User:Lucius Chiaraviglio/Keyboard Layout Lab/Unnamed temperament Lumatone mappings: Difference between revisions
→336edo (demonstrated to work): Insert Bryan Deister's Lumatone mappingn for 240edo before this |
→92edo (demonstrated to work): Add Bryan Deister's Lumatone mapping for 95edo after this |
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Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 01:51, 2 June 2025 (UTC)<br> | Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 01:51, 2 June 2025 (UTC)<br> | ||
Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 15:28, 4 June 2025 (UTC) | Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 15:28, 4 June 2025 (UTC) | ||
=== 95edo (demonstrated to work) === | |||
==== Quasi-Diatonic ==== | |||
A quasi-diatonic layout is also possible, which functions similarly to a diatonic mapping, but with the octaves shifting pitch class up by 2\95 with each higher octave. Thus, despite the missed notes, all notes are accessible in some octaves. [[Bryan Deister]] has demonstrated this in [https://www.youtube.com/shorts/aQapbuGFnhk ''Impostor Syndrome - Sidney Gish (microtonal cover in 95edo)''] (2025) with the MIDI mapping set to octave 1 | octave 2 | octave 2 | octave 3 | octave 3 | octave 4, to get the greater portion of the notes within each octave other than the bass (which is missing note 0 among other notes), at the cost of less range. | |||
{{Lumatone EDO mapping|n=95|start=75|xstep=15|ystep=-4}} | |||
Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 21:52, 20 November 2025 (UTC) | |||
Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 09:18, 22 November 2025 (UTC) | |||
=== 97edo (demonstrated to work) === | === 97edo (demonstrated to work) === | ||