Porcupine: Difference between revisions

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[[File:porcupine.png|thumb|Porcupine equates three minor thirds ([[6/5]], in red) with two perfect fourths ([[4/3]], in green). To do so, it tempers out 250/243, which implies a generator of a flat 10/9.|600x600px]]
[[File:porcupine.png|thumb|Porcupine equates three minor thirds ([[6/5]], in red) with two perfect fourths ([[4/3]], in green). To do so, it tempers out 250/243, which implies a generator of a flat 10/9.|600x600px]]
[[File:porcupinesymmetricminor22edo.mp3|thumb|Symmetric minor mode of the porcupine[7] scale, containing two equal tetrachords with a major wholetone between them, in [[22edo]] tuning.]]
[[File:porcupinesymmetricminor22edo.mp3|thumb|Symmetric minor mode of the porcupine[7] scale, containing two equal tetrachords with a major wholetone between them, in [[22edo]] tuning.]]
'''Porcupine''' is a [[linear temperament]] that equates the syntonic comma [[81/80]] with the 5-limit chromatic semitone [[25/24]]. This simplifies the 5-limit to a rank-2 structure in a simple way distinct from temperaments that reduce it to a strong extension of [[pythagorean]] (i.e. meantone, schismic), by [[tempering out]] [[250/243]], the porcupine [[comma]]. Its [[pergen]] is (P8, P4/3).  
'''Porcupine''' is a [[linear temperament]] that equates a stack of three 6/5s to a stack of two 4/3s. As a consequence of this, 4/3 is divided into 3 equal parts, and 6/5 is divided into 2 of those same equal parts. As a result, the [[generator]] of porcupine is a [[10/9|minor whole tone (10/9)]] which is tuned flat to around 160–165 [[cent]]s such that two of them stack to a [[6/5|classic minor third (6/5)]]. This is obviously in stark contrast to [[12edo]]. The "equal tetrachord" formed by dividing 4/3 into 3 equal parts is a characteristic feature of many of porcupine's scales.  


Porcupine's basic 5-limit harmonic structure can be understood by sharpening the porcupine generator step by a tempered chroma. This represents a) an augmented second of 125/108 (sharp by 25/24 from the generator) i.e. the octave-reduced form of (5/3)<sup>3</sup>, and b) a major second of 9/8 (sharp by 81/80 from the generator) i.e. the octave-reduced form of (3/2)<sup>2</sup>. (5/3)<sup>3</sup> is an octave above (3/2)<sup>2</sup>, so by taking the octave-complements of everything, we find that (6/5)<sup>3</sup> is equated to (4/3)<sup>2</sup>, without any octave-reduction necessary.
In just intonation, a stack of three 6/5s is a classical diminished seventh, flat of the classical minor seventh 9/5 by 25/24, and a stack of two 4/3s is the Pythagorean minor seventh 16/9, which is flat of 9/5 by 81/80. Thus, it can be determined that porcupine equates the syntonic comma [[81/80]] with the 5-limit chromatic semitone [[25/24]]. This simplifies the 5-limit to a rank-2 structure in a simple way distinct from temperaments that reduce it to a strong extension of [[pythagorean]] (i.e. meantone, schismic), by [[tempering out]] [[250/243]], the porcupine [[comma]].  Its [[pergen]] is (P8, P4/3).  


This means that two "perfect fourths" are equivalent to three "minor thirds". As a consequence of this, 4/3 is divided into 3 equal parts, and 6/5 is divided into 2 of those same equal parts. As a result, the [[generator]] of porcupine is a [[10/9|minor whole tone (10/9)]] which is tuned flat to around 160–165 [[cent]]s such that two of them stack to a [[6/5|classic minor third (6/5)]]. This is obviously in stark contrast to [[12edo]]. The "equal tetrachord" formed by dividing 4/3 into 3 equal parts is a characteristic feature of many of porcupine's scales.
To extend porcupine to the 7-limit and 11-limit, you may notice that both primes are found naturally in simple positions along the porcupine generator chain:


To extend porcupine to the 7-limit and 11-limit, you may notice that both primes are found naturally in simple positions along the porcupine generator chain, with 7 found at +6 generators (tuned to about 960-990 cents), and 11 found at -4 generators (tuned to about 540-560 cents). Neither, one, or both of these additional mappings may be used (in 2.3.5.11, the temperament is sometimes called ''porkypine''). Porcupine is one of the most efficient temperaments in the 2.3.5.11 subgroup of reasonable accuracy.
* 7 is found at +6 generators (tuned to about 960-990 cents), because the 16/9 has already been flattened to merge it with (6/5)<sup>3</sup>. This makes porcupine an [[archy]] temperament.
* 11 is found at -4 generators (tuned to about 540-560 cents), corresponding with the acute fourth of 27/20; as the syntonic comma has been expanded, sharpening a fourth by a comma now leads to a significantly sharp interval close to the 11th harmonic. This can also be understood as the generator 10/9 being flattened.  
 
Neither, one, or both of these additional mappings may be used (in 2.3.5.11, the temperament is sometimes called ''porkypine''). Porcupine is one of the most efficient temperaments in the 2.3.5.11 subgroup of reasonable accuracy.


In the 7-limit, porcupine can be seen as as a weak extension of [[archy]], splitting its generator into three parts; its Pythagorean major third is mapped to 9/7, and its fifth is tuned sharp, ranging from around 705-720 cents, with the best tunings around 711-712 cents, which roughly splits the damage on 7/4 and 9/7.
In the 7-limit, porcupine can be seen as as a weak extension of [[archy]], splitting its generator into three parts; its Pythagorean major third is mapped to 9/7, and its fifth is tuned sharp, ranging from around 705-720 cents, with the best tunings around 711-712 cents, which roughly splits the damage on 7/4 and 9/7.