User:Aura/Aura's introduction to 159edo: Difference between revisions
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| This tetrad is likely to decompose into a voicing variation on the corresponding triad if the same scale degree is used as a chord root multiple times in a row | | This tetrad is likely to decompose into a voicing variation on the corresponding triad if the same scale degree is used as a chord root multiple times in a row | ||
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| Supradusthumic Ptolemaic Dominant Seventh | |||
| D, F#↓, A↓, C | |||
| 0, 51, 90, 132 | |||
| b↑III | |||
| 1/(45:54:64:80) | |||
| This dissonant dominant tetrad has a different function than its more traditional counterpart | |||
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[[Category:Method]] | [[Category:Method]] | ||