User:Eufalesio/Ultimate: Difference between revisions

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=== Easy tables ===

These are all the accidentals you need to know to write in Ultimate, and even beyond it. For most cases, there is no need to go beyond two of anything, in the case of pomas however, you can end up using three or even more if you don't respell enharmonically ~~(if possible)~~, or go too far down the chain of fifths. One instance is writing 5/4 above a 16/11, which is 20/11. Above a C, this is '''⇊'''G - ^'''↓⇊'''B.

These are all the accidentals you need to know to write in Ultimate, and even beyond it. For most cases, there is no need to go beyond two of anything, in the case of pomas however, you can end up using three or even more if you don't respell enharmonically with buzzardsmas, or go too far down the chain of fifths. One instance is writing 5/4 above a 16/11, which is 20/11. Above a C, this is '''⇊'''G - ^'''↓⇊'''B. The phonetic coding presented and the alterations are

{| class="wikitable"

|+

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=== Syntax ===

For an accidental: (schismina) + (sasaruma) + [saruyoma] + [poma] + [apotome]

For an accidental: (tina) + (schismina) + (sasaruma/layoma) + [saruyoma] + [poma] + [apotome]

* v# = downsharp

* ^^'''⇊''' = ~~dupquq~~

* ^^'''⇊''' = duphypo

For intervals: [accidental] + [5L 7s 6|5 nominal]

* '''↓'''M2 = ~~qumajor~~ second

* '''↓'''M2 = submajor second

* ^'''↓'''M3 = ~~upqumajor~~ third

* ^'''↓'''M3 = upsubmajor third

* v⇈m6 = ~~downpopominor~~ sixth

* v⇈m6 = downhyperminor sixth

For pitches: [5L 7s 6|5 nominal] + [accidental] + [octave number]

For pitches: [5L 7s 6|5 nominal] + [accidental] + [octave number] <small>(scientific please, A4=440Hz)</small>

* D4 = dee four

* E⇈b4 = e ~~popoflat~~ four

* E⇈b4 = e hyperflat four

* F^'''↓'''#5 = ef ~~upqusharp~~ five

* F^'''↓'''#5 = ef upsubsharp five

I left out chords on purpose. Kite has made much better systems for naming them; see [[Kite's color notation#Chord names]] and [[Hi-lo notation]].

@@ Line 309: / Line 309: @@
 === Easy tables ===
-These are all the accidentals you need to know to write in Ultimate, and even beyond it. For most cases, there is no need to go beyond two of anything, in the case of pomas however, you can end up using three or even more if you don't respell enharmonically (if possible), or go too far down the chain of fifths. One instance is writing 5/4 above a 16/11, which is 20/11. Above a C, this is '''⇊'''G - ^'''↓⇊'''B.
+These are all the accidentals you need to know to write in Ultimate, and even beyond it. For most cases, there is no need to go beyond two of anything, in the case of pomas however, you can end up using three or even more if you don't respell enharmonically with buzzardsmas, or go too far down the chain of fifths. One instance is writing 5/4 above a 16/11, which is 20/11. Above a C, this is '''⇊'''G - ^'''↓⇊'''B. The phonetic coding presented and the alterations are
 {| class="wikitable"
 |+
@@ Line 404: / Line 404: @@
 === Syntax ===
-For an accidental: (schismina) + (sasaruma) + [saruyoma] + [poma] + [apotome]
+For an accidental: (tina) + (schismina) + (sasaruma/layoma) + [saruyoma] + [poma] + [apotome]
 * v# = downsharp
-* ^^'''⇊''' = dupquq
+* ^^'''⇊''' = duphypo
 For intervals: [accidental] + [5L 7s 6|5 nominal]
-* '''↓'''M2 = qumajor second
+* '''↓'''M2 = submajor second
-* ^'''↓'''M3 = upqumajor third
+* ^'''↓'''M3 = upsubmajor third
-* v⇈m6 = downpopominor sixth
+* v⇈m6 = downhyperminor sixth
-For pitches: [5L 7s 6|5 nominal] + [accidental] + [octave number]
+For pitches: [5L 7s 6|5 nominal] + [accidental] + [octave number] <small>(scientific please, A4=440Hz)</small>
 * D4 = dee four
-* E⇈b4 = e popoflat four
+* E⇈b4 = e hyperflat four
-* F^'''↓'''#5 = ef upqusharp five
+* F^'''↓'''#5 = ef upsubsharp five
+I left out chords on purpose. Kite has made much better systems for naming them; see [[Kite's color notation#Chord names]] and [[Hi-lo notation]].