Scores: Difference between revisions
m Protected "Scores": deemed priority ([Edit=Allow only autoconfirmed users] (indefinite) [Move=Allow only autoconfirmed users] (indefinite)) |
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When a piece of music is to be performed repeatedly the same way, or performed by people who weren't the originators of the piece, it helps to have a score. In the history of objectifying music, scores were the currency until they were displaced by recordings. There are many types of [[musical notation|microtonal notation]], such as [[Sagittal_notation#Scores in Sagittal notation|Sagittal notation]], [[color notation]] and [[ | When a piece of music is to be performed repeatedly the same way, or performed by people who weren't the originators of the piece, it helps to have a score. In the history of objectifying music, scores were the currency until they were displaced by recordings. There are many types of [[musical notation|microtonal notation]], such as [[Sagittal_notation#Scores in Sagittal notation|Sagittal notation]], [[color notation]] and [[Ups and downs notation|ups and downs notation]]. | ||
== Historically significant microtonal scores == | == Historically significant microtonal scores == | ||
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; David Canright | ; David Canright | ||
* ''[http://home.comcast.net/~dcanright/suite/index.htm Fibonacci Suite]''{{dead link}} for piano retuned to 7-limit JI, seven hands | * ''[http://home.comcast.net/~dcanright/suite/index.htm Fibonacci Suite]''{{dead link}} for piano retuned to 7-limit JI, seven hands | ||
; [[Daniel Corral]] | |||
* [https://danielcorral.com/score/ Daniel Corral scores archive] | |||
; [[William Copper]] | ; [[William Copper]] | ||