Nominal-accidental chain: Difference between revisions

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These pitches form a chain, with each one separated from the next by a specific interval. This interval can be said to generate the notation, or the notation can be said to be based on this interval. In diatonic circle-of-fifths notation, this interval has been a just or near-just 3/2. Other intervals are possible, and even desirable for certain edos like 13, 18, and 23.

~~{{Wikipedia|~~ Enharmonic equivalence }}

[[Enharmonic equivalence]] may arise from this approach, which is when the same pitch can have multiple names. People are often taught that C♯ is enharmonically equivalent to D♭ but this is only true in [[12edo]] and its multiples (24edo, 36edo, etc.). The same term is sometimes used to refer to equivalence in general, but each edo technically has its own equivalence. [[7edo]] has the type of equivalence that could be called ''chromatic equivalence'', for example.

~~'''Equivalence'''~~ may arise from this approach, which is when the same pitch can have multiple names. People are often taught that C♯ is enharmonically equivalent to D♭ but this is only true in [[12edo]] and its multiples (24edo, 36edo, etc.). The same term is sometimes used to refer to equivalence in general, but each edo technically has its own equivalence. [[7edo]] has the type of equivalence that could be called ''chromatic equivalence'', for example.

== Specific notation schemes ==

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{{Todo| update |inline=1|comment=Find materials for these topics.}}

* The term "albitonic"

* The term "albitonic" (see [[Chromatic pairs]])

* [[Mark Gould]]'s connection of accidentals to [[bi-level MOS]]

~~== See also ==~~

* [[Enharmonic]] (disambiguation page)

[[Category:Notation]]

@@ Line 11: / Line 11: @@
 These pitches form a chain, with each one separated from the next by a specific interval. This interval can be said to generate the notation, or the notation can be said to be based on this interval. In diatonic circle-of-fifths notation, this interval has been a just or near-just 3/2. Other intervals are possible, and even desirable for certain edos like 13, 18, and 23.
-{{Wikipedia| Enharmonic equivalence }}
+[[Enharmonic equivalence]] may arise from this approach, which is when the same pitch can have multiple names. People are often taught that C&#x266F; is enharmonically equivalent to D&#x266D; but this is only true in [[12edo]] and its multiples (24edo, 36edo, etc.). The same term is sometimes used to refer to equivalence in general, but each edo technically has its own equivalence. [[7edo]] has the type of equivalence that could be called ''chromatic equivalence'', for example.
-'''Equivalence''' may arise from this approach, which is when the same pitch can have multiple names. People are often taught that C&#x266F; is enharmonically equivalent to D&#x266D; but this is only true in [[12edo]] and its multiples (24edo, 36edo, etc.). The same term is sometimes used to refer to equivalence in general, but each edo technically has its own equivalence. [[7edo]] has the type of equivalence that could be called ''chromatic equivalence'', for example.
 == Specific notation schemes ==
@@ Line 36: / Line 34: @@
 {{Todo| update |inline=1|comment=Find materials for these topics.}}
-* The term "albitonic"
+* The term "albitonic" (see [[Chromatic pairs]])
 * [[Mark Gould]]'s connection of accidentals to [[bi-level MOS]]
-== See also ==
-* [[Enharmonic]] (disambiguation page)
 [[Category:Notation]]