User:Ganaram inukshuk/Notes/TAMNAMS: Difference between revisions
→Suggested changes for mos pattern names (work-in-progress): Added further reasoning for replacing "superdiatonic" for "armotonic", but suggested a compromise to use both names. |
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|unchagned | |unchagned | ||
|pelic | |pelic | ||
| rowspan="2" |From "[[pelog]]" and "[[armodue]]". The proposed names are to make both scales more distinct from diatonic. These names must be changed together. | | rowspan="2" |From "[[pelog]]" and "[[armodue]]". The proposed names are to make both scales more distinct from diatonic. These names must be changed together if possible. The term "superdiatonic" was misattributed to armodue theorists (the term cannot be found anywhere on the armodue website) and may have meant something other than 7L 2s. (Clarification needed.) | ||
| rowspan="2" |The connection to diatonic may be beneficial to some musicians. Additionally, the mode names commonly used for both mosses are those from diatonic (lydian, ionian, etc) with the anti- and super- prefixes added. | | rowspan="2" |The connection to diatonic may be beneficial to some musicians. Additionally, the mode names commonly used for both mosses are those from diatonic (lydian, ionian, etc) with the anti- and super- prefixes added. Despite misattribution, the name "superdiatonic" commonly refers to 7L 2s. A possible compromise is to use both names (some mosses already have more than one name). | ||
New names reference pelog tuning and armodue theory. | New names reference pelog tuning and armodue theory. | ||