Neutral third: Difference between revisions
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Rework intro to hopefully better explain this concept (it doesn't rely on a split octave) |
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| MOSes = [[4L 3s]], [[3L 4s]], [[7L 3s]], [[3L 7s]] | | MOSes = [[4L 3s]], [[3L 4s]], [[7L 3s]], [[3L 7s]] | ||
| Complement = [[Neutral sixth]] | | Complement = [[Neutral sixth]] | ||
| Lower region = [[ | | Lower region = [[Minor Third]] | ||
| Higher region = [[ | | Higher region = [[Major third]] | ||
}} | }} | ||
{{Wikipedia}} | {{Wikipedia}} | ||
A '''neutral third''' ('''n3''') | A '''neutral third''' ('''n3''') is an interval that generates a variant of [[5L 2s|diatonic]] with its original [[perfect fifth|perfect-fifth]] generator halved. Like the [[major third]] and [[minor third]], it is considered a third, so it spans two steps in diatonic-based notation, but has a quality between major and minor. | ||
In | In [[just intonation]], an interval may be classified as a neutral third if it is reasonably mapped to two steps of the diatonic scale and three and a half steps of the chromatic scale. | ||
The neutral third range is generally divided at roughly 350{{c}} into | As a concrete [[interval region]], it is typically near 350 [[cents]] in size, distinct from the minor third of roughly 300 [[cent]]s and the major third of roughly 400{{c}}. A rough tuning range for the neutral third is 330 to 370{{c}} according to [[Margo Schulter]]'s theory of interval regions; intervals in this range may be also called ''Zalzalian thirds''. | ||
The neutral third range is generally divided at roughly 350{{c}} into [[neutral (interval quality)|artoneutral]] (flatter) and [[neutral (interval quality)|tendoneutral]] (sharper) thirds. As such, neutral thirds tend to exist in pairs. | |||
== In just intonation == | == In just intonation == | ||