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A concise list of essential terms in xenharmonic music theory
A concise list of essential [[:Category:Terms|terms]] in xenharmonic music theory. See also: [[acronyms]].


'''hertz''' - A unit for frequency; counts per second.
{{TOC Horizontal
| a1=[[#A|A]]
| a2=[[#B|B]]
| a3=[[#C|C]]
| a4=[[#D|D]]
| a5=[[#E|E]]
| a6=[[#F|F]]
| a7=[[#G|G]]
| a8=[[#H|H]]
| a9=[[#I|I]]
| a10=[[#J|J]]
| a11=[[#K|K]]
| a12=[[#L|L]]
| a13=[[#M|M]]
| a14=[[#N|N]]
| a15=[[#O|O]]
| a16=[[#P|P]]
| a17=[[#Q|Q]]
| a18=[[#R|R]]
| a19=[[#S|S]]
| a20=[[#T|T]]
| a21=[[#U|U]]
| a22=[[#V|V]]
| a23=[[#W|W–Z]]
| a24=[[#0–9|0–9]]
| a25=[[#See also|See also]]
}}


'''pitch''' - The property of some sounds that allows them to be ordered on a one-dimensional 'pitch axis'. often measured by the frequency (in hertz) of a sine wave having the same pitch.
== A ==
; [[achiral scale]] : A [[#S|scale]] whose mirror image (reversing the order of its [[#S|steps]]) is a [[#M|mode]] of the same scale.


'''cents''' - A logarithmic units of measure. For a ratio R, 1200 * log2(R).
== B ==
; [[beat]] : An interference pattern between two sounds of slightly different [[#F|frequencies]], perceived as a periodic variation in volume whose rate is the difference of the two frequencies.


'''interval''' - The distance between two pitches, expressed as a ratio (of their associated frequencies in hertz) or in cents.
; [[binary scale]] : A [[#S|scale]] with two different [[#S|step]] sizes.


'''scale''' - An ordered list of intervals; exactly what can be described by a [http://www.huygens-fokker.org/scala/scl_format.html Scala file].
== C ==
; [[cent]] (¢) : A [[#U|unit of interval size]] equal to 1/1200th of an [[#O|octave]], or 1/100th of a [[12edo]] semitone.


'''harmonic distance''' - A property of intervals other than size; a second type of distance, such that pitches separated by 'short' intervals are more likely to be confused (as by novice singers) than those separated by 'long' intervals. e.g. an octave is 'shorter' than a tritone. related to consonance. e.g. [[Benedetti_height|Tenney height]].
; [[chiral scale]] : A [[#S|scale]] whose mirror image (reversing the order of its [[#S|steps]]) is a different scale (not a [[#M|mode]] of the same scale).


'''interval of equivalence''' - An interval considered to have small or zero harmonic distance, such as an octave (pitch ratio 2/1 or 1200 cents).
; [[chord]] : A set of [[#P|pitches]] played simultaneously or in close succession.


'''periodic scale''' - A scale that repeats at an interval of equivalence.
; [[chroma]] : An [[#I|interval]] equal to the difference between the large [[#S|step]] and the small step (L-s) of a [[#B|binary scale]].


'''mode''' - A particular rotation of a scale, e.g. ionian, dorian etc. for the diatonic scale.
; [[comma]] : A small [[#I|interval]] that occurs in [[#J|just intonation]] between two intervals which are close in [[#P|pitch]].


'''just intonation''' - The set of intervals expressible as rational numbers.
; [[comma pump]] : A harmonic sequence (or [[#C|chord]] progression) wherein the [[#T|tonic]] shifts up or down by a [[#C|comma]] every time the sequence is traversed.


'''generators''' - A set of intervals that generate a larger set through linear combination. e.g. the primes {2, 3} generate the Pythogorean scale.
; [[complement]] : The difference between an [[#I|interval]] and the [[#O|octave]] or another [[#E|equivalence interval]].


'''temperament''' - A mapping from a just intonation to a set of intervals with fewer generators. expressible as a [[Intro_to_Mappings|mapping matrix]] whose columns are generators of the just intonation and whose rows are generators of the temperament. In particular, the row vectors are called [[Vals_and_Tuning_Space|vals]].
; [[concordance]] : The perceived smoothness of an [[#I|interval]] or [[#C|chord]].


'''comma''' - A rational number that maps to 1/1 in a given temperament.
; [[consonance]] : The subjective, contextual smoothness of an [[#I|interval]] or [[#C|chord]].


'''rank''' - The number of generators of a set of intervals. e.g. 12-tone equal temperament is rank-1 because it can be generated by the semitone; the Pythagorean scale is rank-2 because it can be generated by the primes {2, 3}
; [[constant structure]] (CS) : The property of a [[#S|scale]] whose [[#I|interval classes]] are distinct.


'''equal temperament''' - A rank-1 temperament. The temperament-agnostic term is [[equal-step tuning]].
== D ==
; [[degree]] : The position of a [[#T|tone]] in a [[#S|scale]], measured by the number of [[#S|steps]] between the [[#T|tonic]] of the scale and the chosen tone.


'''tuning of a temperament''' - The concrete realization of a temperament, with concrete cent values (for each basis element of the temperament). A temperament's character does not depend on the exact choice of tuning, e.g. a semitone of 100.1 cents produces a scale similar to that produced by a semitone of 100.0 cents.
; [[delta-N ratio]] : A [[#R|ratio]] whose difference between its numerator and its denominator is equal to N.


'''optimal tuning''' - A tuning that optimizes some desired property (usually the accuracy of the temperament's approximations to just intonation). e.g. [[POTE_tuning|POTE tuning]].
; [[delta-rational chord]] (DR chord) : A [[#C|chord]] with at least two [[#D|dyads]] which represent [[#F|frequency]] differences which have a rational ratio. This property is thought to result in synchronized interference [[#B|beating]] between the dyads.


'''subtend''' - Of an interval size, to occur as a certain number of steps in a given scale.
; [[diatonic scale]] : An [[#M|moment-of-symmetry]] (MOS) [[#S|scale]] with 5 large [[#S|steps]] and 2 small steps per [[#O|octave]].
:''In the diatonic scale, the perfect fifth always subtends 4 steps.''


[[Category:terminology]]
; [[diesis]] : An [[#I|interval]] equal to the absolute value of the difference between the large [[#S|step]] and twice the small step, i.e. {{nowrap|{{!}}L − 2s{{!}}}}, of a [[#B|binary scale]].
[[Category:Terms]]
 
; [[discordance]] : The perceived roughness of an [[#I|interval]] or [[#C|chord]].
 
; [[dissonance]] : The subjective, contextual roughness of an [[#I|interval]] or [[#C|chord]].
 
; [[dyad]] :A [[chord]] of two [[Pitch class|pitch classes]].
 
== E ==
; [[equal temperament]] : A rank-1 [[#T|temperament]]. The temperament-agnostic term is ''equal-step tuning'' (or equal tuning).
 
; [[equave]] (or interval of equivalence) : An [[#I|interval]] considered to be [[#E|equivalent]] to the [[#U|unison]], such as an [[#O|octave]] (2/1 or 1200 cents).
 
; [[equivalence]] : The phenomenon of psychoacoustics that two notes an [[#O|octave]] apart, or possibly another [[#I|interval]] apart, are considered "(substantially) equivalent" to the brain.
 
== F ==
; [[frequency]] : The number of oscillations per unit of time of a vibrating object.
 
; [[frequency ratio]] : The relationship between the [[#F|frequencies]] of the [[#P|pitches]] of two or more notes.
 
== G ==
; [[generator]]s : A set of [[#I|intervals]] that generates a larger set through linear combination; e.g. primes {2, 3} generate [[#P|Pythagorean tuning]].
 
; [[generator sequence]] (GS) : A [[#S|scale]]-building procedure based on alternating [[#G|generator]]s.
 
; [[generic interval]] : A class of intervals which fall on the same scale degrees. In the diatonic scale, these classes are the set of seconds, the set of thirds, the set of fifths, etc. Generic intervals can also be likened to distances between note-heads on a traditional staff. A generic interval composed of ''k'' scale steps in any scale, diatonic or not, can be called a "''k''-step" (terminology taken from [[TAMNAMS]]).
 
== H ==
; [[harmonic]] : A whole-number multiple of the fundamental [[#F|frequency]] of a sound; also implicitly used in the sense of "harmonic [[#P|partial]]" or "harmonic [[#O|overtone]]".
 
; [[harmonic series]] : The infinite sequence of [[#T|tones]] that are whole-number [[#F|frequency ratios]] over a fundamental.
 
; [[harmonic series segment|harmonic (series) segment]] : Any finite sequence of consecutive harmonics in the harmonic series. Examples: 3:4:5:6:7, 7:8:9:10:11:12:13:14, 49:50:51:52:53:54. As shorthand, these may be written 3::7, 7::14, and 49::54.
 
; [[harmonic mode|harmonic (series) mode]] : A harmonic segment spanning an outer interval of 1:''n'' and usually taken as constituting a scale with period ''n''/1, i.e. one of the form ''m''::''mn''. By default ''mode m'' refers to octave-spanning harmonic modes, i.e. ''m''::2''m''. For example, mode 6 is 6:7:8:9:10:11:12, or 6::12.
 
; [[harmonic distance]] : A measure of complexity for [[#J|just intonation]] [[#I|intervals]], associated with [[#C|concordance]] and [[#D|discordance]].
 
; harmonic limit : See [[#P|prime limit]], [[#O|odd limit]] and [[#I|integer limit]].
 
; [[wikipedia: Hertz|Hertz]] (Hz) : A unit of [[#F|frequency]] defined as one oscillation per second.
 
== I ==
; [[integer limit]] :The set of all [[#F|frequency ratios]] whose terms do not exceed a given maximum integer. Also used as a metric, as in the integer limit of a specific ratio.
 
; [[interval]] : The relationship between two [[#P|pitches]], whose main property is [[#I|interval size]] and is often measured in terms of [[#S|steps]] of the [[#S|scale]] in which it appears.
 
; interval category : See [[#I|interval region]].
 
; [[interval class]] : The set of all [[#I|intervals]] in a [[#S|scale]] which [[#S|subtend]] the same number of scale [[#S|steps]].
 
; interval of equivalence : See [[#E|equave]].
 
; [[interval quality]] : The relative size of an [[#I|interval]] compared to similar intervals (of the same [[#I|interval class]] or of the same [[#I|interval region]]).
 
; [[interval region]] : A range of [[#I|intervals]] of similar [[#I|size]].
 
; [[interval size]] : The distance between two [[#P|pitches]], usually expressed as a [[#F|frequency ratio]] or as a logarithmic measure (e.g. [[#C|cents]]).
 
; [[interval variety]] : The number of different [[#I|interval qualities]] available for an [[#I|interval class]] in a [[#S|scale]].
 
== J ==
; [[just intonation]] (JI) : The set of [[#I|intervals]] whose [[#F|frequency ratios]] are expressible as rational numbers.
 
; [[just intonation subgroup]] : The set of [[#J|JI]] [[#I|intervals]] obtainable by stacking (finitely many) copies of a finite set of JI [[#G|generators]] up or down. For example, 7/6 and 49/32 are both in the 2.3.7 subgroup, the set of JI ratios obtained by stacking copies of 2/1, 3/1 and 7/1 up and down.
 
== K ==
== L ==
; L (as in L7.13) : Shorthand for "prime limit" (e.g. "L11.19" is a shorthand for "2.3.5.7.11.19", or "11 prime limit, plus 19").
 
; limit : See [[#P|prime limit]], [[#O|odd limit]] and [[#I|integer limit]].
 
; [[low-complexity just intonation]] (LCJI) : An approach to [[#T|tuning]] based on a restricted set of simple [[#J|just intonation]] [[#I|intervals]].
 
== M ==
; [[maximum variety]] (MV) : The maximum [[#I|interval variety]] from all [[#I|interval classes]] of a [[#P|periodic scale]].
 
; [[mediant]] : An binary operation on ratios ([[#F|frequency ratios]] or other) where the numerator of the result is the sum of the ratios' numerators, and the denominator of the result is the sum of the ratios' denominators.
 
; [[mode]] : A particular rotation of a [[#S|scale]], e.g. Ionian, Dorian etc. for the [[#D|diatonic scale]].
 
; [[monzo]] : A representation of a [[#J|just intonation]] [[#I|interval]] using the exponents in its prime factorization; e.g. the monzo of 81/80 is {{monzo| -4 4 -1 }}.
 
; [[moment-of-symmetry scale]] (MOS scale) : A type of [[#S|scale]] that generalizes the [[#D|diatonic scale]] by preserving some of its properties, including [[#M|maximum-variety 2]] and [[#R|rank 2]].
 
; [[Myhill's property]] : The property of a [[#S|scale]] with [[#S|strict variety]] 2.
 
== N ==
; [[Neji]] : A near-[[#E|equal]] [[#J|just intonation]] (NEJI) scale.
 
== O ==
; [[octave]] : The [[#I|interval]] with a frequency ratio of 2/1.
 
; [[octave complement]] : See [[#C|complement]].
 
; [[octave reduction]] : An operation on [[#I|intervals]] consisting in dividing or multiplying by 2 repeatedly until the result is greater than or equal to the [[#U|unison]] and less than the [[#O|octave]].
 
; [[odd limit]] :The set of all [[#F|frequency ratios]] whose terms, once all powers of 2 are removed, do not exceed a given maximum odd number. Also used as a metric, as in the odd limit of a specific ratio.
 
; [[overtone]] : A [[#P|partial]] above a fundamental [[#F|frequency]], often assumed to be a [[#H|harmonic]] partial, or an independent [[#P|pitch]] corresponding to that partial.
 
== P ==
; [[partial]] : A sine wave component of a periodic sound.
 
; [[period]] (or interval of repetition) : The [[#I|interval]] that spans the smallest [[#S|step pattern]] that can "tile" a scale.
 
; [[periodic scale]] : A [[#S|scale]] that repeats at a [[#P|period]], often assumed to be the [[#O|octave]] or other [[#E|equave]].
 
; [[wikipedia: Pitch (music)|pitch]] : The property of some sounds that allows them to be ordered on a one-dimensional 'pitch axis'. Often measured by the frequency (in hertz) of a sine wave having the same pitch.
 
; [[polymicrotonal]] (or polysystemic) : The use of multiple [[#T|tuning systems]] in the same piece.
 
; [[prime limit]] :The set of all [[#F|frequency ratios]] whose terms' prime factors do not exceed a maximum prime number. Also used as a metric, as in the prime limit of a specific ratio.
 
; [[Pythagorean tuning]] : A [[#T|tuning system]] based on [[#S|stacking]] the interval [[3/2]] repeatedly, [[#O|octave-reducing]] as necessary.
 
== Q ==
; quality : See [[#I|interval quality]].
 
== R ==
; [[rank]] : The number of [[#G|generators]] of a set of [[#I|intervals]], i.e. the set's dimensionality (not to be confused with the [[dimensionality]] of the temperament itself). For example, [[12edo]] is rank-1 because it can be generated by the semitone; [[Pythagorean tuning]] is rank-2 because it can be generated by the primes {2, 3}.
 
; ratio : See [[#I|interval ratio]] and [[#S|step ratio]]. May also be used to designate other mathematical [[Wikipedia:Ratio|ratios]].
 
; [[reference tone]] (or reference pitch) : An agreed-upon fundamental or dominant [[#F|frequency]] that musical instruments will reference when adjusting tuning.
 
; region : See [[#I|interval region]].
 
; [[regular temperament]] :A mapping from a [[domain]] (such as a [[prime limit]] or [[just intonation subgroup]]) to a set of intervals with fewer generators. Expressible as a [[mapping|mapping matrix]] whose columns are generators of the just intonation and whose rows are generators of the temperament. In particular, the row vectors are called [[val]]s or [[map]]s.
 
; [[root]] : The "home" note of a [[#C|chord]] or arpeggio. See also [[#T|tonic]].
 
== S ==
; [[scale]] :A sequence of [[#P|pitches]] (sometimes expressed as a sequence of [[#I|interval]]s relative to the [[#T|tonic]]); usually contains every pitch of a given musical phrase or passage. Not to be confused with "[[#T|tuning system]]".
 
; scale signature : An expression using the step sizes of a scale, where the coefficient in front of each step tells you how many of that step size the scale has. A [[mos]] scale has a scale signature of aL bs for step sizes L > s. Other scales may have more complex signatures such as 5L 2M 3s.
 
; size : See [[#I|interval size]].
 
; [[step]] : An [[#I|interval]] between two consecutive [[#T|tones]] of a [[#S|scale]].
 
; [[stepspan]]
:The number of steps an interval subtends.
 
; 1, 2, 3...-step: A 1, 2, 3, ...-step interval in any scale.
 
; [[step pattern]] : The sequence of [[#S|steps]] that occurs in a scale, usually written using letters to represent relative [[#I|interval sizes]] (L for large, M for medium, s for small, etc.).
 
; [[step ratio]] : The ratio between the [[#I|interval sizes]] of a [[#S|scale]]'s [[#S|steps]].
 
; [[strict variety]] (SV) : The [[#I|interval variety]] of all [[#I|interval classes]] of a [[#P|periodic scale]], when all interval classes have the same interval variety.
 
; [[subgroup]] : See [[#J|Just intonation subgroup]].
 
; [[subharmonic]] : A unit fraction of the fundamental [[#F|frequency]] of a sound; also implicitly used in the sense of "subharmonic [[#P|partial]]" or "subharmonic [[#U|undertone]]".
 
; [[subharmonic series]] : A sequence of [[#T|tones]] generated by unit-fraction [[#F|frequency ratios]] under a fundamental.
 
; subtend : Of an interval size, to occur as a certain number of steps in a given scale.
: ''In the diatonic scale, the perfect fifth always subtends 4 steps.''
 
== T ==
; [[temperament]] : Historically, a [[#T|tuning system]] that slightly compromises the pure [[#I|intervals]] of (low-complexity) [[#J|just intonation]] to meet other requirements. Modern use of the term usually implies "[[#R|regular temperament]]".
 
; [[ternary scale]] : A [[#S|scale]] with three different [[#S|step]] sizes.
 
; [[timbre]] : The perceived sound quality of a musical note, which allows a listener to tell different instruments apart.
 
; [[tone]] : An individual [[#P|pitch]] from a [[#C|chord]], [[#S|scale]], [[#T|tuning system]], etc.
 
; [[tonic]] : The "home" note of a [[#S|scale]]. See also [[#R|root]].
 
; [[tritave]] : A synonym of [[3/1]] third harmonic, especially in the context of [[nonoctave]] music.
 
; [[tuning system]] :A set of [[#P|pitches]] (sometimes expressed as a set of [[#I|interval]]s relative to the [[#T|tonic]]); contains every pitch of a given musical instrument or piece. Not to be confused with "[[#S|scale]]".
 
== U ==
; [[undertone]] : A [[#P|partial]] below a fundamental [[#F|frequency]], often assumed to be a [[#S|subharmonic]] partial, or an independent [[#P|pitch]] corresponding to that partial.
 
; [[unison]] : The [[#I|interval]] between two [[#T|tones]] that are identical in [[#P|pitch]].
 
; [[unit of interval size]] : An [[#I|interval]] used to measure the [[#I|size]] of other intervals.
 
== V ==
; variety : See [[#I|interval variety]].
 
== W ==
== X ==
== Y ==
== Z ==
== 0–9 ==
; n/m : A [[just intonation]] ratio, e.g. [[3/2]] or [[5/4]].
 
 
; n\m : A degree of an [[EDO]]. For example 5\19 is 5 steps of [[19edo]].
 
<!-- Waiting area for moving to a dedicated "Glossary of RTT"
 
; optimal tuning : A tuning of a [[#R|regular temperament]] that optimizes some desired property (usually the accuracy of the temperament's approximations to just intonation). e.g. [[CTE tuning]].
 
; tuning of a temperament : A concrete realization of a(n abstract) temperament, with concrete cent values (for each [[basis element]] of the temperament). A temperament's character does not depend on the exact choice of tuning, e.g. a semitone of 100.1 cents produces a scale similar to that produced by a semitone of 100.0 cents.
-->
 
== See also ==
* [[Acronyms]]
* [[Dave Keenan & Douglas Blumeyer's guide to RTT/Conventions for names, variables, units, and notations]]
* [[Glossary of scale properties]]
* [[Glossary for combinatorics on words]]
 
[[Category:Terms| ]] <!-- Main article -->
[[Category:Overview]]

Latest revision as of 02:37, 20 July 2025

A concise list of essential terms in xenharmonic music theory. See also: acronyms.

A

achiral scale
A scale whose mirror image (reversing the order of its steps) is a mode of the same scale.

B

beat
An interference pattern between two sounds of slightly different frequencies, perceived as a periodic variation in volume whose rate is the difference of the two frequencies.
binary scale
A scale with two different step sizes.

C

cent (¢)
A unit of interval size equal to 1/1200th of an octave, or 1/100th of a 12edo semitone.
chiral scale
A scale whose mirror image (reversing the order of its steps) is a different scale (not a mode of the same scale).
chord
A set of pitches played simultaneously or in close succession.
chroma
An interval equal to the difference between the large step and the small step (L-s) of a binary scale.
comma
A small interval that occurs in just intonation between two intervals which are close in pitch.
comma pump
A harmonic sequence (or chord progression) wherein the tonic shifts up or down by a comma every time the sequence is traversed.
complement
The difference between an interval and the octave or another equivalence interval.
concordance
The perceived smoothness of an interval or chord.
consonance
The subjective, contextual smoothness of an interval or chord.
constant structure (CS) 
The property of a scale whose interval classes are distinct.

D

degree
The position of a tone in a scale, measured by the number of steps between the tonic of the scale and the chosen tone.
delta-N ratio
A ratio whose difference between its numerator and its denominator is equal to N.
delta-rational chord (DR chord)
A chord with at least two dyads which represent frequency differences which have a rational ratio. This property is thought to result in synchronized interference beating between the dyads.
diatonic scale
An moment-of-symmetry (MOS) scale with 5 large steps and 2 small steps per octave.
diesis
An interval equal to the absolute value of the difference between the large step and twice the small step, i.e. |L − 2s|, of a binary scale.
discordance
The perceived roughness of an interval or chord.
dissonance
The subjective, contextual roughness of an interval or chord.
dyad
A chord of two pitch classes.

E

equal temperament
A rank-1 temperament. The temperament-agnostic term is equal-step tuning (or equal tuning).
equave (or interval of equivalence)
An interval considered to be equivalent to the unison, such as an octave (2/1 or 1200 cents).
equivalence
The phenomenon of psychoacoustics that two notes an octave apart, or possibly another interval apart, are considered "(substantially) equivalent" to the brain.

F

frequency
The number of oscillations per unit of time of a vibrating object.
frequency ratio
The relationship between the frequencies of the pitches of two or more notes.

G

generators
A set of intervals that generates a larger set through linear combination; e.g. primes {2, 3} generate Pythagorean tuning.
generator sequence (GS)
A scale-building procedure based on alternating generators.
generic interval
A class of intervals which fall on the same scale degrees. In the diatonic scale, these classes are the set of seconds, the set of thirds, the set of fifths, etc. Generic intervals can also be likened to distances between note-heads on a traditional staff. A generic interval composed of k scale steps in any scale, diatonic or not, can be called a "k-step" (terminology taken from TAMNAMS).

H

harmonic
A whole-number multiple of the fundamental frequency of a sound; also implicitly used in the sense of "harmonic partial" or "harmonic overtone".
harmonic series
The infinite sequence of tones that are whole-number frequency ratios over a fundamental.
harmonic (series) segment
Any finite sequence of consecutive harmonics in the harmonic series. Examples: 3:4:5:6:7, 7:8:9:10:11:12:13:14, 49:50:51:52:53:54. As shorthand, these may be written 3::7, 7::14, and 49::54.
harmonic (series) mode
A harmonic segment spanning an outer interval of 1:n and usually taken as constituting a scale with period n/1, i.e. one of the form m::mn. By default mode m refers to octave-spanning harmonic modes, i.e. m::2m. For example, mode 6 is 6:7:8:9:10:11:12, or 6::12.
harmonic distance
A measure of complexity for just intonation intervals, associated with concordance and discordance.
harmonic limit
See prime limit, odd limit and integer limit.
Hertz (Hz)
A unit of frequency defined as one oscillation per second.

I

integer limit
The set of all frequency ratios whose terms do not exceed a given maximum integer. Also used as a metric, as in the integer limit of a specific ratio.
interval
The relationship between two pitches, whose main property is interval size and is often measured in terms of steps of the scale in which it appears.
interval category
See interval region.
interval class 
The set of all intervals in a scale which subtend the same number of scale steps.
interval of equivalence
See equave.
interval quality
The relative size of an interval compared to similar intervals (of the same interval class or of the same interval region).
interval region
A range of intervals of similar size.
interval size
The distance between two pitches, usually expressed as a frequency ratio or as a logarithmic measure (e.g. cents).
interval variety
The number of different interval qualities available for an interval class in a scale.

J

just intonation (JI)
The set of intervals whose frequency ratios are expressible as rational numbers.
just intonation subgroup
The set of JI intervals obtainable by stacking (finitely many) copies of a finite set of JI generators up or down. For example, 7/6 and 49/32 are both in the 2.3.7 subgroup, the set of JI ratios obtained by stacking copies of 2/1, 3/1 and 7/1 up and down.

K

L

L (as in L7.13)
Shorthand for "prime limit" (e.g. "L11.19" is a shorthand for "2.3.5.7.11.19", or "11 prime limit, plus 19").
limit
See prime limit, odd limit and integer limit.
low-complexity just intonation (LCJI)
An approach to tuning based on a restricted set of simple just intonation intervals.

M

maximum variety (MV)
The maximum interval variety from all interval classes of a periodic scale.
mediant
An binary operation on ratios (frequency ratios or other) where the numerator of the result is the sum of the ratios' numerators, and the denominator of the result is the sum of the ratios' denominators.
mode
A particular rotation of a scale, e.g. Ionian, Dorian etc. for the diatonic scale.
monzo
A representation of a just intonation interval using the exponents in its prime factorization; e.g. the monzo of 81/80 is [-4 4 -1.
moment-of-symmetry scale (MOS scale)
A type of scale that generalizes the diatonic scale by preserving some of its properties, including maximum-variety 2 and rank 2.
Myhill's property
The property of a scale with strict variety 2.

N

Neji
A near-equal just intonation (NEJI) scale.

O

octave
The interval with a frequency ratio of 2/1.
octave complement
See complement.
octave reduction
An operation on intervals consisting in dividing or multiplying by 2 repeatedly until the result is greater than or equal to the unison and less than the octave.
odd limit
The set of all frequency ratios whose terms, once all powers of 2 are removed, do not exceed a given maximum odd number. Also used as a metric, as in the odd limit of a specific ratio.
overtone
A partial above a fundamental frequency, often assumed to be a harmonic partial, or an independent pitch corresponding to that partial.

P

partial
A sine wave component of a periodic sound.
period (or interval of repetition)
The interval that spans the smallest step pattern that can "tile" a scale.
periodic scale
A scale that repeats at a period, often assumed to be the octave or other equave.
pitch
The property of some sounds that allows them to be ordered on a one-dimensional 'pitch axis'. Often measured by the frequency (in hertz) of a sine wave having the same pitch.
polymicrotonal (or polysystemic)
The use of multiple tuning systems in the same piece.
prime limit
The set of all frequency ratios whose terms' prime factors do not exceed a maximum prime number. Also used as a metric, as in the prime limit of a specific ratio.
Pythagorean tuning
A tuning system based on stacking the interval 3/2 repeatedly, octave-reducing as necessary.

Q

quality
See interval quality.

R

rank
The number of generators of a set of intervals, i.e. the set's dimensionality (not to be confused with the dimensionality of the temperament itself). For example, 12edo is rank-1 because it can be generated by the semitone; Pythagorean tuning is rank-2 because it can be generated by the primes {2, 3}.
ratio
See interval ratio and step ratio. May also be used to designate other mathematical ratios.
reference tone (or reference pitch)
An agreed-upon fundamental or dominant frequency that musical instruments will reference when adjusting tuning.
region
See interval region.
regular temperament
A mapping from a domain (such as a prime limit or just intonation subgroup) to a set of intervals with fewer generators. Expressible as a mapping matrix whose columns are generators of the just intonation and whose rows are generators of the temperament. In particular, the row vectors are called vals or maps.
root
The "home" note of a chord or arpeggio. See also tonic.

S

scale
A sequence of pitches (sometimes expressed as a sequence of intervals relative to the tonic); usually contains every pitch of a given musical phrase or passage. Not to be confused with "tuning system".
scale signature
An expression using the step sizes of a scale, where the coefficient in front of each step tells you how many of that step size the scale has. A mos scale has a scale signature of aL bs for step sizes L > s. Other scales may have more complex signatures such as 5L 2M 3s.
size
See interval size.
step
An interval between two consecutive tones of a scale.
stepspan
The number of steps an interval subtends.
1, 2, 3...-step
A 1, 2, 3, ...-step interval in any scale.
step pattern
The sequence of steps that occurs in a scale, usually written using letters to represent relative interval sizes (L for large, M for medium, s for small, etc.).
step ratio
The ratio between the interval sizes of a scale's steps.
strict variety (SV)
The interval variety of all interval classes of a periodic scale, when all interval classes have the same interval variety.
subgroup
See Just intonation subgroup.
subharmonic
A unit fraction of the fundamental frequency of a sound; also implicitly used in the sense of "subharmonic partial" or "subharmonic undertone".
subharmonic series
A sequence of tones generated by unit-fraction frequency ratios under a fundamental.
subtend
Of an interval size, to occur as a certain number of steps in a given scale.
In the diatonic scale, the perfect fifth always subtends 4 steps.

T

temperament
Historically, a tuning system that slightly compromises the pure intervals of (low-complexity) just intonation to meet other requirements. Modern use of the term usually implies "regular temperament".
ternary scale
A scale with three different step sizes.
timbre
The perceived sound quality of a musical note, which allows a listener to tell different instruments apart.
tone
An individual pitch from a chord, scale, tuning system, etc.
tonic
The "home" note of a scale. See also root.
tritave
A synonym of 3/1 third harmonic, especially in the context of nonoctave music.
tuning system
A set of pitches (sometimes expressed as a set of intervals relative to the tonic); contains every pitch of a given musical instrument or piece. Not to be confused with "scale".

U

undertone
A partial below a fundamental frequency, often assumed to be a subharmonic partial, or an independent pitch corresponding to that partial.
unison
The interval between two tones that are identical in pitch.
unit of interval size
An interval used to measure the size of other intervals.

V

variety
See interval variety.

W

X

Y

Z

0–9

n/m
A just intonation ratio, e.g. 3/2 or 5/4.


n\m
A degree of an EDO. For example 5\19 is 5 steps of 19edo.


See also