42edo: Difference between revisions
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! Tuning | ! Tuning | ||
! [[42ed257/128]] | ! [[42ed257/128]] | ||
! [[ | ! [[11ed6/5]] | ||
! [[zpi|189zpi]] | ! [[zpi|189zpi]] | ||
! [[42edo]] | ! [[42edo]] | ||
Line 48: | Line 48: | ||
! Tuning | ! Tuning | ||
! [[42edo]] | ! [[42edo]] | ||
! [[ | ! [[Equal-step tuning|34ed7/4]] | ||
! [[191zpi]] | ! [[191zpi]] | ||
! [[ | ! [[AS|AS123/121]] | ||
|- | |- | ||
! Steps / octave | ! Steps / octave | ||
Line 66: | Line 66: | ||
| colspan="5" | <span style="font-size: 0.75em;"><div style="text-align: center;">''“great” = 0-13% relative error • “good” = 13-27% • “okay” = 27-40% • “bad” = 40-50%''</div></span> | | colspan="5" | <span style="font-size: 0.75em;"><div style="text-align: center;">''“great” = 0-13% relative error • “good” = 13-27% • “okay” = 27-40% • “bad” = 40-50%''</div></span> | ||
|} | |} | ||
=== Subsets and supersets === | === Subsets and supersets === | ||
Line 77: | Line 75: | ||
! # | ! # | ||
! Cents | ! Cents | ||
! colspan="3" |[[Ups and | ! colspan="3" | [[Ups and downs notation]] | ||
|- | |- | ||
| 0 | | 0 | ||
| 0. | | 0.0 | ||
| P1 | | P1 | ||
| perfect unison | | perfect unison | ||
Line 86: | Line 84: | ||
|- | |- | ||
| 1 | | 1 | ||
| 28. | | 28.6 | ||
| ^1, m2 | | ^1, m2 | ||
| up unison, minor 2nd | | up unison, minor 2nd | ||
Line 92: | Line 90: | ||
|- | |- | ||
| 2 | | 2 | ||
| 57. | | 57.1 | ||
| ^^1, ^m2 | | ^^1, ^m2 | ||
| dup 1sn, upminor 2nd | | dup 1sn, upminor 2nd | ||
Line 98: | Line 96: | ||
|- | |- | ||
| 3 | | 3 | ||
| 85. | | 85.7 | ||
| ^^m2 | | ^^m2 | ||
| dupminor 2nd | | dupminor 2nd | ||
Line 104: | Line 102: | ||
|- | |- | ||
| 4 | | 4 | ||
| 114. | | 114.3 | ||
| ^<sup>3</sup>m | | ^<sup>3</sup>m | ||
| trupminor 2nd | | trupminor 2nd | ||
Line 110: | Line 108: | ||
|- | |- | ||
| 5 | | 5 | ||
| 143. | | 143.9 | ||
| v<sup>3</sup>M | | v<sup>3</sup>M | ||
| trudmajor 2nd | | trudmajor 2nd | ||
Line 116: | Line 114: | ||
|- | |- | ||
| 6 | | 6 | ||
| 171. | | 171.4 | ||
| vvM2 | | vvM2 | ||
| dudmajor 2nd | | dudmajor 2nd | ||
Line 122: | Line 120: | ||
|- | |- | ||
| 7 | | 7 | ||
| 200. | | 200.0 | ||
| vM2 | | vM2 | ||
| downmajor 2nd | | downmajor 2nd | ||
Line 128: | Line 126: | ||
|- | |- | ||
| 8 | | 8 | ||
| 228. | | 228.6 | ||
| M2 | | M2 | ||
| major 2nd | | major 2nd | ||
Line 134: | Line 132: | ||
|- | |- | ||
| 9 | | 9 | ||
| 257. | | 257.1 | ||
| m3 | | m3 | ||
| minor 3rd | | minor 3rd | ||
Line 140: | Line 138: | ||
|- | |- | ||
| 10 | | 10 | ||
| 285. | | 285.7 | ||
| ^m3 | | ^m3 | ||
| upminor 3rd | | upminor 3rd | ||
Line 146: | Line 144: | ||
|- | |- | ||
| 11 | | 11 | ||
| 314. | | 314.3 | ||
| ^^m3 | | ^^m3 | ||
| dupminor 3rd | | dupminor 3rd | ||
Line 152: | Line 150: | ||
|- | |- | ||
| 12 | | 12 | ||
| 342. | | 342.9 | ||
| ^<sup>3</sup>m3 | | ^<sup>3</sup>m3 | ||
| trupminor 3rd | | trupminor 3rd | ||
Line 158: | Line 156: | ||
|- | |- | ||
| 13 | | 13 | ||
| 371. | | 371.4 | ||
| v<sup>3</sup>M3 | | v<sup>3</sup>M3 | ||
| trudmajor 3rd | | trudmajor 3rd | ||
Line 164: | Line 162: | ||
|- | |- | ||
| 14 | | 14 | ||
| 400. | | 400.0 | ||
| vvM3 | | vvM3 | ||
| dudmajor 3rd | | dudmajor 3rd | ||
Line 170: | Line 168: | ||
|- | |- | ||
| 15 | | 15 | ||
| 428. | | 428.6 | ||
| vM3 | | vM3 | ||
| downmajor 3rd | | downmajor 3rd | ||
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|- | |- | ||
| 16 | | 16 | ||
| 457. | | 457.1 | ||
| M3, v4 | | M3, v4 | ||
| major 3rd, down 4th | | major 3rd, down 4th | ||
Line 182: | Line 180: | ||
|- | |- | ||
| 17 | | 17 | ||
| 485. | | 485.7 | ||
| P4 | | P4 | ||
| perfect 4th | | perfect 4th | ||
Line 188: | Line 186: | ||
|- | |- | ||
| 18 | | 18 | ||
| 514. | | 514.3 | ||
| ^4 | | ^4 | ||
| up 4th | | up 4th | ||
Line 194: | Line 192: | ||
|- | |- | ||
| 19 | | 19 | ||
| 543. | | 543.9 | ||
| ^^4 | | ^^4 | ||
| dup 4th | | dup 4th | ||
Line 200: | Line 198: | ||
|- | |- | ||
| 20 | | 20 | ||
| 571. | | 571.4 | ||
| ^<sup>3</sup>4, ^^d5 | | ^<sup>3</sup>4, ^^d5 | ||
| trup 4th, dupdim 5th | | trup 4th, dupdim 5th | ||
Line 206: | Line 204: | ||
|- | |- | ||
| 21 | | 21 | ||
| 600. | | 600.0 | ||
| v<sup>3</sup>A4, ^<sup>3</sup>d5 | | v<sup>3</sup>A4, ^<sup>3</sup>d5 | ||
| trudaug 4th, trupdim 5th | | trudaug 4th, trupdim 5th | ||
Line 212: | Line 210: | ||
|- | |- | ||
| 22 | | 22 | ||
| 628. | | 628.6 | ||
| vvA4, v<sup>3</sup>5 | | vvA4, v<sup>3</sup>5 | ||
| dudaug 4th, trud 5th | | dudaug 4th, trud 5th | ||
Line 218: | Line 216: | ||
|- | |- | ||
| 23 | | 23 | ||
| 657. | | 657.1 | ||
| vv5 | | vv5 | ||
| dud 5th | | dud 5th | ||
Line 224: | Line 222: | ||
|- | |- | ||
| 24 | | 24 | ||
| 685. | | 685.7 | ||
| v5 | | v5 | ||
| down 5th | | down 5th | ||
Line 230: | Line 228: | ||
|- | |- | ||
| 25 | | 25 | ||
| 714. | | 714.3 | ||
| P5 | | P5 | ||
| perfect 5th | | perfect 5th | ||
Line 236: | Line 234: | ||
|- | |- | ||
| 26 | | 26 | ||
| 742. | | 742.9 | ||
| ^5, m6 | | ^5, m6 | ||
| up 5th, minor 6th | | up 5th, minor 6th | ||
Line 242: | Line 240: | ||
|- | |- | ||
| 27 | | 27 | ||
| 771. | | 771.4 | ||
| ^m6 | | ^m6 | ||
| upminor 6th | | upminor 6th | ||
Line 248: | Line 246: | ||
|- | |- | ||
| 28 | | 28 | ||
| 800. | | 800.0 | ||
| ^^m6 | | ^^m6 | ||
| dupminor 6th | | dupminor 6th | ||
Line 254: | Line 252: | ||
|- | |- | ||
| 29 | | 29 | ||
| 828. | | 828.6 | ||
| ^<sup>3</sup>m6 | | ^<sup>3</sup>m6 | ||
| trupminor 6th | | trupminor 6th | ||
Line 260: | Line 258: | ||
|- | |- | ||
| 30 | | 30 | ||
| 857. | | 857.1 | ||
| v<sup>3</sup>M6 | | v<sup>3</sup>M6 | ||
| trudmajor 6th | | trudmajor 6th | ||
Line 266: | Line 264: | ||
|- | |- | ||
| 31 | | 31 | ||
| 885. | | 885.7 | ||
| vvM6 | | vvM6 | ||
| dudmajor 6th | | dudmajor 6th | ||
Line 272: | Line 270: | ||
|- | |- | ||
| 32 | | 32 | ||
| 914. | | 914.3 | ||
| vM6 | | vM6 | ||
| downmajor 6th | | downmajor 6th | ||
Line 278: | Line 276: | ||
|- | |- | ||
| 33 | | 33 | ||
| 942. | | 942.9 | ||
| M6 | | M6 | ||
| major 6th | | major 6th | ||
Line 284: | Line 282: | ||
|- | |- | ||
| 34 | | 34 | ||
| 971. | | 971.4 | ||
| m7 | | m7 | ||
| minor 7th | | minor 7th | ||
Line 290: | Line 288: | ||
|- | |- | ||
| 35 | | 35 | ||
| 1000. | | 1000.0 | ||
| ^m7 | | ^m7 | ||
| upminor 7th | | upminor 7th | ||
Line 296: | Line 294: | ||
|- | |- | ||
| 36 | | 36 | ||
| 1028. | | 1028.6 | ||
| ^^m7 | | ^^m7 | ||
| dupminor 7th | | dupminor 7th | ||
Line 302: | Line 300: | ||
|- | |- | ||
| 37 | | 37 | ||
| 1057. | | 1057.1 | ||
| ^<sup>3</sup>m7 | | ^<sup>3</sup>m7 | ||
| trupminor 7th | | trupminor 7th | ||
Line 308: | Line 306: | ||
|- | |- | ||
| 38 | | 38 | ||
| 1085. | | 1085.7 | ||
| v<sup>3</sup>M7 | | v<sup>3</sup>M7 | ||
| trudmajor 7th | | trudmajor 7th | ||
Line 314: | Line 312: | ||
|- | |- | ||
| 39 | | 39 | ||
| 1114. | | 1114.3 | ||
| vvM7 | | vvM7 | ||
| dudmajor 7th | | dudmajor 7th | ||
Line 320: | Line 318: | ||
|- | |- | ||
| 40 | | 40 | ||
| 1142. | | 1142.9 | ||
| vM7 | | vM7 | ||
| downmajor 7th | | downmajor 7th | ||
Line 326: | Line 324: | ||
|- | |- | ||
| 41 | | 41 | ||
| 1171. | | 1171.4 | ||
| M7, v8 | | M7, v8 | ||
| major 7th, down 8ve | | major 7th, down 8ve | ||
Line 332: | Line 330: | ||
|- | |- | ||
| 42 | | 42 | ||
| 1200. | | 1200.0 | ||
| P8 | | P8 | ||
| perfect 8ve | | perfect 8ve | ||
Line 338: | Line 336: | ||
|} | |} | ||
Chords can be named using ups and downs as C upminor, D downmajor seven, etc. See [[Ups and | Chords can be named using ups and downs as C upminor, D downmajor seven, etc. See [[Ups and downs notation #Chords and chord progressions]]. | ||
== Notation == | == Notation == | ||
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Assuming the natural notes form a [[chain of fifths]], the major 2nd is 8 edosteps and the minor 2nd is only one. The naturals create a [[5edo]]-like scale, with two of the notes inflected by a [[comma]]-sized edostep: | Assuming the natural notes form a [[chain of fifths]], the major 2nd is 8 edosteps and the minor 2nd is only one. The naturals create a [[5edo]]-like scale, with two of the notes inflected by a [[comma]]-sized edostep: | ||
D | D * * * * * * * E F * * * * * * * G * * * * * * * A * * * * * * * B C * * * * * * * D | ||
D♯ is next to E. The notation requires ups and downs with three arrows, and if chords are to be spelled correctly four or more arrows may be required in certain cases. For example, a {{dash|1/1, 5/4, 3/2, 9/5|med}} chord with a root on the | D♯ is next to E. The notation requires ups and downs with three arrows, and if chords are to be spelled correctly four or more arrows may be required in certain cases. For example, a {{dash|1/1, 5/4, 3/2, 9/5|med}} chord with a root on the edostep midway between G and A would be written either as {{dash|v<sup>3</sup>G♯–v<sup>5</sup>B♯, v<sup>3</sup>D♯, vF♯|med}} or as {{dash|^<sup>3</sup>A♭, ^C, ^<sup>3</sup>E♭, ^<sup>5</sup>G♭}}. This is a dud dup-seven chord, written either as v<sup>3</sup>G♯vv,^^7 or as ^<sup>3</sup>A♭vv,^^7. | ||
In this table, dup is equivalent to quidsharp, trup is equivalent to quudsharp, trudsharp is equivalent to quup, dudsharp is equivalent to quip, etc. | |||
{{sharpness-sharp7a}} | |||
Alternatively, sharps and flats with arrows borrowed from [[Helmholtz–Ellis notation]] can be used: | Alternatively, sharps and flats with arrows borrowed from [[Helmholtz–Ellis notation]] can be used: | ||
Line 388: | Line 389: | ||
</imagemap> | </imagemap> | ||
== JI | == Approximation to JI == | ||
{{Q-odd-limit intervals}} | {{Q-odd-limit intervals}} | ||
== Regular temperament properties == | == Regular temperament properties == | ||
Line 433: | Line 420: | ||
| 2.3.5.7 | | 2.3.5.7 | ||
| 64/63, 126/125, 6860/6561 | | 64/63, 126/125, 6860/6561 | ||
| {{Mapping| | | {{Mapping| 42 67 98 118 }} | ||
| −3.65 | | −3.65 | ||
| 3.26 | | 3.26 | ||
Line 450: | Line 437: | ||
* Seville/Sevond[14] 2nd mode: '''5 1 5 1 5 1 5 1 5 1 5 1 5 1''' | * Seville/Sevond[14] 2nd mode: '''5 1 5 1 5 1 5 1 5 1 5 1 5 1''' | ||
* Seville/Sevond[21]: '''1 4 1 1 4 1 1 4 1 1 4 1 1 4 1 1 4 1 1 4''' | * Seville/Sevond[21]: '''1 4 1 1 4 1 1 4 1 1 4 1 1 4 1 1 4 1 1 4''' | ||
; Subsets of MOS scales | ; Subsets of MOS scales | ||
Line 461: | Line 449: | ||
** Undecimal lydian-aeolian pentatonic: '''8 14 3 11 6''' | ** Undecimal lydian-aeolian pentatonic: '''8 14 3 11 6''' | ||
** Yokai pentatonic: '''3 14 8 3 14''' | ** Yokai pentatonic: '''3 14 8 3 14''' | ||
; Approximations of [[gamelan]] scales: | |||
* 5-tone pelog: 4 5 15 3 15 | |||
* 7-tone pelog: 4 5 9 6 3 10 5 | |||
* 5-tone slendro: 8 9 8 9 8 | |||
== Instruments == | == Instruments == | ||
=== Lumatone === | |||
{{main|Lumatone mapping for 42edo}} | {{main|Lumatone mapping for 42edo}} | ||
=== Skip fretting === | |||
'''[[Skip fretting]] system 42 3 11''': One way to play [[42edo]] on a [[14edo]] guitar is to tune the strings 11\42, or approximately a [[just]] 6/5, apart. All examples on this page are for 7-string guitar. | |||
; Prime intervals | |||
1/1: string 2 open | |||
2/1: string 5 fret 3 | |||
3/2: string 4 fret 1 and string 7 fret 4 | |||
5/4: string 3 fret 1 | |||
7/4: string 1 fret 1 and string 4 fret 4 | |||
11/8: string 7 fret 2 | |||
13/8: string 3 fret 6 | |||
17/16: string 1 fret 5 | |||
19/16: string 1 fret 7 | |||
23/16: string 4 open and string 7 fret 3 | |||
29/16: string 5 fret 1 | |||
31/16: string 1 fret 3 and string 4 fret 6 | |||
; Chords | |||
Minor 7th: 100123X | |||
== Music == | == Music == | ||
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=== 21st century === | === 21st century === | ||
; [[Bryan Deister]] | ; [[Bryan Deister]] | ||
* [https://www.youtube.com/watch?v=PJw8gZyNPjg ''improv 42edo''] (2023) | |||
* [https://www.youtube.com/watch?v=ljaSpsQP2qc ''Improvisation in 42edo''] (2023), transcribed by [[Stephen Weigel]] (2024) | * [https://www.youtube.com/watch?v=ljaSpsQP2qc ''Improvisation in 42edo''] (2023), transcribed by [[Stephen Weigel]] (2024) | ||