159edo: Difference between revisions
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Because of the complexity of 159edo, notation requires systems that make use of multiple extra pairs of accidentals. This is because at high EDOs, systems with only a single extra accidental pair become unwieldy due to the sheer number of such accidentals required for notating some pitches, which in turn results in high amounts of clutter on scores. So far, several notation systems addressing this problem have been proposed. | Because of the complexity of 159edo, notation requires systems that make use of multiple extra pairs of accidentals. This is because at high EDOs, systems with only a single extra accidental pair become unwieldy due to the sheer number of such accidentals required for notating some pitches, which in turn results in high amounts of clutter on scores. So far, several notation systems addressing this problem have been proposed. | ||
== Music == | |||
todo | |||
== Articles == | == Articles == | ||
* [http://www.ozanyarman.com/files/doctorate_thesis.pdf ''79-Tone Tuning & Theory for Turkish Maqam Music''] – Ozan Yarman's dissertation | * [http://www.ozanyarman.com/files/doctorate_thesis.pdf ''79-Tone Tuning & Theory for Turkish Maqam Music''] – Ozan Yarman's dissertation | ||
* [http://www.ozanyarman.com/files/34ten79a.pdf ''Search For A Theoretical Model Conforming To Turkish Maqam Music Practice: A Selection Of Fixed-Pitch Settings From 34-tone Equal Temperament To The 79-tone Tuning''] – also by Ozan Yarman, gives a summary. | * [http://www.ozanyarman.com/files/34ten79a.pdf ''Search For A Theoretical Model Conforming To Turkish Maqam Music Practice: A Selection Of Fixed-Pitch Settings From 34-tone Equal Temperament To The 79-tone Tuning''] – also by Ozan Yarman, gives a summary. | ||