
39 | 39/32 | ![]() ![]() |
||
41 | 41/32 | (todo) | (todo) | |
43 | 43/32 | (todo) | (todo) | |
45 | 45/32 | ![]() ![]() |
||
47 | 47/32 | (todo) | (todo) |
Helmholtz–Ellis glyphs
-
Double flat lowered by three syntonic commas
-
Double flat lowered by two syntonic commas
-
Double flat lowered by one syntonic comma
-
Double flat
-
Double flat raised by one syntonic comma
-
Double flat raised by two syntonic commas
-
Double flat raised by three syntonic commas
-
Flat lowered by three syntonic commas
-
Flat lowered by two syntonic commas
-
Flat lowered by one syntonic comma
-
Flat
-
Flat raised by one syntonic comma
-
Flat raised by two syntonic commas
-
Flat raised by three syntonic commas
-
Natural lowered by three syntonic commas
-
Natural lowered by two syntonic commas
-
Natural lowered by one syntonic comma
-
Natural
-
Natural raised by one syntonic comma
-
Natural raised by two syntonic commas
-
Natural raised by three syntonic commas
-
Sharp lowered by three syntonic commas
-
Sharp lowered by two syntonic commas
-
Sharp lowered by one syntonic comma
-
Sharp
-
Sharp raised by one syntonic comma
-
Sharp raised by two syntonic commas
-
Sharp raised by three syntonic commas
-
Double sharp lowered by three syntonic commas
-
Double sharp lowered by two syntonic commas
-
Double sharp lowered by one syntonic comma
-
Double sharp
-
Double sharp raised by one syntonic comma
-
Double sharp raised by two syntonic commas
-
Double sharp raised by three syntonic commas
-
Lower by two septimal commas
-
Lower by one septimal comma
-
Raise by one septimal comma
-
Raise by two septimal commas
-
Lower by one undecimal quartertone
-
Raise by one undecimal quartertone
-
Lower by one tridecimal third tone
-
Raise by one tridecimal third tone
-
Combining lower by one 17-limit schisma
-
Combining raise by one 17-limit schisma
-
Combining lower by one 19-limit schisma
-
Combining raise by one 19-limit schisma
-
Combining lower by one 23-limit comma
-
Combining raise by one 23-limit comma
-
Combining lower by one 29-limit schisma (old)
-
Combining raise by one 29-limit schisma (old)
-
Combining lower by one 31-limit quartertone
-
Combining raise by one 31-limit quartertone
External links
- HEWM Notation (Helmholtz-Ellis-Wolf-Monzo) – Tonalsoft enyclopedia of microtonal music theory
- Plainsound Harmonic Space Calculator
See also
Notes
View • Talk • EditMusical notation | |
---|---|
Universal | Sagittal notation |
Just intonation | Functional Just System • Ben Johnston's notation (Johnston–Copper notation) • Helmholtz–Ellis notation • Color notation |
MOS scales | Diamond-mos notation • KISS notation (Quasi-diatonic MOS notation) |
Temperaments | Circle-of-fifths notation • Ups and downs notation (alternative symbols) • Syntonic–rastmic subchroma notation • Extended meantone notation • Fractional sharp notation |
See musical notation for a longer list of systems by category. See Category:Notation for the most complete, comprehensive list, but not sorted by category. |