Nominal-accidental chain: Difference between revisions
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These pitches form a chain, with each one separated from the next by a specific interval. This interval can be said to generate the notation, or the notation can be said to be based on this interval. In diatonic circle-of-fifths notation, this interval has been a just or near-just 3/2. Other intervals are possible, and even desirable for certain edos like 13, 18 and 23. | These pitches form a chain, with each one separated from the next by a specific interval. This interval can be said to generate the notation, or the notation can be said to be based on this interval. In diatonic circle-of-fifths notation, this interval has been a just or near-just 3/2. Other intervals are possible, and even desirable for certain edos like 13, 18 and 23. | ||
{{Wikipedia| Enharmonic equivalence }} | |||
'''Enharmonic equivalence''' may arise from this approach. This is when you have multiple names for the same pitch. C-sharp is enharmonically equivalent to D-flat, but only in 12edo, 24edo, 36edo, etc. | '''Enharmonic equivalence''' may arise from this approach. This is when you have multiple names for the same pitch. C-sharp is enharmonically equivalent to D-flat, but only in 12edo, 24edo, 36edo, etc. | ||
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== Related topics == | == Related topics == | ||
{{Todo| update |inline=1|comment=Find materials for these topics.}} | |||
* The term "albitonic" | * The term "albitonic" | ||
* [[Mark Gould]]'s connection of accidentals to [[bi-level MOS]] | * [[Mark Gould]]'s connection of accidentals to [[bi-level MOS]] | ||
== See also == | |||
* [[Enharmonic]] (disambiguation page) | |||
[[Category:Notation]] | [[Category:Notation]] | ||
Revision as of 13:30, 15 December 2023
- "Sharp" and "flat" redirect here. For the temperaments, see Sharp (temperament) and Flat (temperament).
This is a neologism for the common pattern in notating microtonal pitch systems. These are analogous extensions of basic Western musical notation.
Nominals are pitch elements that have specific names. In Western musical notation, these names are the seven letters A B C D E F G (historically, H has also been used). In a pentatonic notation, there would be only five names.
Accidentals are additional pitches that arise as modifications of the nominals. Unmodified pitches are natural notes. In diatonic circle-of-fifths notation, the additional pitches are denoted by adding sharps or flats to A-G. The sharp accidental denotes a pitch raise by a chromatic semitone, equivalent to a raise by 7 fifths minus 4 octaves. Conversely, the flat accidental denotes a pitch drop by the same amount. In equal temperaments, the number of steps this interval is mapped to is called the sharpness.
These pitches form a chain, with each one separated from the next by a specific interval. This interval can be said to generate the notation, or the notation can be said to be based on this interval. In diatonic circle-of-fifths notation, this interval has been a just or near-just 3/2. Other intervals are possible, and even desirable for certain edos like 13, 18 and 23.
Enharmonic equivalence may arise from this approach. This is when you have multiple names for the same pitch. C-sharp is enharmonically equivalent to D-flat, but only in 12edo, 24edo, 36edo, etc.
Specific notation schemes
- Diatonic
- Circle-of-fifths notation (and neutral circle-of-fifths notation)
- Nondiatonic
- Bohlen-Pierce notation (based on the lambda scale)
- Armodue number notation (based on the superdiatonic scale)
- Fox-Raven notation (based on the oneirotonic scale)
- Arcturus hendecatonic notation (based on the Arcturus[11] scale)
- Diamond-mos notation
- Unsorted
- Erv Wilson's greek letters
- Aaron Hunt's system
Related topics
|
Todo: update
Find materials for these topics. |
- The term "albitonic"
- Mark Gould's connection of accidentals to bi-level MOS
See also
- Enharmonic (disambiguation page)