7:9:11: Difference between revisions
Jump to navigation
Jump to search
Birth |
No edit summary |
||
| (2 intermediate revisions by 2 users not shown) | |||
| Line 1: | Line 1: | ||
{{Infobox | {{Infobox chord|ColorName = ru loru 5, r(1or5)}} | ||
'''7:9:11''' is the Greeley Major chord. It sort of sounds like an augmented fifth chord, including two types of third, a [[9/7]] supermajor third, and a [[11/9]] neutral third. | |||
It is one of the simplest chords that truly sounds xenharmonic. [[6:7:9:11]] and variants are another such simple xen chords. | It is one of the simplest chords that truly sounds xenharmonic. [[6:7:9:11]] and variants are another such simple xen chords. | ||
{{chord edo approximation}} | |||
== Audio of close voicings == | == Audio of close voicings == | ||
| Line 10: | Line 13: | ||
== Notable voicings == | == Notable voicings == | ||
{| class="wikitable" | {| class="wikitable" | ||
!Voices | ! Voices | ||
![[EFR]] | ! [[EFR]] | ||
![[Kite's thoughts on hi-lo notation|Hi-lo name]] | ! [[Kite's thoughts on hi-lo notation|Hi-lo name]] | ||
!Special properties | ! Special properties | ||
|- | |- | ||
| rowspan="4" |3 voices | | rowspan="4" | 3 voices | ||
|7:9:11 | | 7:9:11 | ||
|basic | | basic | ||
|AOV, isoharmonic, root position | | AOV, isoharmonic, root position | ||
|- | |- | ||
|7:11:18 | | 7:11:18 | ||
|hi3 | | hi3 | ||
| | | | ||
|- | |- | ||
|9:11:14 | | 9:11:14 | ||
|hiR | | hiR | ||
|1st inversion | | 1st inversion | ||
|- | |- | ||
|11:14:18 | | 11:14:18 | ||
|lo5 | | lo5 | ||
|2nd inversion | | 2nd inversion | ||
|- | |- | ||
| rowspan="2" |4 voices | | rowspan="2" | 4 voices | ||
|7:9:11:'''14''' | | 7:9:11:'''14''' | ||
|add8 | | add8 | ||
| | | | ||
|- | |- | ||
|7:11:18:28 | | 7:11:18:28 | ||
|lo5Radd8 | | lo5Radd8 | ||
| | | | ||
|} | |} | ||
== Related chords == | == Related chords == | ||
Plausible [[ | Plausible [[chord homonym|homonyms]]: all, min6 no5 or aug5 chords. | ||
Notable extensions: | Notable extensions: | ||
* [[7:9:11:13]] | * [[7:9:11:13]] | ||
* [[7:9:11:13:15]] | * [[7:9:11:13:15]] | ||
| Line 52: | Line 54: | ||
Similar chords: | Similar chords: | ||
* [[6:7:9|7:9:12]] (substitutes [[11/7]] for [[12/7]]) | * [[6:7:9|7:9:12]] (substitutes [[11/7]] for [[12/7]]) | ||
* [[14:18:21]] (substitutes 11/7 for 3/2) | * [[14:18:21]] (substitutes 11/7 for 3/2) | ||
Lower limit soundalikes: | Lower limit soundalikes: | ||
* [[20:25:32:40]] (5-limit) | * [[20:25:32:40]] (5-limit) | ||
Higher limit soundalikes: | Higher limit soundalikes: | ||
* [[8:10:13]] (13-limit) | * [[8:10:13]] (13-limit) | ||
* [[ | * [[11:14:17]] (17-limit) | ||
Latest revision as of 05:17, 25 June 2026
| Chord information |
r(1or5)
7:9:11 is the Greeley Major chord. It sort of sounds like an augmented fifth chord, including two types of third, a 9/7 supermajor third, and a 11/9 neutral third.
It is one of the simplest chords that truly sounds xenharmonic. 6:7:9:11 and variants are another such simple xen chords.
| Edo | Steps | Cents (¢) | Absolute errors (¢) | RMS (¢) | RMS (%) | |
|---|---|---|---|---|---|---|
| ▶ | 6 | 0 2 4 |
0.00 400.00 800.00 |
0.00 -35.08 +17.51 |
21.87 | 10.93 |
| ▶ | 8 | 0 3 5 |
0.00 450.00 750.00 |
0.00 +14.92 -32.49 |
19.79 | 13.20 |
| ▶ | 11 | 0 4 7 |
0.00 436.36 763.64 |
0.00 +1.28 -18.86 |
9.21 | 8.44 |
| ▶ | 14 | 0 5 9 |
0.00 428.57 771.43 |
0.00 -6.51 -11.06 |
4.54 | 5.30 |
| ▶ | 17 | 0 6 11 |
0.00 423.53 776.47 |
0.00 -11.55 -6.02 |
4.72 | 6.68 |
| ▶ | 20 | 0 7 13 |
0.00 420.00 780.00 |
0.00 -15.08 -2.49 |
6.60 | 11.00 |
| ▶ | 25 | 0 9 16 |
0.00 432.00 768.00 |
0.00 -3.08 -14.49 |
6.23 | 12.99 |
| ▶ | 28 | 0 10 18 |
0.00 428.57 771.43 |
0.00 -6.51 -11.06 |
4.54 | 10.59 |
| ▶ | 31 | 0 11 20 |
0.00 425.81 774.19 |
0.00 -9.28 -8.30 |
4.16 | 10.75 |
| ▶ | 34 | 0 12 22 |
0.00 423.53 776.47 |
0.00 -11.55 -6.02 |
4.72 | 13.37 |
| ▶ | 35 | 0 13 23 |
0.00 445.71 788.57 |
0.00 +10.63 +6.08 |
4.35 | 12.70 |
| ▶ | 38 | 0 14 25 |
0.00 442.11 789.47 |
0.00 +7.02 +6.98 |
3.30 | 10.45 |
| ▶ | 41 | 0 15 27 |
0.00 439.02 790.24 |
0.00 +3.94 +7.75 |
3.16 | 10.81 |
| ▶ | 44 | 0 16 29 |
0.00 436.36 790.91 |
0.00 +1.28 +8.42 |
3.70 | 13.58 |
| ▶ | 49 | 0 18 32 |
0.00 440.82 783.67 |
0.00 +5.73 +1.18 |
2.47 | 10.09 |
| ▶ | 52 | 0 19 34 |
0.00 438.46 784.62 |
0.00 +3.38 +2.12 |
1.39 | 6.04 |
| ▶ | 55 | 0 20 36 |
0.00 436.36 785.45 |
0.00 +1.28 +2.96 |
1.21 | 5.56 |
| ▶ | 58 | 0 21 38 |
0.00 434.48 786.21 |
0.00 -0.60 +3.71 |
1.91 | 9.23 |
Audio of close voicings
Notable voicings
| Voices | EFR | Hi-lo name | Special properties |
|---|---|---|---|
| 3 voices | 7:9:11 | basic | AOV, isoharmonic, root position |
| 7:11:18 | hi3 | ||
| 9:11:14 | hiR | 1st inversion | |
| 11:14:18 | lo5 | 2nd inversion | |
| 4 voices | 7:9:11:14 | add8 | |
| 7:11:18:28 | lo5Radd8 |
Related chords
Plausible homonyms: all, min6 no5 or aug5 chords.
Notable extensions:
Similar chords:
Lower limit soundalikes:
- 20:25:32:40 (5-limit)
Higher limit soundalikes: