Overtone scale: Difference between revisions
→Over-5 Scales: added sound example for mode #5, used definition list markup ( ; term : definition ) for nicer look |
|||
Line 105: | Line 105: | ||
=== Over-5 Scales === | === Over-5 Scales === | ||
[[File:Ji-5-6-7-8-9-10-csound-foscil-220hz.mp3|right|thumb|270px|Mode 5: 5:6:7:8:9:10]] | |||
; Mode 5: 5:6:7:8:9:10 — This is essentially a [[7-limit]] fully-diminished seventh chord. [[7/5]] makes a very nice tritone above the bass -- the simplest one available in JI -- and it's available in all the higher Over-5 modes as well. This is the scale used by the Wagogo people of Tanzania. | |||
Mode | ; Mode 10: 10:11:12:13:14:15:16:17:18:19:20 — from 10 to 15 is a 3/2 perfect fifth. We have access to a 10:12:15 classic minor triad, as well as a number of other nice chords like the 10:13:15 barbados triad. 11/10 makes a strange second (or ninth), while 9/5 makes a very nice minor seventh (and an alternative to the 7/4 bluesy seventh of Over-1 scales and 11/6 neutral seventh of Over-3 scales. | ||
Mode | ; Mode 20: 20:21:22:23:24:25:26:27:28:29:30:31:32:33:34:35:36:37:38:39:40 — this has a lot of variety as it great for making subsets. In addition to the chords above, there's a 4:5:6:7 tetrad on 20:25:30:35. There's also a 23-limit inframinor triad on 20:23:30 and a variety of sevenths. | ||
=== Over-7 Scales === | === Over-7 Scales === |