Name's Flora Canou.
English & Chinese Mandarin;
Mostly microtonal theory currently.
Well temperament
I developed well temperaments on 12-et and 17-et which can be seen here. I also tried one on 19-et but gave up for multiple reasons.
Q: Why I gave up developing a 19-wt
A: First, unlike 12- and 17-et with ambiguous major and minor thirds, 19-et's thirds are close enough to 5-limit JI that interpreting them otherwise is like a force. In 12- and 17-et, those intervals can represent different ratios in different keys, while in 19-et they represent the same ratios better or worse in different keys, and I'm not fond of that. Second, the harmonics of 3, 5, 7, and 13 in 19-et are all flat, so there's not much room to operate. Third, the ambiguity of 4\19 and 15\19 is nice and I want them ambiguous in every key.
- Analysis on the 13-limit just intonation space: episode i
- Analysis on the 13-limit just intonation space: episode ii
- Critique on D&D's terminology
- Critique on Functional Just System
- Flora's 12-note well temperament
- Flora's 17-note well temperament
- Fokker analysis of rank-3 scales
- Fumica's edo impressions
- Fundamental principles to musical sense
- Hard problems of harmony and psychoacoustically supported optimization
- Infobox Interval
- Mathematically defined ET tier list
- On the canon of music
- Proposed standard ear-training waveform
- Quick reference
- Reasonable commas
- Sandbox
- Sequence of equal temperaments by error/Supplement
- Style guide
- Table of 540edo intervals
- Temperament data
- Temperament name proposal
- There is not a third side of the river
- common.css