Superfourth: Difference between revisions
Wikispaces>Andrew_Heathwaite **Imported revision 262968896 - Original comment: ** |
m Style |
||
| (20 intermediate revisions by 11 users not shown) | |||
| Line 1: | Line 1: | ||
A '''superfourth''', '''ultrafourth''' or '''semi-augmented fourth''' is an [[interval]] that spans three steps of the [[5L 2s|diatonic]] scale with a quality between augmented and perfect. It exists in [[neutralization|neutralized]] diatonic scales as exactly one half of a [[major seventh]]. | |||
In [[just intonation]], an interval may be classified as a superfourth if it is reasonably mapped to [[7edo|3\7]] and [[24edo|11\24]] (precisely three steps of the diatonic scale and five and a half steps of the chromatic scale). | |||
As a concrete [[interval region]], it is typically near 550{{cent}} in size. It is too wide to sound like a [[perfect fourth]] and too narrow to sound like a [[tritone]]. [[Margo Schulter]], in her article [http://www.bestii.com/%7Emschulter/IntervalSpectrumRegions.txt Regions of the Interval Spectrum], proposes an approximate range for a superfourth to be from 528{{cent}} to 560{{cent}}. Of course, this categorization should not be taken for granted. Since music is subjective and culturally influenced, the borders of what is a superfourth are "fuzzy". Other descriptions are possible and legitimate. | |||
Some of the simplest superfourths in [[just intonation]] are [[11/8]] (about 551{{c}}) and [[15/11]] (about 537{{c}}), both undecimal (11-based) superfourths; and [[48/35]] (about 547{{c}}) and [[49/36]] (about 534{{c}}), both septimal (7-based) superfourths. | |||
The inversion of a superfourth is a [[subfifth]]. | |||
See | Information about superfourths in the conventional interval-region format may be found at [[Tritone]]. | ||
== Examples == | |||
Below is a list of some intervals in the superfourth range, both just and tempered. | |||
{| class="wikitable center-1 right-2" | |||
|- | |||
! Interval | |||
! Cents | |||
! Prime limit<br>(if applicable) | |||
|- | |||
| [[88cET|6\88cET]]<br>or [[25edo|11\25]] | |||
| 528.000 | |||
| — | |||
|- | |||
| [[19/14]] | |||
| 528.687 | |||
| 19 | |||
|- | |||
| 87/64 | |||
| 531.532 | |||
| 29 | |||
|- | |||
| 34/25 | |||
| 532.328 | |||
| 17 | |||
|- | |||
| [[9edo|4\9]] | |||
| 533.333 | |||
| — | |||
|- | |||
| [[49/36]] | |||
| 533.742 | |||
| 7 | |||
|- | |||
| 64/47 | |||
| 534.493 | |||
| 47 | |||
|- | |||
| [[15/11]] | |||
| 536.951 | |||
| 11 | |||
|- | |||
| [[29edo|13\29]] | |||
| 537.931 | |||
| — | |||
|- | |||
| 56/41 | |||
| 539.764 | |||
| 41 | |||
|- | |||
| [[20edo|9\20]] | |||
| 540.000 | |||
| — | |||
|- | |||
| 41/30 | |||
| 540.794 | |||
| 41 | |||
|- | |||
| 175/128 | |||
| 541.453 | |||
| 7 | |||
|- | |||
| [[31edo|14\31]] | |||
| 541.935 | |||
| — | |||
|- | |||
| [[26/19]] | |||
| 543.015 | |||
| 19 | |||
|- | |||
| [[11edo|5\11]] | |||
| 545.455 | |||
| — | |||
|- | |||
| 37/27 | |||
| 545.479 | |||
| 37 | |||
|- | |||
| [[48/35]] | |||
| 546.815 | |||
| 7 | |||
|- | |||
| [[24edo|11\24]] | |||
| 550.000 | |||
| — | |||
|- | |||
| [[11/8]] | |||
| 551.318 | |||
| 11 | |||
|- | |||
| [[13edo|6\13]] | |||
| 553.846 | |||
| — | |||
|- | |||
| 62/45 | |||
| 554.812 | |||
| 31 | |||
|- | |||
| 40/29 | |||
| 556.737 | |||
| 29 | |||
|- | |||
| [[28edo|13\28]] | |||
| 557.143 | |||
| — | |||
|- | |||
| 243/176 | |||
| 558.457 | |||
| 11 | |||
|- | |||
| 29/21 | |||
| 558.796 | |||
| 29 | |||
|- | |||
| 47/34 | |||
| 560.551 | |||
| 47 | |||
|- | |||
| [[15edo|7\15]] | |||
| 560.000 | |||
| — | |||
|} | |||
== See also == | |||
* [[43/31]] – a tritone with a "superfourth-ish" taste | |||
* [[Gallery of just intervals]] | |||
* [[Subfifth]] – the [[octave complement]] region | |||
{{Navbox intervals}} | |||
[[Category:Superfourth| ]] <!-- main article --> | |||
Latest revision as of 08:57, 6 March 2025
A superfourth, ultrafourth or semi-augmented fourth is an interval that spans three steps of the diatonic scale with a quality between augmented and perfect. It exists in neutralized diatonic scales as exactly one half of a major seventh.
In just intonation, an interval may be classified as a superfourth if it is reasonably mapped to 3\7 and 11\24 (precisely three steps of the diatonic scale and five and a half steps of the chromatic scale).
As a concrete interval region, it is typically near 550 ¢ in size. It is too wide to sound like a perfect fourth and too narrow to sound like a tritone. Margo Schulter, in her article Regions of the Interval Spectrum, proposes an approximate range for a superfourth to be from 528 ¢ to 560 ¢. Of course, this categorization should not be taken for granted. Since music is subjective and culturally influenced, the borders of what is a superfourth are "fuzzy". Other descriptions are possible and legitimate.
Some of the simplest superfourths in just intonation are 11/8 (about 551 ¢) and 15/11 (about 537 ¢), both undecimal (11-based) superfourths; and 48/35 (about 547 ¢) and 49/36 (about 534 ¢), both septimal (7-based) superfourths.
The inversion of a superfourth is a subfifth.
Information about superfourths in the conventional interval-region format may be found at Tritone.
Examples
Below is a list of some intervals in the superfourth range, both just and tempered.
| Interval | Cents | Prime limit (if applicable) |
|---|---|---|
| 6\88cET or 11\25 |
528.000 | — |
| 19/14 | 528.687 | 19 |
| 87/64 | 531.532 | 29 |
| 34/25 | 532.328 | 17 |
| 4\9 | 533.333 | — |
| 49/36 | 533.742 | 7 |
| 64/47 | 534.493 | 47 |
| 15/11 | 536.951 | 11 |
| 13\29 | 537.931 | — |
| 56/41 | 539.764 | 41 |
| 9\20 | 540.000 | — |
| 41/30 | 540.794 | 41 |
| 175/128 | 541.453 | 7 |
| 14\31 | 541.935 | — |
| 26/19 | 543.015 | 19 |
| 5\11 | 545.455 | — |
| 37/27 | 545.479 | 37 |
| 48/35 | 546.815 | 7 |
| 11\24 | 550.000 | — |
| 11/8 | 551.318 | 11 |
| 6\13 | 553.846 | — |
| 62/45 | 554.812 | 31 |
| 40/29 | 556.737 | 29 |
| 13\28 | 557.143 | — |
| 243/176 | 558.457 | 11 |
| 29/21 | 558.796 | 29 |
| 47/34 | 560.551 | 47 |
| 7\15 | 560.000 | — |
See also
- 43/31 – a tritone with a "superfourth-ish" taste
- Gallery of just intervals
- Subfifth – the octave complement region
| View • Talk • EditInterval classification | |
|---|---|
| Interval regions | |
| Unison and octave | Unison • Comma and diesis • Octave |
| Seconds | Minor second • Neutral second • Major second |
| Thirds | Minor third • Neutral third • Major third |
| Fourths and fifths | Perfect fourth • Superfourth • Tritone • Subfifth • Perfect fifth |
| Sixths | Minor sixth • Neutral sixth • Major sixth |
| Sevenths | Minor seventh • Neutral seventh • Major seventh |
| Interseptimal intervals | Interseptimal 2nd-3rd • Interseptimal 3rd-4th • Interseptimal 5th-6th • Interseptimal 6th-7th |
| Interval qualities | |
| Diatonic qualities | Diminished • Minor • Perfect • Major • Augmented |
| Tuning ranges | Neutral (interval quality) • Submajor and supraminor • Pental major and minor • Novamajor and novaminor • Neogothic major and minor • Supermajor and subminor • Ultramajor and inframinor |