5L 3s: Difference between revisions

Another Western-classical-influenced approach to oneirotonic chord progressions is to let the harmony emerge from counterpoint. This would allow, for example, using the perfect oneirofourth and minor oneirofifth (instead of the major oneirothird and the perfect oneirofourth) as stand-ins for major thirds and fourths (this adds some dissonance which might be what you want sometimes, e.g. in a chord that is supposed to resolve).