User:Unque/37edo Composition Theory: Difference between revisions
No edit summary |
m added category |
||
| (3 intermediate revisions by 2 users not shown) | |||
| Line 1: | Line 1: | ||
{{breadcrumb|37edo}} | |||
'''Note: This page is currently under construction, and will be subject to major expansion in the near future. Come back soon!''' | '''Note: This page is currently under construction, and will be subject to major expansion in the near future. Come back soon!''' | ||
| Line 26: | Line 28: | ||
|1\37 | |1\37 | ||
|32.43 | |32.43 | ||
|[[55/54]], [[56/55]] | |[[55/54]]+, [[56/55]] | ||
| | | | ||
|D♭ | |D♭ | ||
| Line 33: | Line 35: | ||
|2\37 | |2\37 | ||
|64.86 | |64.86 | ||
|[[28/27]] | |[[28/27]]+ | ||
|[[Sycamore | |[[Sycamore]] | ||
|Bキ = E𝄫 | |Bキ = E𝄫 | ||
| | | | ||
|- | |- | ||
|3\37 | |3\37 | ||
| Line 54: | Line 56: | ||
|5\37 | |5\37 | ||
|162.16 | |162.16 | ||
|[[11/10|10/9]], [[9/8]]- | |[[11/10|10/9]]+, [[9/8]]- | ||
|[[Porcupine]] | |[[Porcupine]] | ||
|B♯ | |B♯ | ||
|9/8 using antidiatonic fifth | |10/9 using diatonic fifth, or 9/8 using antidiatonic fifth | ||
|- | |- | ||
|6\37 | |6\37 | ||
|194.59 | |194.59 | ||
|[[19/17]], 9/8 | |10/9, [[19/17]], 9/8 | ||
|[[Didacus]] | |[[Didacus]] | ||
|C♯ | |C♯ | ||
|9/8 using dual fifths | |10/9 = 9/8 using dual fifths | ||
|- | |- | ||
|7\37 | |7\37 | ||
| Line 75: | Line 77: | ||
|8\37 | |8\37 | ||
|259.46 | |259.46 | ||
|[[15/13]] | |[[15/13]]+ | ||
|[[Barbados]] | |[[Barbados]] | ||
|E♭ | |E♭ | ||
| | |Barbados utilizes split-3 shenanigans | ||
|- | |- | ||
|9\37 | |9\37 | ||
|291.89 | |291.89 | ||
|[[13/11]], [[19/16]] | |[[13/11]], [[19/16]] | ||
| | |[[847/845|Cuthbert]] | ||
|F♭ | |F♭ | ||
| | | | ||
| Line 96: | Line 98: | ||
|11\37 | |11\37 | ||
|356.76 | |356.76 | ||
|[[11/9]], [[16/13]] | |[[11/9]]+, [[16/13]] | ||
|[[Beatles]] | |[[Beatles]] | ||
|B𝄪 = Ed | |B𝄪 = Ed | ||
| Line 117: | Line 119: | ||
|14\37 | |14\37 | ||
|454.05 | |454.05 | ||
|[[9/7]], [[13/10]] | |[[9/7]]+, [[13/10]] | ||
|[[Ammonite]] | |[[Ammonite]] | ||
|E | |E | ||
| Line 216: | Line 218: | ||
|908.11 | |908.11 | ||
|[[32/19]], [[22/13]] | |[[32/19]], [[22/13]] | ||
| | |Cuthbert | ||
|G♯ | |G♯ | ||
| | | | ||
| Line 236: | Line 238: | ||
| 31\37 | | 31\37 | ||
|1005.41 | |1005.41 | ||
|16/9 | |16/9, 10/9 | ||
|Didacus | |Didacus | ||
|C♭ | |C♭ | ||
| Line 243: | Line 245: | ||
|32\37 | |32\37 | ||
|1037.84 | |1037.84 | ||
|16/9-, [[20/11|9/5]] | |16/9-, [[20/11|9/5]]+ | ||
|Porcupine | |Porcupine | ||
|Aキ = D𝄫 | |Aキ = D𝄫 | ||
| Line 251: | Line 253: | ||
|1070.27 | |1070.27 | ||
|[[13/7]] | |[[13/7]] | ||
| | |Cubical | ||
|Bd | |Bd | ||
| | | | ||
| Line 264: | Line 266: | ||
|35\37 | |35\37 | ||
|1135.14 | |1135.14 | ||
|[[27/14]] | |[[27/14]]+ | ||
|Sycamore | |Sycamore | ||
|A♯ | |A♯ | ||
| | | | ||
| Line 271: | Line 273: | ||
|36\37 | |36\37 | ||
|1167.57 | |1167.57 | ||
|[[55/28]] | |[[55/28]], [[55/27]]+ | ||
| | | | ||
|B | |B | ||
| Line 290: | Line 292: | ||
Additionally, [[Diamond MOS notation]] may be more useful than Circle of Fifths notation for describing structures that do not adhere closely to the Circle of Fifths, such as Orgone or Cubical. | Additionally, [[Diamond MOS notation]] may be more useful than Circle of Fifths notation for describing structures that do not adhere closely to the Circle of Fifths, such as Orgone or Cubical. | ||
[[Category:Approaches to tuning systems]] | |||