51edo: Difference between revisions
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{{ED intro}} | |||
{{ | == Theory == | ||
Since {{nowrap|51 {{=}} 3 × 17}}, 51edo shares its [[3/2|fifth]] with [[17edo]]. Compared to other multiples of 17edo, notably [[34edo]] and [[68edo]], 51edo's harmonic inventory seems lacking, getting few harmonics very well considering its step size. However, it does possess excellent approximations of [[11/10]] and [[21/16]], only about 0.3 cents off in each case. | |||
Using the [[patent val]], 51et [[tempering out|tempers out]] [[250/243]] in the [[5-limit]], [[225/224]] and [[2401/2400]] in the [[7-limit]], and [[55/54]] and [[100/99]] in the [[11-limit]]. It is the [[optimal patent val]] for [[sonic]], the rank-3 temperament tempering out 55/54, 100/99, and 250/243, and also for the rank-4 temperament tempering out 55/54. It provides an alternative tuning to [[22edo]] for [[porcupine]], with a nice fifth but a rather flat major third, and the optimal patent val for the 7- and 11-limit [[porky]] temperament, which is sonic plus 225/224. 51 contains an archeotonic [[6L 1s]] scale based on repetitions of 8\51, creating a scale with a whole-tone-like drive towards the tonic through the 17edo semitone at the top. | |||
{{ | Alternatively, using the 51c val {{val| 51 81 '''119''' 143 }}, the [[5/4]] is mapped to 1\3 (400 cents), [[support]]ing [[augmented]]. In the 7-limit it tempers out [[245/243]] and supports [[hemiaug]] and [[rodan]]. The 51cd val {{val| 51 81 '''119''' '''144''' }} takes the same [[7/4]] from 17edo, and supports [[augene]]. | ||
51edo's step is the closest direct approximation to the [[Pythagorean comma]] by edo steps, though that comma itself is mapped to a different interval. | 51edo's step is the closest direct approximation to the [[Pythagorean comma]] by edo steps, though that comma itself is mapped to a different interval. | ||
=== Odd harmonics === | |||
{{Harmonics in equal|51}} | |||
=== Subsets and supersets === | |||
51edo contains [[3edo]] and [[17edo]] as subsets. | |||
One of the very powerful (but very complex) supersets of 51edo is [[612edo]], which divides each step of 51edo into 12 equal parts, for which the name "skisma" has been proposed. | |||
== Intervals == | == Intervals == | ||
{| class="wikitable center-all right-2 left-3" | {| class="wikitable center-all right-2 left-3" | ||
|- | |- | ||
! | ! # | ||
! [[ | ! [[Cent]]s | ||
! colspan="3" | [[Ups and | ! colspan="3" | [[Ups and downs notation]] | ||
|- | |- | ||
| 0 | | 0 | ||
| 0. | | 0.0 | ||
| Perfect 1sn | | Perfect 1sn | ||
| P1 | | P1 | ||
Line 25: | Line 33: | ||
|- | |- | ||
| 1 | | 1 | ||
| 23. | | 23.5 | ||
| Up 1sn | | Up 1sn | ||
| ^1 | | ^1 | ||
Line 31: | Line 39: | ||
|- | |- | ||
| 2 | | 2 | ||
| 47. | | 47.1 | ||
| Downminor 2nd | | Downminor 2nd | ||
| vm2 | | vm2 | ||
Line 37: | Line 45: | ||
|- | |- | ||
| 3 | | 3 | ||
| 70. | | 70.6 | ||
| Minor 2nd | | Minor 2nd | ||
| m2 | | m2 | ||
Line 43: | Line 51: | ||
|- | |- | ||
| 4 | | 4 | ||
| 94. | | 94.1 | ||
| Upminor 2nd | | Upminor 2nd | ||
| ^m2 | | ^m2 | ||
Line 49: | Line 57: | ||
|- | |- | ||
| 5 | | 5 | ||
| 117. | | 117.6 | ||
| Downmid 2nd | | Downmid 2nd | ||
| v~2 | | v~2 | ||
Line 55: | Line 63: | ||
|- | |- | ||
| 6 | | 6 | ||
| 141. | | 141.2 | ||
| Mid 2nd | | Mid 2nd | ||
| ~2 | | ~2 | ||
Line 61: | Line 69: | ||
|- | |- | ||
| 7 | | 7 | ||
| 164. | | 164.7 | ||
| Upmid 2nd | | Upmid 2nd | ||
| ^~2 | | ^~2 | ||
Line 67: | Line 75: | ||
|- | |- | ||
| 8 | | 8 | ||
| 188. | | 188.2 | ||
| Downmajor 2nd | | Downmajor 2nd | ||
| vM2 | | vM2 | ||
Line 73: | Line 81: | ||
|- | |- | ||
| 9 | | 9 | ||
| 211. | | 211.8 | ||
| Major 2nd | | Major 2nd | ||
| M2 | | M2 | ||
Line 79: | Line 87: | ||
|- | |- | ||
| 10 | | 10 | ||
| 235. | | 235.3 | ||
| Upmajor 2nd | | Upmajor 2nd | ||
| ^M2 | | ^M2 | ||
Line 85: | Line 93: | ||
|- | |- | ||
| 11 | | 11 | ||
| 258. | | 258.8 | ||
| Downminor 3rd | | Downminor 3rd | ||
| vm3 | | vm3 | ||
Line 91: | Line 99: | ||
|- | |- | ||
| 12 | | 12 | ||
| 282. | | 282.4 | ||
| Minor 3rd | | Minor 3rd | ||
| m3 | | m3 | ||
Line 97: | Line 105: | ||
|- | |- | ||
| 13 | | 13 | ||
| 305. | | 305.9 | ||
| Upminor 3rd | | Upminor 3rd | ||
| ^m3 | | ^m3 | ||
Line 103: | Line 111: | ||
|- | |- | ||
| 14 | | 14 | ||
| 329. | | 329.4 | ||
| Downmid 3rd | | Downmid 3rd | ||
| v~3 | | v~3 | ||
Line 109: | Line 117: | ||
|- | |- | ||
| 15 | | 15 | ||
| 352. | | 352.9 | ||
| Mid 3rd | | Mid 3rd | ||
| ~3 | | ~3 | ||
Line 115: | Line 123: | ||
|- | |- | ||
| 16 | | 16 | ||
| 376. | | 376.5 | ||
| Upmid 3rd | | Upmid 3rd | ||
| ^~3 | | ^~3 | ||
Line 121: | Line 129: | ||
|- | |- | ||
| 17 | | 17 | ||
| 400. | | 400.0 | ||
| Downmajor 3rd | | Downmajor 3rd | ||
| vM3 | | vM3 | ||
Line 127: | Line 135: | ||
|- | |- | ||
| 18 | | 18 | ||
| 423. | | 423.5 | ||
| Major 3rd | | Major 3rd | ||
| M3 | | M3 | ||
Line 133: | Line 141: | ||
|- | |- | ||
| 19 | | 19 | ||
| 447. | | 447.1 | ||
| Upmajor 3rd | | Upmajor 3rd | ||
| ^M3 | | ^M3 | ||
Line 139: | Line 147: | ||
|- | |- | ||
| 20 | | 20 | ||
| 470. | | 470.6 | ||
| Down 4th | | Down 4th | ||
| v4 | | v4 | ||
Line 145: | Line 153: | ||
|- | |- | ||
| 21 | | 21 | ||
| 494. | | 494.1 | ||
| Perfect 4th | | Perfect 4th | ||
| P4 | | P4 | ||
Line 151: | Line 159: | ||
|- | |- | ||
| 22 | | 22 | ||
| 517. | | 517.6 | ||
| Up 4th | | Up 4th | ||
| ^4 | | ^4 | ||
Line 157: | Line 165: | ||
|- | |- | ||
| 23 | | 23 | ||
| 541. | | 541.2 | ||
| Downdim 5th | | Downdim 5th | ||
| vd5 | | vd5 | ||
Line 163: | Line 171: | ||
|- | |- | ||
| 24 | | 24 | ||
| 564. | | 564.7 | ||
| Dim 5th | | Dim 5th | ||
| d5 | | d5 | ||
Line 169: | Line 177: | ||
|- | |- | ||
| 25 | | 25 | ||
| 588. | | 588.2 | ||
| Updim 5th | | Updim 5th | ||
| ^d5 | | ^d5 | ||
Line 175: | Line 183: | ||
|- | |- | ||
| 26 | | 26 | ||
| 611. | | 611.8 | ||
| Downaug 4th | | Downaug 4th | ||
| vA4 | | vA4 | ||
Line 181: | Line 189: | ||
|- | |- | ||
| 27 | | 27 | ||
| 635. | | 635.3 | ||
| Aug 4th | | Aug 4th | ||
| A4 | | A4 | ||
Line 187: | Line 195: | ||
|- | |- | ||
| 28 | | 28 | ||
| 658. | | 658.8 | ||
| Upaug 4th | | Upaug 4th | ||
| ^A4 | | ^A4 | ||
Line 193: | Line 201: | ||
|- | |- | ||
| 29 | | 29 | ||
| 682. | | 682.4 | ||
| Down 5th | | Down 5th | ||
| v5 | | v5 | ||
Line 199: | Line 207: | ||
|- | |- | ||
| 30 | | 30 | ||
| 705. | | 705.9 | ||
| Perfect 5th | | Perfect 5th | ||
| P5 | | P5 | ||
Line 205: | Line 213: | ||
|- | |- | ||
| 31 | | 31 | ||
| 729. | | 729.4 | ||
| Up 5th | | Up 5th | ||
| ^5 | | ^5 | ||
Line 211: | Line 219: | ||
|- | |- | ||
| 32 | | 32 | ||
| 752. | | 752.9 | ||
| Downminor 6th | | Downminor 6th | ||
| vm6 | | vm6 | ||
Line 217: | Line 225: | ||
|- | |- | ||
| 33 | | 33 | ||
| 776. | | 776.5 | ||
| Minor 6th | | Minor 6th | ||
| m6 | | m6 | ||
Line 223: | Line 231: | ||
|- | |- | ||
| 34 | | 34 | ||
| 800. | | 800.0 | ||
| Upminor 6th | | Upminor 6th | ||
| ^m6 | | ^m6 | ||
Line 229: | Line 237: | ||
|- | |- | ||
| 35 | | 35 | ||
| 823. | | 823.5 | ||
| Downmid 6th | | Downmid 6th | ||
| v~6 | | v~6 | ||
Line 235: | Line 243: | ||
|- | |- | ||
| 36 | | 36 | ||
| 847. | | 847.1 | ||
| Mid 6th | | Mid 6th | ||
| ~6 | | ~6 | ||
Line 241: | Line 249: | ||
|- | |- | ||
| 37 | | 37 | ||
| 870. | | 870.6 | ||
| Upmid 6th | | Upmid 6th | ||
| ^~6 | | ^~6 | ||
Line 247: | Line 255: | ||
|- | |- | ||
| 38 | | 38 | ||
| 894. | | 894.1 | ||
| Downmajor 6th | | Downmajor 6th | ||
| vM6 | | vM6 | ||
Line 253: | Line 261: | ||
|- | |- | ||
| 39 | | 39 | ||
| 917. | | 917.6 | ||
| Major 6th | | Major 6th | ||
| M6 | | M6 | ||
Line 259: | Line 267: | ||
|- | |- | ||
| 40 | | 40 | ||
| 941. | | 941.2 | ||
| Upmajor 6th | | Upmajor 6th | ||
| ^M6 | | ^M6 | ||
Line 265: | Line 273: | ||
|- | |- | ||
| 41 | | 41 | ||
| 964. | | 964.7 | ||
| Downminor 7th | | Downminor 7th | ||
| vm7 | | vm7 | ||
Line 271: | Line 279: | ||
|- | |- | ||
| 42 | | 42 | ||
| 988. | | 988.2 | ||
| Minor 7th | | Minor 7th | ||
| m7 | | m7 | ||
Line 277: | Line 285: | ||
|- | |- | ||
| 43 | | 43 | ||
| 1011. | | 1011.8 | ||
| Upminor 7th | | Upminor 7th | ||
| ^m7 | | ^m7 | ||
Line 283: | Line 291: | ||
|- | |- | ||
| 44 | | 44 | ||
| 1035. | | 1035.3 | ||
| Downmid 7th | | Downmid 7th | ||
| v~7 | | v~7 | ||
Line 289: | Line 297: | ||
|- | |- | ||
| 45 | | 45 | ||
| 1058. | | 1058.8 | ||
| Mid 7th | | Mid 7th | ||
| ~7 | | ~7 | ||
Line 295: | Line 303: | ||
|- | |- | ||
| 46 | | 46 | ||
| 1082. | | 1082.4 | ||
| Upmid 7th | | Upmid 7th | ||
| ^~7 | | ^~7 | ||
Line 301: | Line 309: | ||
|- | |- | ||
| 47 | | 47 | ||
| 1105. | | 1105.9 | ||
| Downmajor 7th | | Downmajor 7th | ||
| vM7 | | vM7 | ||
Line 307: | Line 315: | ||
|- | |- | ||
| 48 | | 48 | ||
| 1129. | | 1129.4 | ||
| Major 7th | | Major 7th | ||
| M7 | | M7 | ||
Line 313: | Line 321: | ||
|- | |- | ||
| 49 | | 49 | ||
| 1152. | | 1152.9 | ||
| Upmajor 7th | | Upmajor 7th | ||
| ^M7 | | ^M7 | ||
Line 319: | Line 327: | ||
|- | |- | ||
| 50 | | 50 | ||
| 1176. | | 1176.5 | ||
| Down 8ve | | Down 8ve | ||
| v8 | | v8 | ||
Line 325: | Line 333: | ||
|- | |- | ||
| 51 | | 51 | ||
| 1200. | | 1200.0 | ||
| Perfect 8ve | | Perfect 8ve | ||
| P8 | | P8 | ||
| D | | D | ||
|} | |} | ||
== Notation == | |||
=== Ups and downs notation === | |||
51edo can be notated with ups and downs, spoken as up, dup, trup, dudsharp, downsharp, sharp, upsharp etc. and down, dud, trud, dupflat etc. | |||
{{Sharpness-sharp6a}} | |||
Half-sharps and half-flats can be used to avoid triple arrows: | |||
{{Sharpness-sharp6b}} | |||
In 51edo, a combination of quarter tone accidentals and arrow accidentals from [[Helmholtz–Ellis notation]] can be used. | |||
{{Sharpness-sharp6}} | |||
If double arrows are not desirable, then arrows can be attached to quarter-tone accidentals: | |||
{{Sharpness-sharp6-qt}} | |||
=== Ivan Wyschnegradsky's notation === | |||
Since a sharp raises by six steps, Wyschnegradsky accidentals borrowed from [[72edo]] can also be used: | |||
{{Sharpness-sharp6-iw}} | |||
=== Sagittal notation === | |||
In the following diagrams, a sagittal symbol followed by an equals sign (=) means that the following comma is the symbol's [[Sagittal notation#Primary comma|primary comma]] (the comma it ''exactly'' represents in JI), while an approximately equals sign (≈) means it is a secondary comma (a comma it ''approximately'' represents in JI). In both cases the symbol exactly represents the tempered version of the comma in this edo. | |||
==== Evo flavor ==== | |||
<imagemap> | |||
File:51-EDO_Evo_Sagittal.svg | |||
desc none | |||
rect 80 0 300 50 [[Sagittal_notation]] | |||
rect 300 0 519 80 [https://sagittal.org#periodic-table Periodic table of EDOs with sagittal notation] | |||
rect 20 80 120 106 [[64/63]] | |||
rect 120 80 220 106 [[81/80]] | |||
rect 220 80 340 106 [[27/26]] | |||
</imagemap> | |||
==== Revo flavor ==== | |||
<imagemap> | |||
File:51-EDO_Revo_Sagittal.svg | |||
desc none | |||
rect 80 0 300 50 [[Sagittal_notation]] | |||
rect 300 0 511 80 [https://sagittal.org#periodic-table Periodic table of EDOs with sagittal notation] | |||
rect 20 80 120 106 [[64/63]] | |||
rect 120 80 220 106 [[81/80]] | |||
rect 220 80 340 106 [[27/26]] | |||
default [[File:51-EDO_Revo_Sagittal.svg]] | |||
</imagemap> | |||
==== Evo-SZ flavor ==== | |||
<imagemap> | |||
File:51-EDO_Evo-SZ_Sagittal.svg | |||
desc none | |||
rect 80 0 300 50 [[Sagittal_notation]] | |||
rect 300 0 511 80 [https://sagittal.org#periodic-table Periodic table of EDOs with sagittal notation] | |||
rect 20 80 120 106 [[64/63]] | |||
rect 120 80 220 106 [[81/80]] | |||
rect 220 80 340 106 [[27/26]] | |||
default [[File:51-EDO_Evo-SZ_Sagittal.svg]] | |||
</imagemap> | |||
== Regular temperament properties == | |||
{| class="wikitable center-4 center-5 center-6" | |||
|- | |||
! rowspan="2" | [[Subgroup]] | |||
! rowspan="2" | [[Comma list]] | |||
! rowspan="2" | [[Mapping]] | |||
! rowspan="2" | Optimal<br>8ve stretch (¢) | |||
! colspan="2" | Tuning error | |||
|- | |||
! [[TE error|Absolute]] (¢) | |||
! [[TE simple badness|Relative]] (%) | |||
|- | |||
| 2.3.7 | |||
| 1029/1024, {{monzo| 17 -16 3 }} | |||
| {{Mapping| 51 81 143 }} | |||
| −0.339 | |||
| 1.63 | |||
| 6.92 | |||
|- style="border-top: double;" | |||
| 2.3.5 | |||
| 128/125, {{monzo| -13 17 -6 }} | |||
| {{Mapping| 51 81 119 }} (51c) | |||
| −2.789 | |||
| 2.41 | |||
| 10.3 | |||
|- style="border-top: double;" | |||
| 2.3.5 | |||
| 250/243, 34171875/33554432 | |||
| {{Mapping| 51 81 118 }} (51) | |||
| +0.581 | |||
| 2.77 | |||
| 11.8 | |||
|} | |||
=== Rank-2 temperaments === | |||
{| class="wikitable center-all left-5" | |||
|+ style="font-size: 105%;" | Table of rank-2 temperaments by generator | |||
|- | |||
! Periods<br>per 8ve | |||
! Generator* | |||
! Cents* | |||
! Associated<br>ratio* | |||
! Temperament | |||
|- | |||
| 1 | |||
| 5\51 | |||
| 117.6 | |||
| 15/14 | |||
| [[Miracle]] (51e, out of tune) / oracle (51) | |||
|- | |||
| 1 | |||
| 7\51 | |||
| 164.7 | |||
| 11/10 | |||
| [[Porky]] (51) | |||
|- | |||
| 1 | |||
| 10\51 | |||
| 235.3 | |||
| 8/7 | |||
| [[Rodan]] (51cf…, out of tune) / aerodino (51ce) | |||
|- | |||
| 1 | |||
| 5\51 | |||
| 541.2 | |||
| 15/11 | |||
| [[Necromanteion]] (51ce) | |||
|- | |||
| 3 | |||
| 19\51<br>(2\51) | |||
| 447.1<br>(47.1) | |||
| 9/7<br>(36/35) | |||
| [[Hemiaug]] (51ce) | |||
|- | |||
| 3 | |||
| 21\51<br>(4\51) | |||
| 494.1<br>(94.1) | |||
| 4/3<br>(16/15) | |||
| [[Augmented]] (51c) | |||
|} | |||
<nowiki/>* [[Normal lists|Octave-reduced form]], reduced to the first half-octave, and [[normal lists|minimal form]] in parentheses if distinct | |||
== Scales == | |||
* [[Porky]][7] (Palace{{idio}}): 7 7 7 9 7 7 7 | |||
* UFO scale{{idio}} ([[inflected MOS]] of [[Batch 89 temperaments#Teefs|Teefs]][19]{{idio}}): 2 2 4 1 2 2 2 4 2 5 2 4 4 2 2 1 4 2 2 | |||
* Cosmic scale{{idio}} subset of UFO scale): 21 9 4 9 8 | |||
== Instruments == | |||
; Lumatone | |||
: See [[Lumatone mapping for 51edo]]. | |||
== Music == | == Music == | ||
'''[[Frédéric Gagné]]''' | ; [[Bryan Deister]] | ||
* [https://www.youtube.com/shorts/5pM8OC0fV98 ''51edo improv''] (2025) | |||
; [[Frédéric Gagné]] | |||
* ''Whalectric'' (2022) – [https://youtu.be/_E6qvbJWYY8 YouTube] | [https://musescore.com/fredg999/whalectric score] – 7:4 [[semiquartal]] 4|4 mode | |||
; [[James Mulvale]] (FASTFAST) | |||
* [https://youtu.be/8GojBZSyqDw ''STARS (Thoughts and Prayers)''] | * [https://youtu.be/8GojBZSyqDw ''STARS (Thoughts and Prayers)''] (2020) | ||
; [[Ray Perlner]] | |||
* [https://www.youtube.com/watch?v=peidZ1jEafQ '' | * [https://www.youtube.com/watch?v=peidZ1jEafQ ''Fugue''] (2023) – for organ in 51edo Porcupine[7] ssssssL "Pandian" | ||
[[Category: | [[Category:Listen]] | ||
Latest revision as of 23:33, 16 August 2025
← 50edo | 51edo | 52edo → |
51 equal divisions of the octave (abbreviated 51edo or 51ed2), also called 51-tone equal temperament (51tet) or 51 equal temperament (51et) when viewed under a regular temperament perspective, is the tuning system that divides the octave into 51 equal parts of about 23.5 ¢ each. Each step represents a frequency ratio of 21/51, or the 51st root of 2.
Theory
Since 51 = 3 × 17, 51edo shares its fifth with 17edo. Compared to other multiples of 17edo, notably 34edo and 68edo, 51edo's harmonic inventory seems lacking, getting few harmonics very well considering its step size. However, it does possess excellent approximations of 11/10 and 21/16, only about 0.3 cents off in each case.
Using the patent val, 51et tempers out 250/243 in the 5-limit, 225/224 and 2401/2400 in the 7-limit, and 55/54 and 100/99 in the 11-limit. It is the optimal patent val for sonic, the rank-3 temperament tempering out 55/54, 100/99, and 250/243, and also for the rank-4 temperament tempering out 55/54. It provides an alternative tuning to 22edo for porcupine, with a nice fifth but a rather flat major third, and the optimal patent val for the 7- and 11-limit porky temperament, which is sonic plus 225/224. 51 contains an archeotonic 6L 1s scale based on repetitions of 8\51, creating a scale with a whole-tone-like drive towards the tonic through the 17edo semitone at the top.
Alternatively, using the 51c val ⟨51 81 119 143], the 5/4 is mapped to 1\3 (400 cents), supporting augmented. In the 7-limit it tempers out 245/243 and supports hemiaug and rodan. The 51cd val ⟨51 81 119 144] takes the same 7/4 from 17edo, and supports augene.
51edo's step is the closest direct approximation to the Pythagorean comma by edo steps, though that comma itself is mapped to a different interval.
Odd harmonics
Harmonic | 2 | 3 | 5 | 7 | 11 | 13 | 17 | 19 | 23 | 29 | 31 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | +0.0 | +3.9 | -9.8 | -4.1 | -10.1 | +6.5 | -10.8 | +8.4 | +7.0 | +5.7 | +7.9 |
Relative (%) | +0.0 | +16.7 | -41.8 | -17.5 | -43.1 | +27.8 | -46.1 | +35.6 | +29.8 | +24.3 | +33.6 | |
Steps (reduced) |
51 (0) |
81 (30) |
118 (16) |
143 (41) |
176 (23) |
189 (36) |
208 (4) |
217 (13) |
231 (27) |
248 (44) |
253 (49) |
Subsets and supersets
51edo contains 3edo and 17edo as subsets.
One of the very powerful (but very complex) supersets of 51edo is 612edo, which divides each step of 51edo into 12 equal parts, for which the name "skisma" has been proposed.
Intervals
# | Cents | Ups and downs notation | ||
---|---|---|---|---|
0 | 0.0 | Perfect 1sn | P1 | D |
1 | 23.5 | Up 1sn | ^1 | ^D |
2 | 47.1 | Downminor 2nd | vm2 | vEb |
3 | 70.6 | Minor 2nd | m2 | Eb |
4 | 94.1 | Upminor 2nd | ^m2 | ^Eb |
5 | 117.6 | Downmid 2nd | v~2 | ^^Eb |
6 | 141.2 | Mid 2nd | ~2 | vvvE, ^^^Eb |
7 | 164.7 | Upmid 2nd | ^~2 | vvE |
8 | 188.2 | Downmajor 2nd | vM2 | vE |
9 | 211.8 | Major 2nd | M2 | E |
10 | 235.3 | Upmajor 2nd | ^M2 | ^E |
11 | 258.8 | Downminor 3rd | vm3 | vF |
12 | 282.4 | Minor 3rd | m3 | F |
13 | 305.9 | Upminor 3rd | ^m3 | ^F |
14 | 329.4 | Downmid 3rd | v~3 | ^^F |
15 | 352.9 | Mid 3rd | ~3 | ^^^F, vvvF# |
16 | 376.5 | Upmid 3rd | ^~3 | vvF# |
17 | 400.0 | Downmajor 3rd | vM3 | vF# |
18 | 423.5 | Major 3rd | M3 | F# |
19 | 447.1 | Upmajor 3rd | ^M3 | ^F# |
20 | 470.6 | Down 4th | v4 | vG |
21 | 494.1 | Perfect 4th | P4 | G |
22 | 517.6 | Up 4th | ^4 | ^G |
23 | 541.2 | Downdim 5th | vd5 | vAb |
24 | 564.7 | Dim 5th | d5 | Ab |
25 | 588.2 | Updim 5th | ^d5 | ^Ab |
26 | 611.8 | Downaug 4th | vA4 | vG# |
27 | 635.3 | Aug 4th | A4 | G# |
28 | 658.8 | Upaug 4th | ^A4 | ^G# |
29 | 682.4 | Down 5th | v5 | vA |
30 | 705.9 | Perfect 5th | P5 | A |
31 | 729.4 | Up 5th | ^5 | ^A |
32 | 752.9 | Downminor 6th | vm6 | vBb |
33 | 776.5 | Minor 6th | m6 | Bb |
34 | 800.0 | Upminor 6th | ^m6 | ^Bb |
35 | 823.5 | Downmid 6th | v~6 | ^^Bb |
36 | 847.1 | Mid 6th | ~6 | vvvB, ^^^Bb |
37 | 870.6 | Upmid 6th | ^~6 | vvB |
38 | 894.1 | Downmajor 6th | vM6 | vB |
39 | 917.6 | Major 6th | M6 | B |
40 | 941.2 | Upmajor 6th | ^M6 | ^B |
41 | 964.7 | Downminor 7th | vm7 | vC |
42 | 988.2 | Minor 7th | m7 | C |
43 | 1011.8 | Upminor 7th | ^m7 | ^C |
44 | 1035.3 | Downmid 7th | v~7 | ^^C |
45 | 1058.8 | Mid 7th | ~7 | ^^^C, vvvC# |
46 | 1082.4 | Upmid 7th | ^~7 | vvC# |
47 | 1105.9 | Downmajor 7th | vM7 | vC# |
48 | 1129.4 | Major 7th | M7 | C# |
49 | 1152.9 | Upmajor 7th | ^M7 | ^C# |
50 | 1176.5 | Down 8ve | v8 | vD |
51 | 1200.0 | Perfect 8ve | P8 | D |
Notation
Ups and downs notation
51edo can be notated with ups and downs, spoken as up, dup, trup, dudsharp, downsharp, sharp, upsharp etc. and down, dud, trud, dupflat etc.
Step offset | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 |
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Half-sharps and half-flats can be used to avoid triple arrows:
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In 51edo, a combination of quarter tone accidentals and arrow accidentals from Helmholtz–Ellis notation can be used.
Step offset | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 |
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If double arrows are not desirable, then arrows can be attached to quarter-tone accidentals:
Step offset | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 |
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Ivan Wyschnegradsky's notation
Since a sharp raises by six steps, Wyschnegradsky accidentals borrowed from 72edo can also be used:
Step offset | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 |
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Sagittal notation
In the following diagrams, a sagittal symbol followed by an equals sign (=) means that the following comma is the symbol's primary comma (the comma it exactly represents in JI), while an approximately equals sign (≈) means it is a secondary comma (a comma it approximately represents in JI). In both cases the symbol exactly represents the tempered version of the comma in this edo.
Evo flavor

Revo flavor

Evo-SZ flavor

Regular temperament properties
Subgroup | Comma list | Mapping | Optimal 8ve stretch (¢) |
Tuning error | |
---|---|---|---|---|---|
Absolute (¢) | Relative (%) | ||||
2.3.7 | 1029/1024, [17 -16 3⟩ | [⟨51 81 143]] | −0.339 | 1.63 | 6.92 |
2.3.5 | 128/125, [-13 17 -6⟩ | [⟨51 81 119]] (51c) | −2.789 | 2.41 | 10.3 |
2.3.5 | 250/243, 34171875/33554432 | [⟨51 81 118]] (51) | +0.581 | 2.77 | 11.8 |
Rank-2 temperaments
Periods per 8ve |
Generator* | Cents* | Associated ratio* |
Temperament |
---|---|---|---|---|
1 | 5\51 | 117.6 | 15/14 | Miracle (51e, out of tune) / oracle (51) |
1 | 7\51 | 164.7 | 11/10 | Porky (51) |
1 | 10\51 | 235.3 | 8/7 | Rodan (51cf…, out of tune) / aerodino (51ce) |
1 | 5\51 | 541.2 | 15/11 | Necromanteion (51ce) |
3 | 19\51 (2\51) |
447.1 (47.1) |
9/7 (36/35) |
Hemiaug (51ce) |
3 | 21\51 (4\51) |
494.1 (94.1) |
4/3 (16/15) |
Augmented (51c) |
* Octave-reduced form, reduced to the first half-octave, and minimal form in parentheses if distinct
Scales
- Porky[7] (Palace[idiosyncratic term]): 7 7 7 9 7 7 7
- UFO scale[idiosyncratic term] (inflected MOS of Teefs[19][idiosyncratic term]): 2 2 4 1 2 2 2 4 2 5 2 4 4 2 2 1 4 2 2
- Cosmic scale[idiosyncratic term] subset of UFO scale): 21 9 4 9 8
Instruments
- Lumatone
- See Lumatone mapping for 51edo.
Music
- 51edo improv (2025)
- Whalectric (2022) – YouTube | score – 7:4 semiquartal 4|4 mode
- James Mulvale (FASTFAST)
- STARS (Thoughts and Prayers) (2020)
- Fugue (2023) – for organ in 51edo Porcupine[7] ssssssL "Pandian"