Historical temperaments: Difference between revisions
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* [[Meantone]] | * [[Meantone]] | ||
**[[1- | ** [[1/2-comma meantone|1/2 comma]] (''Fogliano 1529)'' | ||
**[[19edo]] (''Costeley 1558'') | ** [[19edo]] (''Costeley 1558'') | ||
**[[1- | ** [[1/3-comma meantone|1/3 comma]] (''Salinas 1577'') | ||
**[[Lucy tuning|Lucy]] (''Harrison 1775'') | ** [[Lucy tuning|Lucy]] (''Harrison 1775'') | ||
**[[2- | ** [[2/7-comma meantone|2/7 comma]] (''Zarlino 1558'') | ||
**[[5/18 comma meantone|5/18 comma]] (''Smith 1749'') | ** [[5/18-comma meantone|5/18 comma]] (''Smith 1749'') | ||
**[[50edo]] (''Henfling 1710'') | ** [[50edo]] (''Henfling 1710'') | ||
**[[7/26 comma meantone|7/26 comma]] (''Woolhouse 1835'') | ** [[7/26-comma meantone|7/26 comma]] (''Woolhouse 1835'') | ||
**[[Golden meantone|Golden]] (''Kornerup 1930'') | ** [[Golden meantone|Golden]] (''Kornerup 1930'') | ||
**[[Quarter-comma meantone|1/4 comma]] (''Schlick 1511'' & ''Aron 1523'') | ** [[Quarter-comma meantone|1/4 comma]] (''Schlick 1511'' & ''Aron 1523'') | ||
**[[31edo]] (''Vicentino 1555'') | ** [[31edo]] (''Vicentino 1555'') | ||
**[[2/9 comma meantone|2/9 comma]] (''Rossi 1666'' & ''Drobisch 1855'') | ** [[2/9-comma meantone|2/9 comma]] (''Rossi 1666'' & ''Drobisch 1855'') | ||
**[[74edo]] (''Riccati 1762'') | ** [[74edo]] (''Riccati 1762'') | ||
**[[3/14 comma meantone|3/14 comma]] (''Riccati 1762'') | ** [[3/14-comma meantone|3/14 comma]] (''Riccati 1762'') | ||
**[[1- | ** [[1/5-comma meantone|1/5 comma]] (''Verheyen c. 1600'' & ''Sauveur 1701'') | ||
**[[43edo]] (''Sauveur 1701'') | ** [[43edo]] (''Sauveur 1701'') | ||
**[[55edo]] (''Beer <1722'') | ** [[55edo]] (''Beer <1722'') | ||
**[[1/ | ** [[1/6-comma meantone|1/6 comma]] (''Silbermann <1748'') | ||
**[[12edo]] (''Chu Tsai-yü 1596'') | ** [[12edo]] (''Chu Tsai-yü 1596'') | ||
* [[Well temperament]] | * [[Well temperament]] | ||
**[[Kellner]] | ** [[Kellner]] | ||
** [[Johann Kirnberger|Kirnberger]] | ** [[Johann Kirnberger|Kirnberger]] | ||
***[[Kirnberger I]] | *** [[Kirnberger I]] | ||
***[[Kirnberger II]] | *** [[Kirnberger II]] | ||
***[[Kirnberger III]] | *** [[Kirnberger III]] | ||
**Neidhart | ** Neidhart | ||
***[[Hof]] (''court'') | *** [[Hof]] (''court'') | ||
***[[Grosse stadt]] (''large town'') | *** [[Grosse stadt]] (''large town'') | ||
***[[Kleine stadt]] (''small town'') | *** [[Kleine stadt]] (''small town'') | ||
***[[Dorf]] (''village'') | *** [[Dorf]] (''village'') | ||
**[[Temperament ordinaire]] | ** [[Temperament ordinaire]] | ||
**[[Vallotti]] | ** [[Vallotti]] | ||
** Werckmeister | ** Werckmeister | ||
***[[Werckmeister I]] | *** [[Werckmeister I]] | ||
***[[Werckmeister II]] | *** [[Werckmeister II]] | ||
***[[Werck3|Werckmeister III]] | *** [[Werck3|Werckmeister III]] | ||
***[[Werckmeister IV]] (''Orgelprobe'') | *** [[Werckmeister IV]] (''Orgelprobe'') | ||
***[[Werckmeister V]] | *** [[Werckmeister V]] | ||
***[[Werckmeister VI]] (''Septenarius'') | *** [[Werckmeister VI]] (''Septenarius'') | ||
** Young | ** Young | ||
*** Young I (''see [[Vallotti]]'') | *** Young I (''see [[Vallotti]]'') | ||
***[[Young2|Young II]] | *** [[Young2|Young II]] | ||
== See also == | == See also == | ||
*[[Georgian|Georgian musical tradition]] | * [[Georgian|Georgian musical tradition]] | ||
**[[Kartvelian scale]] | ** [[Kartvelian scale]] | ||
**[[Kartvelian scales]] | ** [[Kartvelian scales]] | ||
* [[List of approaches to musical tuning]] | * [[List of approaches to musical tuning]] | ||
* [[:Category:People|People]] | * [[:Category:People|People]] | ||
Revision as of 07:16, 30 September 2023
Historical temperaments are temperaments which saw use during historical times and places, most commonly medieval, early modern or industrial-age Europe.
Examples
Examples include:
- Meantone
- 1/2 comma (Fogliano 1529)
- 19edo (Costeley 1558)
- 1/3 comma (Salinas 1577)
- Lucy (Harrison 1775)
- 2/7 comma (Zarlino 1558)
- 5/18 comma (Smith 1749)
- 50edo (Henfling 1710)
- 7/26 comma (Woolhouse 1835)
- Golden (Kornerup 1930)
- 1/4 comma (Schlick 1511 & Aron 1523)
- 31edo (Vicentino 1555)
- 2/9 comma (Rossi 1666 & Drobisch 1855)
- 74edo (Riccati 1762)
- 3/14 comma (Riccati 1762)
- 1/5 comma (Verheyen c. 1600 & Sauveur 1701)
- 43edo (Sauveur 1701)
- 55edo (Beer <1722)
- 1/6 comma (Silbermann <1748)
- 12edo (Chu Tsai-yü 1596)
- Well temperament
- Kellner
- Kirnberger
- Neidhart
- Hof (court)
- Grosse stadt (large town)
- Kleine stadt (small town)
- Dorf (village)
- Temperament ordinaire
- Vallotti
- Werckmeister
- Werckmeister I
- Werckmeister II
- Werckmeister III
- Werckmeister IV (Orgelprobe)
- Werckmeister V
- Werckmeister VI (Septenarius)
- Young
See also
- Georgian musical tradition
- List of approaches to musical tuning
- People
- Pre-Columbian South American musical traditions
- Seigneur Dieu ta pitié (historical composition in 19edo)
- Temperament extradordinaire (modern temperament inspired by the historical Temperament ordinaire)
- Tempered: Qcmte84a
- Just: Secor5_23TX
- Tetrachord