Scores: Difference between revisions
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When a piece of music is to be performed repeatedly the same way, or performed by people who weren't the originators of the piece, it helps to have a score. In the history of objectifying music, scores were the currency until they were displaced by recordings. There are many types of [[musical notation|microtonal notation]], such as [[Sagittal_notation#Scores in Sagittal notation|Sagittal notation]], [[color notation]] and [[ | When a piece of music is to be performed repeatedly the same way, or performed by people who weren't the originators of the piece, it helps to have a score. In the history of objectifying music, scores were the currency until they were displaced by recordings. There are many types of [[musical notation|microtonal notation]], such as [[Sagittal_notation#Scores in Sagittal notation|Sagittal notation]], [[color notation]] and [[Ups and downs notation|ups and downs notation]]. | ||
== Historically significant microtonal scores == | == Historically significant microtonal scores == | ||
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; David Canright | ; David Canright | ||
* ''[http://home.comcast.net/~dcanright/suite/index.htm Fibonacci Suite]''{{dead link}} for piano retuned to 7-limit JI, seven hands | * ''[http://home.comcast.net/~dcanright/suite/index.htm Fibonacci Suite]''{{dead link}} for piano retuned to 7-limit JI, seven hands | ||
; [[Daniel Corral]] | |||
* [https://danielcorral.com/score/ Daniel Corral scores archive] | |||
; [[William Copper]] | ; [[William Copper]] | ||
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=== L === | === L === | ||
; [[L4MPLIGHT]] | |||
* [[Stephen Weigel]]’s [https://www.youtube.com/watch?v=EPMIWHouXSg animated transcription of L4MPLIGHT’s introductory composition] (YouTube). | |||
=== M === | === M === | ||
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=== S === | === S === | ||
; Thomas Edwin Scheurich III | ; [[Thomas Scheurich|Thomas Edwin Scheurich III]] | ||
* ''Three Lonely, Uninspired Ways to Play in 17tet'' (2006) for 2 pianos | * ''Three Lonely, Uninspired Ways to Play in 17tet'' (2006) for 2 pianos | ||
* ''Attention! Attention! Attention!'' (2007) for 17-tone ensemble (soprano, udderbot, slide whistles, violin, viola, cello, pianos, laptop, percussion) | * ''Attention! Attention! Attention!'' (2007) for 17-tone ensemble (soprano, udderbot, slide whistles, violin, viola, cello, pianos, laptop, percussion) | ||
* ''Story Worth Telling'' (2008) chamber operetta in [[17edo]] | * ''Story Worth Telling'' (2008) chamber operetta in [[17edo]] | ||
* ''Xenharmonic Curiosities II'' (2009) for voices and viola | * ''Xenharmonic Curiosities II'' (2009) for voices and viola | ||
; [[Rosie Sheldon]] | |||
* [https://www.sheetmusicdirect.com/en-US/se/ID_No/1382604/Product.aspx ''Microtonal Composition in "Fluid Just Intonation"''] (2021) | |||
; Ryan Stickney | ; Ryan Stickney | ||