Kite's color notation: Difference between revisions
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* Most importantly, one can name not only notes but also intervals. As a result, color notation can name scales, chords, chord progressions, and even prime subgroups and temperaments. Thus it's not merely a notation but a complete nomenclature. | * Most importantly, one can name not only notes but also intervals. As a result, color notation can name scales, chords, chord progressions, and even prime subgroups and temperaments. Thus it's not merely a notation but a complete nomenclature. | ||
'''Colorspeak''' is the term for spoken color notation. It's designed to be easily pronounced no matter what one's native language is and also to be very concise; almost every element of colorspeak is only one short syllable ending with a vowel. The five basic vowels are pronounced | '''Colorspeak''' is the term for spoken color notation. It's designed to be easily pronounced no matter what one's native language is and also to be very concise; almost every element of colorspeak is only one short syllable ending with a vowel. The five basic vowels are pronounced as in m'''a''', m'''e'''t, m'''e''', m'''ow''', and m'''oo''' by an English speaker, but perhaps differently by others. | ||
== Color names for primes 3, 5, and 7 == | == Color names for primes 3, 5, and 7 == | ||
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|- | |- | ||
| 3-all | | 3-all | ||
| = '''wa''' | | = '''wa''' = white (strong but colorless) = often perfect | ||
|- | |- | ||
| 5-over | | 5-over | ||
| = '''yo''' | | = '''yo''' = yellow (warm and sunny) = often major | ||
|- | |- | ||
| 5-under | | 5-under | ||
| = '''gu''' | | = '''gu''' ("goo") = green (not as bright as yellow) = often minor | ||
|- | |- | ||
| 7-over | | 7-over | ||
| = '''zo''' | | = '''zo''' = blue/azure (dark and bluesy) = often subminor | ||
|- | |- | ||
| 7-under | | 7-under | ||
| = '''ru''' | | = '''ru''' = red (alarming, inflamed) = often supermajor | ||
|} | |} | ||
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The general term for large/small/central is '''magnitude'''. Only intervals have a magnitude, notes never do, and L and s never appear on the staff. A ratio's magnitude is the sum of all the [[monzo|prime-counts]] except the first one, divided by 7, and rounded off. {{nowrap|0 {{=}} central|1 {{=}} large|2 {{=}} double large}}, etc. {{nowrap|81/64 {{=}} {{vector| -6 4 }}}}, and 4/7 rounds to 1, so 81/64 is a lawa 3rd = Lw3. Similarly, {{nowrap|135/128 {{=}} {{vector| -7 3 1 }}}} is a layo unison = Ly1. Unfortunately, magnitudes do not add up predictably like colors and degrees: {{nowrap|w2 + w2 {{=}} Lw3}}. | The general term for large/small/central is '''magnitude'''. Only intervals have a magnitude, notes never do, and L and s never appear on the staff. A ratio's magnitude is the sum of all the [[monzo|prime-counts]] except the first one, divided by 7, and rounded off. {{nowrap|0 {{=}} central|1 {{=}} large|2 {{=}} double large}}, etc. {{nowrap|81/64 {{=}} {{vector| -6 4 }}}}, and 4/7 rounds to 1, so 81/64 is a lawa 3rd = Lw3. Similarly, {{nowrap|135/128 {{=}} {{vector| -7 3 1 }}}} is a layo unison = Ly1. Unfortunately, magnitudes do not add up predictably like colors and degrees: {{nowrap|w2 + w2 {{=}} Lw3}}. | ||
Colors can be doubled or tripled, which are abbreviated '''bi-''' ("b{{w|close front unrounded vowel|ee}}" | Colors can be doubled or tripled, which are abbreviated '''bi-''' ("b{{w|close front unrounded vowel|ee}}") and '''tri-''' ("tr{{w|close front unrounded vowel|ee}}"): 49/25 is a bizogu 9th = zzgg9, and 128/125 is a trigu 2nd = ggg2. Bi- is only used if it shortens the name: 25/16 is a yoyo 5th, not a biyo 5th. Likewise with magnitudes: double-large is lala and triple-large is trila. For quadruple, etc., see [[#Exponents]]. | ||
Colors using only one prime above 3 are called '''primary''' colors. Thus gu and yoyo are primary and ruyo is non-primary. | Colors using only one prime above 3 are called '''primary''' colors. Thus gu and yoyo are primary and ruyo is non-primary. | ||
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Colors for primes greater than 7 are named after the number itself, using the prefix '''i-''' for disambiguation as needed: | Colors for primes greater than 7 are named after the number itself, using the prefix '''i-''' for disambiguation as needed: | ||
{{nowrap|'''Lo''' {{=}} 11-over|'''lu''' {{=}} 11-under}}, and {{nowrap|'''la''' {{=}} 11-all}} = 2.3.11. Because "lo C" sounds like "low C", lo when by itself becomes '''ilo''' "ee-LOW" | {{nowrap|'''Lo''' {{=}} 11-over|'''lu''' {{=}} 11-under}}, and {{nowrap|'''la''' {{=}} 11-all}} = 2.3.11. Because "lo C" sounds like "low C", lo when by itself becomes '''ilo''' ("ee-LOW"). But when with other syllables, it doesn't need i-, as in {{nowrap|11/7 {{=}} loru 5th}}. La when by itself becomes '''ila''', to avoid confusion with the solfege note La, and also with La for large. Sans serif fonts like the one you're reading right now conflate upper-case-i with lower-case-L, so ilo and ila are capitalized as iLo and iLa rather than Ilo and Ila. iLo and lu are abbreviated to '''1o''' and '''1u''' both on the score and in interval names and chord names, e.g. ilo A = 1oA, ilo 4th = 1o4 = 11/8, and C ilo seven = C1o7 = 1/1 - 11/9 - 3/2 - 11/6. Lolo is written 1oo. The associated color is lavender (mnemonic: "e-leven-der"), which refers to both ilo and lu, since they are only [[243/242 |7.1¢]] apart. Lavender is a '''pseudocolor''' that implies the [http://x31eq.com/cgi-bin/rt.cgi?ets=24_17&limit=2_3_11 Lulu aka Neutral] temperament. iLo notes could be called lovender, and lu notes could be called luvender. Both are "shades" of lavender. | ||
'''Tho''' | '''Tho''' = 13-over, '''thu''' = 13-under, and '''tha''' = 13-all. "{{w|Voiceless_dental_fricative|Th}}" is unvoiced, as in "'''th'''irteen". Tho and thu are abbreviated as '''3o''' and '''3u''' on the score and in interval names, e.g. 13/8 is a tho 6th = 3o6 and 14/13 is a thuzo 2nd = 3uz2. Thuthu is written 3uu. | ||
<u>Prime subgroups:</u> yala = 2.3.5.11, zalatha nowa = 2.7.11.13, and yazalatha = 2.3.5.7.11.13 = the full 13-limit. '''Noya''' is a descriptive adjective, not used in actual prime subgroup names, that indicates the absence of 5 and the presence of higher primes, e.g. zala, latha and zalatha are all noya. Likewise, there's '''noza''', '''noyaza''', etc. | <u>Prime subgroups:</u> yala = 2.3.5.11, zalatha nowa = 2.7.11.13, and yazalatha = 2.3.5.7.11.13 = the full 13-limit. '''Noya''' is a descriptive adjective, not used in actual prime subgroup names, that indicates the absence of 5 and the presence of higher primes, e.g. zala, latha and zalatha are all noya. Likewise, there's '''noza''', '''noyaza''', etc. | ||
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|} | |} | ||
Note that 23/16 = | Note that 23/16 = 628¢ is a 5th, not a 4th (but see po & qu below). Furthermore, 31/16 = 1145¢ is a 7th not an 8ve, and 37/32 = 251¢ is a 3rd not a 2nd. For any prime P, the degree of the ratio P/1 is chosen to minimize negative intervals. It is determined by its 8ve-reduced cents, and how it relates to 12edo: | ||
{| class="wikitable" | {| class="wikitable" | ||
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The triyo unison can be written as y<sup>3</sup>1 for, but it's more convenient (as well as closer to the spoken form) to write 3y1. Trilo is written 3(1o) to distinguish it from 31o, thirty-one-over. | The triyo unison can be written as y<sup>3</sup>1 for, but it's more convenient (as well as closer to the spoken form) to write 3y1. Trilo is written 3(1o) to distinguish it from 31o, thirty-one-over. | ||
We've seen bi- for double and tri- for triple. Quadruple and quintuple are abbreviated '''quad-''' and '''quin-''', as in quadyo or quingu. Colorspeak syllables usually end in one of the five basic vowels. Quad and quin are both exceptions, so quad may optionally be spoken as "kwah" | We've seen bi- for double and tri- for triple. Quadruple and quintuple are abbreviated '''quad-''' and '''quin-''', as in quadyo or quingu. Colorspeak syllables usually end in one of the five basic vowels. Quad and quin are both exceptions, so quad may optionally be spoken as "kwah", and quin as "kwee". | ||
Except for quad, all exponent syllables are prime numbers. Septuple is '''sep-'''. | Except for quad, all exponent syllables are prime numbers. Septuple is '''sep-'''. For extreme cases above 7, all exponent syllables are the root color word plus -e for exponent. Eleven-fold is '''le-''' = "e'''<u>l</u>'''even '''<u>e</u>'''xponent", pronounced as in "<u>le</u>ns". Thirteen-fold is '''the-''' as in "<u>the</u>saurus". Note that sep- means seven-fold and '''se-''' means seven<u>teen</u>-fold. | ||
Exponents can be combined: sextuple = tribi-, 8-fold = quadbi-, 9-fold = tritri-, 10-fold = quinbi-, 12-fold = quadtri-, 14-fold = sepbi-, 15-fold = quintri-, 16-fold = quadquad-, etc. The component syllables are simply the number's prime factors in descending order, except that quad replaces bibi and comes before tri. | Exponents can be combined: sextuple = tribi-, 8-fold = quadbi-, 9-fold = tritri-, 10-fold = quinbi-, 12-fold = quadtri-, 14-fold = sepbi-, 15-fold = quintri-, 16-fold = quadquad-, etc. The component syllables are simply the number's prime factors in descending order, except that quad replaces bibi and comes before tri. | ||
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* Put a hyphen after coco-, trico-, etc. | * Put a hyphen after coco-, trico-, etc. | ||
* Put a hyphen before and after "seventy", "eighty", etc. | * Put a hyphen before and after "seventy", "eighty", etc. | ||
The hyphen is | The hyphen is omitted if it would create a subunit of 1 syllable. Thus despite the 2nd rule, layo, lalagu and sagugu are all unhyphenated. And despite the 3rd rule, coyo, cozogu and cocowa are unhyphenated. However, the last rule always holds, e.g. 284/243 = 2<sup>2</sup> * 3<sup>-5</sup> * 71 is a sa-seventy-wo 3rd. | ||
== Converting a ratio to/from a color name == | == Converting a ratio to/from a color name == | ||
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For more complex ratios, a more direct method is needed: | For more complex ratios, a more direct method is needed: | ||
'''<u>Converting a ratio</u>:''' Find the PCV by prime factorization. To find the color, combine all the appropriate colors for each prime > 3, higher primes first. To find the degree, first find the [[stepspan]], which is the dot product of the PCV with the "pseudo-edomapping" discussed above <7 11 16 20 24 26 29 30...]. Then add 1, or subtract 1 if the stepspan is negative. To find the magnitude, add up all the prime counts except the first one, divide by 7, and round off. Combine the magnitude, color and degree to make the color name. If the interval is > | '''<u>Converting a ratio</u>:''' Find the PCV by prime factorization. To find the color, combine all the appropriate colors for each prime > 3, higher primes first. To find the degree, first find the [[stepspan]], which is the dot product of the PCV with the "pseudo-edomapping" discussed above <7 11 16 20 24 26 29 30...]. Then add 1, or subtract 1 if the stepspan is negative. To find the magnitude, add up all the prime counts except the first one, divide by 7, and round off. Combine the magnitude, color and degree to make the color name. If the interval is > 1200¢, octave-reduce as desired (e.g. a 9th may or may not become a compound 2nd). Add one co- prefix for every octave removed. Combine repeated syllables so that three yo's becomes triyo, etc. For the exact combination "grammar", see [[Color notation/Temperament Names]]. | ||
Example: ratio = 63/40 | Example: ratio = 63/40 | ||
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Omissions are indicated by "no". The za [[Hendrix chord]] is Ch7z10no5. (To write it as a sharp-9 chord, see [[Color notation#Po and qu|po and qu]] below.) A no3 tetrad can also be written as a 5 chord with an added 6th or 7th: Cy6no3 = C5y6, and Cz7(zg5)no3 = C(zg5)z7. | Omissions are indicated by "no". The za [[Hendrix chord]] is Ch7z10no5. (To write it as a sharp-9 chord, see [[Color notation#Po and qu|po and qu]] below.) A no3 tetrad can also be written as a 5 chord with an added 6th or 7th: Cy6no3 = C5y6, and Cz7(zg5)no3 = C(zg5)z7. | ||
The [[4:5:6:7|y,z7 chord]] is called the | The [[4:5:6:7|y,z7 chord]] is called the har7 ("har-seven") or h7 chord, because it's part of the harmonic series. {{nowrap|[[4:5:6:7:9|Ch9]] {{=}} Cy,z7,9}} and {{nowrap|[[4:5:6:7:9:11|Ch11]] {{=}} Cy,z7,w9,1o11}}. The [[60:70:84:105|sub7 ("sub-seven") or s7 chord]] is part of the subharmonic series. It's the first 7 subharmonics, with the 7th subharmonic becoming the root. {{nowrap|[[140:180:210:252:315|Cs9]] {{=}} Cr,g7,9}} and {{nowrap|Cs11 {{=}} C1o11(1or5,1og9)}}. Note that s9 is not s7 plus a 9th, but a completely different chord. Usually the 9th ''ascends'' from the root, but in a sub9 chord it ''descends'' from the top note, and becomes the new root. Thus the s7 chord is contained in the ''upper'' four notes of the s9 chord, not the lower four. See [[Kite's thoughts on harmonic and subharmonic nomenclature]]. | ||
{{nowrap|Cs6 {{=}} Cg,r6}} {{nowrap|{{=}} [[70:84:105:120|12:10:8:7]]}}. Other than the s6 chord, all harmonic/subharmonic numbers must be odd, e.g. | {{nowrap|Cs6 {{=}} Cg,r6}} {{nowrap|{{=}} [[70:84:105:120|12:10:8:7]]}}. Ch6 = Cz,y6 = 6:7:9:10. Other than the s6 chord, all harmonic/subharmonic numbers must be odd, e.g. Ch8 is invalid. For any odd number N greater than 5, ChN is 1:3:5...N and CsN is N...5:3:1. <u>Additions, a</u><u>lterations and omissions refer to degrees</u>, not harmonics or subharmonics: Ch7,11 adds w11, not 1o11. Ch9no5 omits w5, not y3. However, <u>all numbers > 13 refer to (sub)harmonics</u>, e.g. Ch9,15 adds y7 and Ch19no15 omits it. | ||
<u>All wa chords can be named conventionally</u>, since wa is the default color. Thus {{dash|w1, w3, w5}} is both Cw and Cm. And {{dash|w1, Lw3, w5, w6}} is both CLw6 and C6. For aesthetic reasons, the conventional name is preferred only when neither "M" nor "m" appears in the name (since color notation doesn't use major/minor). This is especially true if the chord includes non-wa notes: {{dash|w1, w3, w5, y6}} is Cw,y6 not Cm,y6. | <u>All wa chords can be named conventionally</u>, since wa is the default color. Thus {{dash|w1, w3, w5}} is both Cw and Cm. And {{dash|w1, Lw3, w5, w6}} is both CLw6 and C6. For aesthetic reasons, the conventional name is preferred only when neither "M" nor "m" appears in the name (since color notation doesn't use major/minor). This is especially true if the chord includes non-wa notes: {{dash|w1, w3, w5, y6}} is Cw,y6 not Cm,y6. | ||
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=== Po and qu === | === Po and qu === | ||
'''Po''' and '''qu''' ( | '''Po''' and '''qu''' ("coo") (short forms '''p''' and '''q''') are two optional inflections that indicate raising/lowering by a pythagorean comma. (Mnemonics: p stands for pythagorean, and q is the mirror image of p. The pythagorean comma is fifthward, hence 3-over, hence "-o".) Why would one want to raise by this comma? Because by first subtracting that comma and then adding it on again, one can rename a note as another note. This is similar to [[Sagittal notation |Sagittal]] notation (see [http://tallkite.com/misc_files/Sagittal-JI-Translated-To-Colors.png Sagittal-JI-Translated-To-Colors.png]). | ||
For example, F# minus a pythagorean comma is Gb. And Gb plus a pythagorean comma is po Gb. Thus an alternate name for F# is po Gb. <u>Adding po raises the degree by one</u>. The new note name is always a 12edo equivalent of the old note name. Adding qu lowers the degree: {{nowrap|Gb {{=}} qu F#}}. If one is resolving from 31oGb to G, one can rename 31oGb as 31oqF# = thiwoqu F sharp. | For example, F# minus a pythagorean comma is Gb. And Gb plus a pythagorean comma is po Gb. Thus an alternate name for F# is po Gb. <u>Adding po raises the degree by one</u>. The new note name is always a 12edo equivalent of the old note name. Adding qu lowers the degree: {{nowrap|Gb {{=}} qu F#}}. If one is resolving from 31oGb to G, one can rename 31oGb as 31oqF# = thiwoqu F sharp. | ||
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Another reason is to avoid an awkward unison trill. [[File:Notation example 5a.png|992x992px]] | Another reason is to avoid an awkward unison trill. [[File:Notation example 5a.png|992x992px]] | ||
== | == Comma names and temperament names == | ||
{{Main | Color notation/Temperament names}} | {{Main | Color notation/Temperament names}} | ||
Temperaments are named after the comma(s) they temper out. Commas are named using an alternate format that | Temperaments are named after the comma(s) they temper out. Commas are named using an alternate format that replaces the degree (unison, 2nd, etc.) with the suffix "-ma" (mnemonics: com'''ma''', or -is'''ma''' as in schisma and kleisma). The degree isn't needed because the comma is assumed to be the smallest interval in cents of that color and magnitude. For example, the guma is the smallest of the 7 central gu intervals, which is [[81/80]]. Tempering out the guma creates [[Meantone]] or Guti or gT, where "-ti" and "T" stand for temperament. [[2048/2025]] is the saguguma, abbreviated sggM, and [[Srutal]] is Saguguti or sggT. [[Porcupine]] is Triyoti or 3yT. Example usage of -ti and -ma: triyoti inflates the guma. | ||
Multi-comma temperaments have multiple commas in their name. [[Meantone family#Septimal meantone | Septimal Meantone]] is | The logic for M and T being upper case is that in color notation abbreviations, nouns are always capitalized and adjectives are generally not. Color notation nouns: M and T, note names A B C D E F G, roman numerals I II III IV V VI VII, and degrees 1 2 3 etc. (L for large is an exception to this rule, because otherwise Ly7 would be ly7, which looks like a y7 chord on the tonic.) | ||
Some commas over 90¢ (but not all) are the ''2nd'' smallest interval in cents of that color and magnitude. These use the -bi- syllable. For example, [[Schismic]] is Layoti or LyT, but [[Mavila]] is Layobiti or LybT, where "-bi-" and "-b-" indicate it's the 2nd largest layo interval. Likewise 135/128 is named layobima or LybM. | |||
Most wa commas use yet another alternate format, e.g. [[Mercator's comma]] is 53wama or 53wM. The only exceptions are lawama (LwM = A1), sawama (swM = m2) and lalawama (LLwM = pythagorean comma). | |||
Multi-comma temperaments have multiple commas in their name. [[Meantone family#Septimal meantone | Septimal Meantone]] is gu & ruyoyoti or g&ryyT, and [[Meantone family#Dominant | Dominant Meantone]] is gu & ruguti or g&rgT. Untempered primes are included with a plus sign. The 2.3.5.7 prime subgroup with 81/80 tempered out is Guti + za = gT+z, and [[Blackwood]] is Sawati + ya = swT+y. | |||
MOS and MODMOS scales can be named as e.g. Triyoti[8]. Individual modes can be named as 2nd Triyoti[8], 3rd Triyoti[7] b7, etc. See [[Genchain mode numbering]]. | MOS and MODMOS scales can be named as e.g. Triyoti[8]. Individual modes can be named as 2nd Triyoti[8], 3rd Triyoti[7] b7, etc. See [[Genchain mode numbering]]. | ||
==Ups and downs, lifts and drops, plain and mid== | ==Ups and downs, lifts and drops, plain and mid== | ||
Color notation merely renames ratios more conveniently, and strictly speaking, it only applies to just intonation. However, ratios are often used to loosely describe intervals in [[EDO | edos]], and colors can be used as well. A more precise notation uses [[Ups and downs notation |'''ups''' '''and''' '''downs''']] (^ and v) as "virtual colors", inflections that always map to exactly one edostep. Ups and downs are used on the score just like color inflections are. Notes are named e.g. up C sharp = ^C#. [[Sharpness | Sharp-1 and flat-1]] edos don't require ups and downs. | Color notation merely renames ratios more conveniently, and strictly speaking, it only applies to just intonation. However, ratios are often used to loosely describe intervals in[[EDO | edos]], and colors can be used as well. A more precise notation uses [[Ups and downs notation |'''ups''' '''and''' '''downs''']] (^ and v) as "virtual colors", inflections that always map to exactly one edostep. Ups and downs are used on the score just like color inflections are. Notes are named e.g. up C sharp = ^C#. [[Sharpness | Sharp-1 and flat-1]] edos don't require ups and downs. | ||
Unlike actual colors, virtual colors generally add up to something simpler, e.g. three of 22edo's ups adds up to an A1. Unlike actual colors, virtual colors combine with major, minor, etc. Intervals are named upmajor 3rd = ^M3, up 4th = ^4, downaug 5th = vA5, etc. | Unlike actual colors, virtual colors generally add up to something simpler, e.g. three of 22edo's ups adds up to an A1. Unlike actual colors, virtual colors combine with major, minor, etc. Intervals are named upmajor 3rd = ^M3, up 4th = ^4, downaug 5th = vA5, etc. | ||
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|- | |- | ||
! prime | ! prime | ||
! colspan="2" | -o ({{w|mid back rounded vowel|"oh"}} | ! colspan="2" | -o ({{w|mid back rounded vowel|"oh"}}) for over | ||
! colspan="2" | -u ({{w|close back rounded vowel|"oo"}} | ! colspan="2" | -u ({{w|close back rounded vowel|"oo"}}) for under | ||
! colspan="2" | -a ({{w|open central unrounded vowel|"ah"}} | ! colspan="2" | -a ({{w|open central unrounded vowel|"ah"}}) for all | ||
! colspan="2" | -e ({{w|open-mid front unrounded vowel|"eh"}} | ! colspan="2" | -e ({{w|open-mid front unrounded vowel|"eh"}}) for exponent | ||
|- | |- | ||
| 2 | | 2 | ||
| colspan="2" | — | | colspan="2" | — | ||
| colspan="2" | — | | colspan="2" | — | ||
| (clear) | | ca (clear) | ||
| — | | — | ||
| bi ("b{{w|close front unrounded vowel|ee}}") | | bi ("b{{w|close front unrounded vowel|ee}}") | ||
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Exponents: sextuple is tribi (triply-doubled), octuple is quadbi, 9-fold is tritri, etc. | Exponents: sextuple is tribi (triply-doubled), octuple is quadbi, 9-fold is tritri, etc. | ||
<u>Pronunciation</u>: exponent syllables like bi or tri are always unaccented. To emphasize the prime limit, the first occurrence of the highest prime is always accented: Bi'''ru'''yo, | <u>Pronunciation</u>: exponent syllables like bi or tri are always unaccented. To emphasize the prime limit, the first occurrence of the highest prime is always accented: Bi'''ru'''yoma, Tri'''yo'''ti, Lala'''wa'''ma. In longer names, the 1st occurrence of sa/la and/or of lower primes may also be accented: '''Sa'''sa-'''gu'''gu, '''Zo'''zotri'''gu'''. | ||
{| class="wikitable" | {| class="wikitable" | ||
|- | |- | ||
! colspan="2" | | ! colspan="2" | Term | ||
! Meaning | ! Meaning | ||
! Example | ! Example | ||
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| colspan="2" | -a- | | colspan="2" | -a- | ||
| delimits an exponent such as bi-, tri-, etc. | | delimits an exponent such as bi-, tri-, etc. | ||
| | | trizoguma = 3zgM = 1029/1000, but trizo-aguma = 3zagM = 343/320 | ||
|- | |- | ||
| co- | | co- | ||
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| 7/4 = zo 7th = z7, 7/2 = compound zo 7th = cozo 7th = cz7 | | 7/4 = zo 7th = z7, 7/2 = compound zo 7th = cozo 7th = cz7 | ||
|- | |- | ||
| har | | har- | ||
| style="text-align: center;" | h | | style="text-align: center;" | h | ||
| refers to a harmonic series (otonal) chord | | refers to a harmonic series (otonal) chord | ||
| [[4:5:6:7]] = C har-seven = Ch7 | | [[4:5:6:7]] = C har-seven = Ch7 | ||
|- | |- | ||
| sub | | sub- | ||
| style="text-align: center;" | s | | style="text-align: center;" | s | ||
| refers to a subharmonic series (utonal) chord | | refers to a subharmonic series (utonal) chord | ||
| [[60:70:84:105|7:6:5:4]] = C sub-seven = Cs7 | | [[60:70:84:105|7:6:5:4]] = C sub-seven = Cs7 | ||
|- | |- | ||
| po | | -po | ||
| style="text-align: center;" | p | | style="text-align: center;" | p | ||
| adds a pythagorean comma, to change the degree | | adds a pythagorean comma, to change the degree | ||
| 15/14 = ruyo unison = ry1 = ruyopo 2nd = ryp2 | | 15/14 = ruyo unison = ry1 = ruyopo 2nd = ryp2 | ||
|- | |- | ||
| qu | | -qu | ||
| style="text-align: center;" | q | | style="text-align: center;" | q | ||
| subtracts a pythagorean comma | | subtracts a pythagorean comma | ||
| 49/48 = zozo 2nd = zz2 = zozoqu unison = zzq1 | | 49/48 = zozo 2nd = zz2 = zozoqu unison = zzq1 | ||
|- | |- | ||
| | | -ma | ||
|M | |||
|a comma, the smallest interval of that color and magnitude | |||
|yoyo or yy is a color, but yoyoma or yyM is 25/24 | |||
|- | |||
| -ti | |||
| T | | T | ||
| | | the temperament that tempers out that comma | ||
| | | guma = 81/80, guti = meantone | ||
|- | |- | ||
| | | -bi | ||
| style="text-align: center;" | | | style="text-align: center;" | b | ||
| as a suffix, 2nd smallest comma in the row segment | | as a suffix, 2nd smallest comma in the row segment | ||
| | | guti = gT is Meantone, but gubiti = gbT is [[Father]] (16/15 vanishes) | ||
|- | |- | ||
| | | -wama | ||
| | | wM | ||
| alternate interval format, only used for 3-limit commas | | alternate interval format, only used for 3-limit commas | ||
| [[Mercator's comma]] = | | [[Mercator's comma]] = 53wama = 53wM | ||
|- | |- | ||
| colspan="2" | nowa | | colspan="2" | nowa | ||
| remove 3 (wa) from the prime subgroup, i.e. no-threes | | remove 3 (wa) from the prime subgroup, i.e. no-threes | ||
| 2.5.7 = yaza nowa, 2.5.7 & 50/49 = | | 2.5.7 = yaza nowa, 2.5.7 & 50/49 = biruyoti nowa | ||
|- | |- | ||
| colspan="2" | noca | | colspan="2" | noca | ||
| remove 2 (clear) from the prime subgroup, i.e. non-8ve | | remove 2 (clear) from the prime subgroup, i.e. non-8ve | ||
| 3.5.7 = yaza noca, 3.5.7 & 245/243 = | | 3.5.7 = yaza noca, 3.5.7 & 245/243 = zozoyoti noca | ||
|- | |- | ||
| colspan="2" | nowaca | | colspan="2" | nowaca | ||
| Line 805: | Line 816: | ||
| style="text-align: center;" | + | | style="text-align: center;" | + | ||
| add an untempered prime to the temperament | | add an untempered prime to the temperament | ||
| Blackwood = 2.3.5 with 256/243 tempered out = | | Blackwood = 2.3.5 with 256/243 tempered out = sawati + ya = swT+y | ||
|- | |- | ||
| and | | and | ||
| style="text-align: center;" | & | | style="text-align: center;" | & | ||
| joins commas that are tempered out | | joins commas that are tempered out | ||
| 7-limit Porcupine = 2.3.5.7 with 250/243 & 64/63 = | | 7-limit Porcupine = 2.3.5.7 with 250/243 & 64/63 = triyo & ruti = 3y&rT | ||
|- | |- | ||
| -ward | | -ward | ||
| Line 827: | Line 838: | ||
* "nu" means both "19-under" and "new", as in "the new key". Thus 19u by itself becomes "inu". | * "nu" means both "19-under" and "new", as in "the new key". Thus 19u by itself becomes "inu". | ||
* "bi" means both "doubled" as in biruyo and "2nd smallest" as in Layobi. The meaning is always clear from context. | * "bi" means both "doubled" as in biruyo and "2nd smallest" as in Layobi. The meaning is always clear from context. | ||
* "b" means both the short form of -bi and the flat sign. The meaning is always clear from context. | |||
* "M" means both "comma" and "major", as in CM7. The meaning is always clear from context. | |||
Temperaments use "virtual colors" represented with arrows ^ v and perhaps slashes / \ | Temperaments use "virtual colors" represented with arrows ^ v and perhaps slashes / \ | ||
| Line 880: | Line 893: | ||
== See also == | == See also == | ||
* [[Kite's color notation/Catalog of rank-2 temperaments]] | * [[Kite's color notation/Catalog of rank-2 temperaments]] | ||
* [[xen-calc]] – A web app that converts to/from ratios, prime-count vectors and color notation, and also supports ups and downs notation | * [[xen-calc]] – A web app that converts to/from ratios, prime-count vectors and color notation, and also supports ups and downs notation | ||
== Further reading == | == Further reading == | ||