6edo
| ← 5edo | 6edo | 7edo → |
(convergent)
6edo is also known as the whole tone scale.
Theory
As a subset of 12edo, 6edo can be notated on a five-line staff with standard notation. It is the first edo that is not a zeta peak, has lower consistency than the one that precedes it, and the highest edo that has no single period mode of symmetry scales other than using the single step as a generator. This means it is relatively poor for its size at creating traditional tonal music, with 5edo and 7edo both having much better representations of the third harmonic, but has still seen more use than most edos other than 12, since it can be played on any 12-tone instrument.
While 6edo does not well approximate the 3rd harmonic, it does contain a good approximation of the 9th harmonic. Therefore, 6edo can be treated as a 2.9.5.7-subgroup temperament.
Odd harmonics
| Harmonic | 3 | 5 | 7 | 9 | 11 | 13 | 15 | 17 | 19 | 21 | 23 | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Error | Absolute (¢) | +98.0 | +13.7 | +31.2 | -3.9 | +48.7 | -40.5 | -88.3 | +95.0 | -97.5 | -70.8 | -28.3 |
| Relative (%) | +49.0 | +6.8 | +15.6 | -2.0 | +24.3 | -20.3 | -44.1 | +47.5 | -48.8 | -35.4 | -14.1 | |
| Steps (reduced) |
10 (4) |
14 (2) |
17 (5) |
19 (1) |
21 (3) |
22 (4) |
23 (5) |
25 (1) |
25 (1) |
26 (2) |
27 (3) | |
Subsets and supersets
Intervals
| Degree | Cents | Interval region | Approximated JI intervals* (error in ¢) | Audio | |||
|---|---|---|---|---|---|---|---|
| 3-limit | 5-limit | 7-limit | Other | ||||
| 0 | 0 | Unison (prime) | 1/1 (just) | ||||
| 1 | 200 | Major second | 9/8 (-3.910) | 10/9 (+17.596) | 28/25 (+3.802) 8/7 (-31.174) |
19/17 (+7.442) 55/49 (+0.020) 64/57 (-0.532) 17/15 (-16.687) |
|
| 2 | 400 | Major third | 81/64 (-7.820) | 5/4 (+13.686) | 63/50 (-0.108) 9/7 (-35.084) |
34/27 (+0.910) | |
| 3 | 600 | Tritone | 7/5 (+17.488) 10/7 (-17.488) |
24/17 (+3.000) 99/70 (-0.088) 17/12 (-3.000) |
|||
| 4 | 800 | Minor sixth | 128/81 (+7.820) | 8/5 (-13.686) | 14/9 (+35.084) 100/63 (+0.108) |
27/17 (-0.910) | |
| 5 | 1000 | Minor seventh | 16/9 (+3.910) | 9/5 (-17.596) | 7/4 (+31.174) 25/14 (-3.802) |
30/17 (+16.687) 57/32 (+0.532) 98/55 (-0.020) 34/19 (-7.442) |
|
| 6 | 1200 | Octave | 2/1 (just) | ||||
* based on treating 6edo as a subset of 12edo, itself treated as a 2.3.5.7.17.19 subgroup temperament; other approaches are possible (e.g. for 6edo as a 2.5.7.9 subgroup temperament, ignore the "Other" column).
Notation
| Degree | Cents | 12edo subset notation | |
|---|---|---|---|
| Diatonic interval names | Note names (on D) | ||
| 0 | 0 | Perfect unison (P1) | D |
| 1 | 200 | Major second (M2) Diminished third (d3) |
E Fb |
| 2 | 400 | Major third (M3) Diminished fourth (d4) |
F# Gb |
| 3 | 600 | Augmented fourth (A4) Diminished fifth (d5) |
G# Ab |
| 4 | 800 | Augmented fifth (A5) Minor sixth (m6) |
A# Bb |
| 5 | 1000 | Augmented sixth (A6) Minor seventh (m7) |
B# C |
| 6 | 1200 | Perfect octave (P8) | D |
In 6edo:
- ups and downs notation is identical to standard notation;
- mixed sagittal notation is identical to standard notation, but pure sagittal notation exchanges sharps (#) and flats (b) for sagittal sharp (
) and sagittal flat (
) respectively.
Sagittal notation
This notation is a subset of the notations for EDOs 12, 18, 24, 36, 48, 60, 72, and 84.
Evo flavor
Because it includes no Sagittal symbols, this Evo Sagittal notation is also a conventional notation.
Revo flavor
Solfege
| Degree | Cents | 12edo subset standard solfege (movable do) |
12edo subset uniform solfege (2-3 vowels) |
|---|---|---|---|
| 0 | 0 | Do | Da |
| 1 | 200 | Re | Ra |
| 2 | 400 | Mi | Ma (M3) Fo (d4) |
| 3 | 600 | Fi (A4) Se (d5) |
Pa (A4) Sha (d5) |
| 4 | 800 | Si (A5) Le (m6) |
Su (A5) Fla (m6) |
| 5 | 1000 | Li (A6) Te (m7) |
Lu (A6) Tha (m7) |
| 6 | 1200 | Do | Da |
Regular temperament properties
Uniform maps
Lua error in Module:Uniform_map at line 135: Must provide edo if not min or max given..
Commas
6et tempers out the following commas. This assumes val ⟨6 10 14 17 21 22].
| Prime limit |
Ratio[note 1] | Monzo | Cents | Color name | Name(s) |
|---|---|---|---|---|---|
| 3 | 32/27 | [5 -3⟩ | 294.13 | Wa | Pythagorean minor third |
| 5 | 25/24 | [-3 -1 2⟩ | 70.67 | Yoyo | Dicot comma, classic chroma |
| 5 | 128/125 | [7 0 -3⟩ | 41.06 | Trigu | Augmented comma, diesis |
| 5 | 3125/3072 | [-10 -1 5⟩ | 29.61 | Laquinyo | Magic comma, small diesis |
| 5 | (12 digits) | [17 1 -8⟩ | 11.45 | Saquadbigu | Würschmidt comma |
| 5 | (30 digits) | [-44 -3 21⟩ | 6.72 | Trila-septriyo | Mutt comma |
| 7 | 49/48 | [-4 -1 0 2⟩ | 35.70 | Zozo | Semaphoresma, slendro diesis |
| 7 | 50/49 | [1 0 2 -2⟩ | 34.98 | Biruyo | Jubilisma, tritonic diesis |
| 7 | 3136/3125 | [6 0 -5 2⟩ | 6.08 | Zozoquingu | Hemimean comma |
| 7 | 6144/6125 | [11 1 -3 -2⟩ | 5.36 | Sarurutrigu | Porwell comma |
| 7 | 2401/2400 | [-5 -1 -2 4⟩ | 0.72 | Bizozogu | Breedsma |
| 11 | 121/120 | [-3 -1 -1 0 2⟩ | 14.37 | Lologu | Biyatisma |
| 11 | 176/175 | [4 0 -2 -1 1⟩ | 9.86 | Lorugugu | Valinorsma |
| 11 | 385/384 | [-7 -1 1 1 1⟩ | 4.50 | Lozoyo | Keenanisma |
| 13 | 13/12 | [-2 -1 0 0 0 1⟩ | 138.57 | tho 2nd | Tridecimal neutral second |
- ↑ Ratios longer than 10 digits are presented by placeholders with informative hints
Music
- 6edo improvisation (2024)
- "Bowser breaks into Arnold Schoenberg's house and steals six of the twelve Tone Crystals (every other one), activating The 666666-Year-Curse Mechanism", from STAFFcirc vol. 7 (2021) – SoundCloud | Bandcamp
- Dvandva (1987/2007)
- From The Equal-Tempered Keyboard (1999–2022)
- "Prelude in 6ET" – Bandcamp | SoundCloud[dead link]
- "Invention in 6ET" – Bandcamp | SoundCloud[dead link]
- Heximal (2024)