Fractional sharp notation: Difference between revisions
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The '''fractional sharp notation''' (FSN) is a notation developed by [[User:CompactStar|CompactStar]] that is an extension of [[chain-of-fifths notation]], supporting | The '''fractional sharp notation''' (FSN) is a notation developed by [[User:CompactStar|CompactStar]] that is an extension of [[chain-of-fifths notation]], supporting almost all [[EDO]]s and several [[rank-2 temperament]] systems. It represents all intervals with conventional accidentals, but with sharps and flats extended to have an arbitrary rational amount, denoted by a superscript, such as #<sup>1/2</sup> for half-sharp, except for in the case of single and double accidentals. If ASCII compatibility is required, superscripts can be substituted for carets–in this case, #^(a/b) is preferred over #^a/b for clarity. | ||
<nowiki>#</nowiki><sup>a/b</sup> (can be spoken as "a over b sharp") is always taken to raise by a/b chromatic semitones, and b<sup>a/b</sup> is always taken to lower by a/b chromatic semitones. The "augmented" and "diminished" qualifiers for interval names are also extended to arbitrary rational amounts, where a/b-augmented (a/b-A) widens the interval by a/b chromatic semitones and a/b-diminished (a/b-d) narrows the interval by a/b chromatic semitones. Intervals between minor and major are expressed as a/b-augmented minor or a/b-diminished major (this was suggested by [[User:Frostburn]]). For example, 1/3 of the way from a minor third to a major third is a 1/3-augmented minor third, while 2/3 of the way from a minor third to a major third is a 1/3-diminished major third. Because 1/2-augmented minor and 1/2-diminished major are identical, they are instead referred to by the more conventional "neutral" (n). | |||
== For EDOs == | == For EDOs == | ||
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== For rank-2 temperaments == | == For rank-2 temperaments == | ||
A few [[rank-2 temperament]]s can be notated, but only ones which have a period of an unsplit octave, and in which the [[generator]] can be expressed as an FSN interval category. For example, [[neutral]] temperament can have the generator notated as n3, and [[porcupine]] temperament can have the generator notated as 1/3-dM2, because the difference between the generator and [[9/8]] (represented by [[81/80]]) is equated to 1/3 of an [[2187/2048|apotome]] in porcupine. [[Semaphore]] is an example of a temperament which does not qualify, because there is no FSN category that implies a semifourth. | A few [[rank-2 temperament]]s can be notated, but only ones which have a period of an unsplit octave, and in which the [[generator]] can be expressed as an FSN interval category. For example, [[neutral]] temperament can have the generator notated as n3, and [[porcupine]] temperament can have the generator notated as 1/3-dM2, because the difference between the generator and [[9/8]] (represented by [[81/80]], [[45/44]] and etc.) is equated to 1/3 of an [[2187/2048|apotome]] in porcupine. [[Semaphore]] is an example of a temperament which does not qualify, because there is no FSN category that implies a semifourth. | ||
== Examples == | == Examples == | ||
[[17edo]]: | [[17edo]]: | ||
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| 1/2-aug unison, minor 2nd | | 1/2-aug unison, minor 2nd | ||
| 1/2-A1, m2 | | 1/2-A1, m2 | ||
| D | | D#<sup>1/2</sup>, Eb | ||
|- | |- | ||
| 2 | | 2 | ||
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| aug unison, neutral 2nd | | aug unison, neutral 2nd | ||
| A1, n2 | | A1, n2 | ||
| D | | D#, Eb<sup>1/2</sup> | ||
|- | |- | ||
| 3 | | 3 | ||
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| neutral 3rd | | neutral 3rd | ||
| n3 | | n3 | ||
| F | | F#<sup>1/2</sup> | ||
|- | |- | ||
| 6 | | 6 | ||
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| major 3rd | | major 3rd | ||
| M3 | | M3 | ||
| F | | F# | ||
|- | |- | ||
| 7 | | 7 | ||
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| 1/2-aug 4th, dim 5th | | 1/2-aug 4th, dim 5th | ||
| 1/2-A4, d5 | | 1/2-A4, d5 | ||
| G | | G#<sup>1/2</sup>, Ab | ||
|- | |- | ||
| 9 | | 9 | ||
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| aug 4th, 1/2-dim 5th | | aug 4th, 1/2-dim 5th | ||
| A4, 1/2-d5 | | A4, 1/2-d5 | ||
| G | | G#, Ab<sup>1/2</sup> | ||
|- | |- | ||
| 10 | | 10 | ||
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| neutral 7th, dim octave | | neutral 7th, dim octave | ||
| n7, d8 | | n7, d8 | ||
| C | | C#<sup>1/2</sup>, Db | ||
|- | |- | ||
| 16 | | 16 | ||
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| major 7th, 1/2-dim octave | | major 7th, 1/2-dim octave | ||
| M7, 1/2-d8 | | M7, 1/2-d8 | ||
| C | | C#, Db<sup>1/2</sup> | ||
|- | |- | ||
| 17 | | 17 | ||
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| 1/3-aug unison, minor 2nd | | 1/3-aug unison, minor 2nd | ||
| 1/3-A1, m2 | | 1/3-A1, m2 | ||
| D | | D#<sup>1/3</sup>, Eb | ||
|- | |- | ||
| 2 | | 2 | ||
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| 2/3-aug unison, 1/3-aug minor 2nd | | 2/3-aug unison, 1/3-aug minor 2nd | ||
| 2/3-A1, 1/3-AM2 | | 2/3-A1, 1/3-AM2 | ||
| D | | D#<sup>2/3</sup>, Eb<sup>2/3</sup> | ||
|- | |- | ||
| 3 | | 3 | ||
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| aug unison, 1/3-dim major 2nd | | aug unison, 1/3-dim major 2nd | ||
| A1, 1/3-dM2 | | A1, 1/3-dM2 | ||
| D | | D#, Eb<sup>1/3</sup> | ||
|- | |- | ||
| 4 | | 4 | ||
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| 1/3-aug minor 3rd | | 1/3-aug minor 3rd | ||
| 1/3-Am3 | | 1/3-Am3 | ||
| F | | F#<sup>1/3</sup> | ||
|- | |- | ||
| 7 | | 7 | ||
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| 1/3-dim major 3rd | | 1/3-dim major 3rd | ||
| 1/3-dM3 | | 1/3-dM3 | ||
| F | | F#<sup>2/3</sup> | ||
|- | |- | ||
| 8 | | 8 | ||
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| major 3rd | | major 3rd | ||
| M3 | | M3 | ||
| F | | F# | ||
|- | |- | ||
| 9 | | 9 | ||
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| 1/3-aug 4th, dim 5th | | 1/3-aug 4th, dim 5th | ||
| 1/3-A4, d5 | | 1/3-A4, d5 | ||
| G | | G#<sup>1/3</sup>, Ab | ||
|- | |- | ||
| 11 | | 11 | ||
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| 2/3-aug 4th, 2/3-dim 5th | | 2/3-aug 4th, 2/3-dim 5th | ||
| 2/3-A4, 2/3-d5 | | 2/3-A4, 2/3-d5 | ||
| G | | G#<sup>2/3</sup>, Ab<sup>2/3</sup> | ||
|- | |- | ||
| 12 | | 12 | ||
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| aug 4th, 1/3-dim 5th | | aug 4th, 1/3-dim 5th | ||
| A4, 1/3-d5 | | A4, 1/3-d5 | ||
| G | | G#, Ab<sup>1/3</sup> | ||
|- | |- | ||
| 13 | | 13 | ||
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| 1/3-aug minor 7th | | 1/3-aug minor 7th | ||
| 1/3-Am7 | | 1/3-Am7 | ||
| C | | C#<sup>1/3</sup> | ||
|- | |- | ||
| 20 | | 20 | ||
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| 1/3-dim major 7th | | 1/3-dim major 7th | ||
| 1/3-dM7 | | 1/3-dM7 | ||
| C | | C#<sup>2/3</sup> | ||
|- | |- | ||
| 21 | | 21 | ||
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| major 7th | | major 7th | ||
| M7 | | M7 | ||
| C | | C# | ||
|- | |- | ||
| 22 | | 22 | ||
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| D | | D | ||
|} | |} | ||
{{Navbox notation}} | |||
[[Category:Notation]] |