75edo: Difference between revisions
m →Regular temperament properties: cleanup |
CompactStar (talk | contribs) No edit summary |
||
| Line 13: | Line 13: | ||
== Intervals == | == Intervals == | ||
{ | {{Interval table}} | ||
== Regular temperament properties == | == Regular temperament properties == | ||
Revision as of 03:10, 5 July 2023
| ← 74edo | 75edo | 76edo → |
The 75 equal divisions of the octave (75edo), or the 75-tone equal temperament (75tet), 75 equal temperament (75et) when viewed from a regular temperament perspective, divides the octave into 75 equal parts of exactly 16 cents each.
Theory
75et tempers out 20000/19683 (tetracot comma) and 2109375/2097152 (semicomma) in the 5-limit, and provides a good tuning for the tetracot temperament. It tempers out 225/224 and 1728/1715 in the 7-limit, supporting bunya and orwell, and providing the optimal patent val for fog.
In the 11-limit, 75e val ⟨75 119 174 211 260] scores lower in error, and tempers 100/99 and 243/242, whereas the patent val ⟨75 119 174 211 259] tempers 99/98 and 121/120. In the 13-limit, it tempers 325/324 and 512/507, 17-limit 120/119 and 256/255 and 19-limit 190/189 and 250/247.
Since 75 is part of the Fibonacci sequence beginning with 5 and 12, it closely approximates the peppermint temperament. The size of its fifth is exactly 704 ¢, which is very close to the peppermint fifth of 704.096 ¢. This makes it suitable for neo-Gothic tunings. It also approximates the Carlos Beta scale well (4\75 ≈ 1\[Carlos Beta]).
Odd harmonics
| Harmonic | 3 | 5 | 7 | 9 | 11 | 13 | 15 | 17 | 19 | 21 | 23 | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Error | Absolute (¢) | +2.04 | -2.31 | +7.17 | +4.09 | -7.32 | +7.47 | -0.27 | +7.04 | +6.49 | -6.78 | -4.27 |
| Relative (%) | +12.8 | -14.5 | +44.8 | +25.6 | -45.7 | +46.7 | -1.7 | +44.0 | +40.5 | -42.4 | -26.7 | |
| Steps (reduced) |
119 (44) |
174 (24) |
211 (61) |
238 (13) |
259 (34) |
278 (53) |
293 (68) |
307 (7) |
319 (19) |
329 (29) |
339 (39) | |
Intervals
| Steps | Cents | Approximate ratios | Ups and downs notation |
|---|---|---|---|
| 0 | 0 | 1/1 | D |
| 1 | 16 | ^D, v4E♭ | |
| 2 | 32 | ^^D, v3E♭ | |
| 3 | 48 | 35/34, 36/35, 37/36, 38/37 | ^3D, vvE♭ |
| 4 | 64 | 27/26, 28/27 | ^4D, vE♭ |
| 5 | 80 | 23/22 | v3D♯, E♭ |
| 6 | 96 | 18/17, 19/18, 37/35 | vvD♯, ^E♭ |
| 7 | 112 | 16/15 | vD♯, ^^E♭ |
| 8 | 128 | 14/13 | D♯, ^3E♭ |
| 9 | 144 | 25/23, 37/34, 38/35 | ^D♯, v4E |
| 10 | 160 | 34/31 | ^^D♯, v3E |
| 11 | 176 | 21/19, 31/28 | ^3D♯, vvE |
| 12 | 192 | 19/17 | ^4D♯, vE |
| 13 | 208 | 35/31 | E |
| 14 | 224 | 25/22, 33/29 | ^E, v4F |
| 15 | 240 | 23/20, 31/27 | ^^E, v3F |
| 16 | 256 | 29/25, 36/31 | ^3E, vvF |
| 17 | 272 | ^4E, vF | |
| 18 | 288 | F | |
| 19 | 304 | 31/26, 37/31 | ^F, v4G♭ |
| 20 | 320 | ^^F, v3G♭ | |
| 21 | 336 | 17/14 | ^3F, vvG♭ |
| 22 | 352 | 38/31 | ^4F, vG♭ |
| 23 | 368 | 21/17, 26/21 | v3F♯, G♭ |
| 24 | 384 | 5/4 | vvF♯, ^G♭ |
| 25 | 400 | 29/23, 34/27 | vF♯, ^^G♭ |
| 26 | 416 | F♯, ^3G♭ | |
| 27 | 432 | 9/7 | ^F♯, v4G |
| 28 | 448 | 35/27 | ^^F♯, v3G |
| 29 | 464 | 17/13 | ^3F♯, vvG |
| 30 | 480 | 29/22, 33/25, 37/28 | ^4F♯, vG |
| 31 | 496 | 4/3 | G |
| 32 | 512 | 35/26 | ^G, v4A♭ |
| 33 | 528 | 19/14 | ^^G, v3A♭ |
| 34 | 544 | 26/19, 37/27 | ^3G, vvA♭ |
| 35 | 560 | 18/13 | ^4G, vA♭ |
| 36 | 576 | v3G♯, A♭ | |
| 37 | 592 | 38/27 | vvG♯, ^A♭ |
| 38 | 608 | 27/19, 37/26 | vG♯, ^^A♭ |
| 39 | 624 | 33/23 | G♯, ^3A♭ |
| 40 | 640 | 13/9, 29/20 | ^G♯, v4A |
| 41 | 656 | 19/13, 35/24 | ^^G♯, v3A |
| 42 | 672 | 28/19, 31/21 | ^3G♯, vvA |
| 43 | 688 | ^4G♯, vA | |
| 44 | 704 | 3/2 | A |
| 45 | 720 | ^A, v4B♭ | |
| 46 | 736 | 26/17 | ^^A, v3B♭ |
| 47 | 752 | 37/24 | ^3A, vvB♭ |
| 48 | 768 | 14/9 | ^4A, vB♭ |
| 49 | 784 | v3A♯, B♭ | |
| 50 | 800 | 27/17 | vvA♯, ^B♭ |
| 51 | 816 | 8/5 | vA♯, ^^B♭ |
| 52 | 832 | 21/13, 34/21 | A♯, ^3B♭ |
| 53 | 848 | 31/19 | ^A♯, v4B |
| 54 | 864 | 28/17, 33/20 | ^^A♯, v3B |
| 55 | 880 | ^3A♯, vvB | |
| 56 | 896 | ^4A♯, vB | |
| 57 | 912 | B | |
| 58 | 928 | ^B, v4C | |
| 59 | 944 | 31/18 | ^^B, v3C |
| 60 | 960 | ^3B, vvC | |
| 61 | 976 | ^4B, vC | |
| 62 | 992 | C | |
| 63 | 1008 | 34/19 | ^C, v4D♭ |
| 64 | 1024 | 38/21 | ^^C, v3D♭ |
| 65 | 1040 | 31/17 | ^3C, vvD♭ |
| 66 | 1056 | 35/19 | ^4C, vD♭ |
| 67 | 1072 | 13/7 | v3C♯, D♭ |
| 68 | 1088 | 15/8 | vvC♯, ^D♭ |
| 69 | 1104 | 17/9, 36/19 | vC♯, ^^D♭ |
| 70 | 1120 | C♯, ^3D♭ | |
| 71 | 1136 | 27/14 | ^C♯, v4D |
| 72 | 1152 | 35/18, 37/19 | ^^C♯, v3D |
| 73 | 1168 | ^3C♯, vvD | |
| 74 | 1184 | ^4C♯, vD | |
| 75 | 1200 | 2/1 | D |
Regular temperament properties
| Subgroup | Comma List | Mapping | Optimal 8ve Stretch (¢) |
Tuning Error | |
|---|---|---|---|---|---|
| Absolute (¢) | Relative (%) | ||||
| 2.3 | [119 -75⟩ | [⟨75 119]] | -0.645 | 0.645 | 4.03 |
| 2.3.5 | 20000/19683, 2109375/2097152 | [⟨75 119 174]] | -0.099 | 0.936 | 5.85 |
| 2.3.5.7 | 225/224, 1728/1715, 15625/15309 | [⟨75 119 174 211]] | -0.713 | 1.337 | 8.36 |