Hemififths: Difference between revisions

From Xenharmonic Wiki
Jump to navigation Jump to search
← Older edit
VisualWikitext
ArrowHead294 (talk | contribs)
15,213 edits
mNo edit summary
Cleanup on hatnote & infobox
 
(24 intermediate revisions by 5 users not shown)
Line 1: Line 1:
'''Hemififths''' is the [[temperament]] [[tempering out]] the breedsma, [[2401/2400]], and the hemifamity comma, [[5120/5103]], and as the name suggests, uses a neutral third as a generator. '''Hemif''' is the no-5 subgroup version of hemififths. It is supported by [[41edo|41-]], [[58edo|58-]], and [[99edo|99et]].  
{{About|the regular temperament|the irrational interval of a hemififth|Sqrt(3/2)}}
{{Infobox regtemp
| Title = Hemififths
| Subgroups = 2.3.5.7, 2.3.5.7.11, 2.3.5.7.11.13
| Comma basis = [[2401/2400]], [[5120/5103]] (7-limit); <br> [[243/242]], [[441/440]], [[896/891]] (11-limit); <br>[[144/143]], [[196/195]], [[243/242]], [[364/363]] (13-limit)
| Edo join 1 = 41 | Edo join 2 = 58
| Mapping = 1; 2 25 13 5 -1
| Generators = 49/40
| Generators tuning = 351.5
| Optimization method = CWE
| Pergen = (P8, P5/2)
| MOS scales = [[3L&nbsp;4s]], [[7L&nbsp;3s]], [[7L&nbsp;10s]], [[17L&nbsp;7s]], [[17L 24s]]
| Odd limit 1 = 9 | Mistuning 1 = 1.90 | Complexity 1 = 41
| Odd limit 2 = 13-limit 21 | Mistuning 2 = 7.77 | Complexity 2 = 41
}}
'''Hemififths''' is a [[regular temperament|temperament]] that uses a neutral third as a [[generator]], just as the name suggests. A stack of 13 generators represents [[7/4]] and a stack of 25 generators represents [[5/4]], [[tempering out]] the breedsma, [[2401/2400]], and the argent comma, [[5120/5103]].
 
It extends fairly naturally to the [[11-limit|11-]] and [[13-limit]] by treating the generator as [[11/9]][[~]][[16/13]]. This lowers the overall accuracy, but supplies more harmonic resources. The no-5 subgroup [[restriction]], called '''hemif''', is also notable. Possible tunings include [[41edo|41-]], [[58edo|58-]], and [[99edo]] (using the 99ef val in the 13-limit).  


Hemififths was named by [[Gene Ward Smith]] in 2004<ref>[https://yahootuninggroupsultimatebackup.github.io/tuning-math/topicId_10541.html Yahoo! Tuning Group (Archive) | ''Names for important high-complexity temperaments'']</ref>.  
Hemififths was named by [[Gene Ward Smith]] in 2004<ref>[https://yahootuninggroupsultimatebackup.github.io/tuning-math/topicId_10541.html Yahoo! Tuning Group (Archive) | ''Names for important high-complexity temperaments'']</ref>.  


See [[Breedsmic temperaments #Hemififths]] and [[No-fives subgroup temperaments#Hemif]] for more technical data.
See [[Breedsmic temperaments #Hemififths]] and [[No-fives subgroup temperaments #Hemif]] for more technical data.


== Interval chain ==
== Interval chain ==
In the following table, odd harmonics 1–21 are labeled in '''bold'''.  
In the following table, odd harmonics 1–21 and their inversions are labeled in '''bold'''.  
{| class="wikitable center-1 right-2"
{| class="wikitable center-1 right-2"
|-
|-
! rowspan="2" | &#35;
! rowspan="2" | #
! rowspan="2" | Cents*
! rowspan="2" | Cents*
! colspan="2" | Approximate Ratios
! colspan="2" | Approximate ratios
! rowspan="2" |ups and downs
notation **
|-
|-
! 7-limit
! 7-limit
! 13-limit Extension
! 13-limit extension
|-
|-
| 0
| 0
| 0.0
| 0.0
| '''1/1'''
| '''1/1'''
|
|  
| P1
|-
|-
| 1
| 1
| 351.4
| 351.5
| 49/40, 60/49
| 49/40, 60/49
| 11/9, '''16/13''', 27/22, 39/32
| 11/9, '''16/13''', 27/22, 39/32
| ~3 = ^m3 = vM3
|-
|-
| 2
| 2
Line 34: Line 47:
| '''3/2'''
| '''3/2'''
|
|
| P5
|-
|-
| 3
| 3
| 1054.3
| 1054.4
| 90/49
| 90/49
| 11/6, 24/13
| 11/6, 24/13
| ~7 = ^m7 = vM7
|-
|-
| 4
| 4
| 205.8
| 205.9
| '''9/8'''
| '''9/8'''
|  
|  
| M2
|-
|-
| 5
| 5
| 557.2
| 557.3
| 112/81
| 112/81
| '''11/8''', 18/13
| '''11/8''', 18/13
| ~4 = ^4 = vA4
|-
|-
| 6
| 6
| 908.7
| 908.8
| 27/16
| 27/16
| 22/13
| 22/13
| M6
|-
|-
| 7
| 7
| 60.1
| 60.3
| 28/27
| 28/27
| 33/32, 27/26
| 33/32, 27/26
| ^1 = \m2
|-
|-
| 8
| 8
| 411.6
| 411.7
| 80/63, 81/64
| 80/63, 81/64
| 14/11, 33/26
| 14/11, 33/26
| M3
|-
|-
| 9
| 9
| 763.0
| 763.2
| 14/9
| 14/9
|  
|  
| ^5 = \m6
|-
|-
| 10
| 10
| 1114.5
| 1114.7
| 40/21
| 40/21
| 21/11
| 21/11
| M7
|-
|-
| 11
| 11
| 265.9
| 266.1
| 7/6
| 7/6
|  
|  
| ^M2 = \m3
|-
|-
| 12
| 12
| 617.4
| 617.6
| 10/7
| 10/7
|  
|  
| A4 = \~5
|-
|-
| 13
| 13
| 968.8
| 969.1
| '''7/4'''
| '''7/4'''
|  
|  
| ^M6 = \m7
|-
|-
| 14
| 14
| 120.2
| 120.5
| 15/14
| 15/14
| 14/13
| 14/13
| A1 = \~2
|-
|-
| 15
| 15
| 471.7
| 472.0
| '''21/16'''
| '''21/16'''
|  
|  
| ^M3 = \4
|-
|-
| 16
| 16
| 823.1
| 823.5
| 45/28
| 45/28
| 21/13
| 21/13
| A5 = \~6
|-
|-
| 17
| 17
| 1174.6
| 1174.9
| 63/32, 160/81
| 63/32, 160/81
|
| 55/28, 65/33, 77/39
| ^M7 = \8
|-
|-
| 18
| 18
| 326.0
| 326.4
| 98/81, 135/112
| 98/81, 135/112
| 40/33
| 40/33
| A2 = \~3
|-
|-
| 19
| 19
| 677.5
| 677.9
| 40/27
| 40/27
|  
|  
| ^A4 = \5
|-
|-
| 20
| 20
| 1028.9
| 1029.3
| 49/27
| 49/27
| 20/11
| 20/11
| A6 = \~7
|-
|-
| 21
| 21
| 180.4
| 180.8
| 10/9
| 10/9
|  
|  
| ^A1 = \M2
|-
|-
| 22
| 22
| 531.8
| 532.3
| 49/36
| 49/36
| 15/11
| 15/11
| A3 = \~4
|-
|-
| 23
| 23
| 883.3
| 883.7
| 5/3
| 5/3
|  
|  
| ^A5 = \M6
|-
|-
| 24
| 24
| 34.7
| 35.2
| 49/48, 50/49
| 49/48, 50/49
| 40/39, 45/44, 55/54, 65/64
| 40/39, 45/44, 55/54, 65/64
| A7 - P8 = -d2 = ^\1
|-
|-
| 25
| 25
| 386.2
| 386.7
| '''5/4'''
| '''5/4'''
|  
|  
| ^A2 = \M3
|-
|-
| 26
| 26
| 737.6
| 738.1
| 49/32
| 49/32
| 20/13
| 20/13
| AA4 = ^\5
|-
|-
| 27
| 27
| 1089.1
| 1089.6
| '''15/8'''
| '''15/8'''
|  
|  
| ^A6 = \M7
|-
|-
| 28
| 28
| 240.5
| 241.1
| 147/128
| 147/128
| 15/13
| 15/13
| AA1= ^\2
|-
|-
| 29
| 29
| 591.9
| 592.5
| 45/32
| 45/32
|  
|  
| ^A3 = \A4
|}
|}
<nowiki />* In 7-limit CTE tuning, {{nowrap|generator {{=}} 351.445¢,|P5 {{=}} 702.89¢|and c {{=}} 2.89¢}}
<nowiki/>* In 7-limit CWE tuning, octave reduced


<nowiki />** Enharmonic equivalences: vvA1 and v\m2. Cents: {{nowrap|^1 {{=}} 50¢ + 3.5c}} and {{nowrap|/1 {{=}} 50¢ &minus; 8.5c}}
=== As a detemperament of 17et ===
[[File: Hemififths 17et Detempering.png|thumb|Hemififths as a 58-tone 17et detempering]]
 
Hemififths is very naturally considered as a [[detemperament]] of the [[17edo|17 equal temperament]]. The diagram on the right shows a 58-tone detempered scale, with a generator range of -28 to +29. 58 is the largest number of tones for a mos where intervals in the 17 categories do not overlap. Each category may be further divided into "sub", "plain" and "super" qualities, separated by -17 generator steps, which represents the syntonic~septimal comma. Combining this division with the minor, neutral, and major qualities of the 17 equal temperament, hemififths gives us at least ''nine'' qualities for each diatonic category: subminor, minor, supraminor, subneutral, neutral, supraneutral, submajor, major, and supermajor.
 
Notice also the little interval between the largest of a category and the smallest of the next. This interval separates supraminor from subneutral and supraneutral from submajor, and spans 41 generator steps. 41edo tempers it out so that it conflates supraminor with subneutral and supraneutral with submajor, whereas 58edo exaggerates it to the size of the syntonic~septimal comma. 99edo tunes it to one half the size of the syntonic~septimal comma, which can be seen as a good compromise.


== Notation ==
== Notation ==
Line 209: Line 199:
Below is tabulated how to notate the prime harmonics with an arrow representing a syntonic~septimal comma (thus ^C = Ddb).  
Below is tabulated how to notate the prime harmonics with an arrow representing a syntonic~septimal comma (thus ^C = Ddb).  
{| class="wikitable center-1 center-3"
{| class="wikitable center-1 center-3"
|+ style="font-size: 105%;" | Hemififths nomenclature<br />for selected intervals
|+ style="font-size: 105%;" | Hemififths nomenclature<br>for selected intervals
|-
|-
! Ratio
! Ratio
Line 238: Line 228:
Below is tabulated how to notate the prime harmonics with an arrow representing a Pythagorean comma (thus ^C = B#).  
Below is tabulated how to notate the prime harmonics with an arrow representing a Pythagorean comma (thus ^C = B#).  
{| class="wikitable center-1 center-3"
{| class="wikitable center-1 center-3"
|+ style="font-size: 105%;" | Hemififths nomenclature<br />for selected intervals
|+ style="font-size: 105%;" | Hemififths nomenclature<br>for selected intervals
|-
|-
! Ratio
! Ratio
Line 265: Line 255:
|}
|}


== Chords ==
=== Ups and downs notation ===
{{Main| Chords of hemififths }}
In [[Kite's ups and downs notation]], the equivalences are vvA1 and v\m2. Let ''c'' be the amount by which the fifth exceeds 7\12, then {{nowrap| ^1 {{=}} 50{{c}} + 3.5''c'' }} and {{nowrap| /1 {{=}} 50{{c}} − 8.5''c'' }}. For 7-limit CWE tuning, {{nowrap| ''c'' {{=}} 2.934{{c}} }}.
 
{| class="wikitable center-1 right-2"
|-
! #
! Cents*
! Ups and downs<br>notation
! Associated ratios
|-
| 0
| 0.0
| P1
| 1/1
|-
| 1
| 351.5
| ~3 = ^m3 = vM3
| 11/9~16/13
|-
| 2
| 702.9
| P5
| 3/2
|-
| 3
| 1054.4
| ~7 = ^m7 = vM7
| 11/6~24/13
|-
| 4
| 205.9
| M2
| 9/8
|-
| 5
| 557.3
| ~4 = ^4 = vA4
| 11/8~18/13
|-
| 6
| 908.8
| M6
| 22/13~27/16
|-
| 7
| 60.3
| ^1 = \m2
| 27/26~33/32
|-
| 8
| 411.7
| M3
| 14/11~33/26
|-
| 9
| 763.2
| ^5 = \m6
| 14/9
|-
| 10
| 1114.7
| M7
| 21/11~40/21
|-
| 11
| 266.1
| ^M2 = \m3
| 7/6
|-
| 12
| 617.6
| A4 = \~5
| 10/7
|-
| 13
| 969.1
| ^M6 = \m7
| 7/4
|-
| 14
| 120.5
| A1 = \~2
| 14/13~15/14
|-
| 15
| 472.0
| ^M3 = \4
| 21/16
|-
| 16
| 823.5
| A5 = \~6
| 21/13
|-
| 17
| 1174.9
| ^M7 = \8
| 63/32~160/81
|-
| 18
| 326.4
| A2 = \~3
| 40/33
|-
| 19
| 677.9
| ^A4 = \5
| 40/27
|-
| 20
| 1029.3
| A6 = \~7
| 20/11
|-
| 21
| 180.8
| ^A1 = \M2
| 10/9
|-
| 22
| 532.3
| A3 = \~4
| 15/11
|-
| 23
| 883.7
| ^A5 = \M6
| 5/3
|-
| 24
| 35.2
| A7 - P8 = -d2 = ^\1
| 49/48~50/49
|-
| 25
| 386.7
| ^A2 = \M3
| 5/4
|-
| 26
| 738.1
| AA4 = ^\5
| 20/13
|-
| 27
| 1089.6
| ^A6 = \M7
| 15/8
|-
| 28
| 241.1
| AA1= ^\2
| 15/13
|-
| 29
| 592.5
| ^A3 = \A4
| 45/32
|}
<nowiki/>* In 7-limit CWE tuning, octave reduced
 
== Chords and harmony ==
{{See also| Chords of hemififths }}


== Scales ==
== Scales ==
Line 274: Line 426:


== Tunings ==
== Tunings ==
{| class="wikitable mw-collapsible mw-collapsed"
|+ style="font-size: 105%; white-space: nowrap;" | 7-limit norm-based tunings
|-
! rowspan="2" |
! colspan="3" | Euclidean
|-
! Constrained
! Constrained & skewed
! Destretched
|-
! Equilateral
| CEE: ~49/40 = 351.4464{{c}}
| CSEE: ~49/40 = 351.4671{{c}}
| POEE: ~49/40 = 351.4774{{c}}
|-
! Tenney
| CTE: ~49/40 = 351.4492{{c}}
| CWE: ~49/40 = 351.4639{{c}}
| POTE: ~49/40 = 351.4834{{c}}
|-
! Benedetti, <br>Wilson
| CBE: ~49/40 = 351.4447{{c}}
| CSBE: ~49/40 = 351.4675{{c}}
| POBE: ~49/40 = 351.4787{{c}}
|}
{| class="wikitable mw-collapsible mw-collapsed"
|+ style="font-size: 105%; white-space: nowrap;" | 13-limit norm-based tunings
|-
! rowspan="2" |
! colspan="3" | Euclidean
|-
! Constrained
! Constrained & skewed
! Destretched
|-
! Equilateral
| CEE: ~11/9 = 351.4230{{c}}
| CSEE: ~11/9 = 351.5800{{c}}
| POEE: ~11/9 = 351.6627{{c}}
|-
! Tenney
| CTE: ~11/9 = 351.4331{{c}}
| CWE: ~11/9 = 351.5438{{c}}
| POTE: ~11/9 = 351.5734{{c}}
|-
! Benedetti, <br>Wilson
| CBE: ~11/9 = 351.4380{{c}}
| CSBE: ~11/9 = 351.5144{{c}}
| POBE: ~11/9 = 351.5243{{c}}
|}
=== Tuning spectrum ===
=== Tuning spectrum ===
{| class="wikitable center-all left-4"
{| class="wikitable center-all left-4"
|-
|-
! Edo<br />generator
! Edo<br>generator
! [[Eigenmonzo|Eigenmonzo<br />(unchanged-interval)]]*
! [[Eigenmonzo|Unchanged interval<br>(eigenmonzo)]]*
! Generator (¢)
! Generator (¢)
! Comments
! Comments
Line 311: Line 514:
|  
|  
| 351.220
| 351.220
| Lower bound of 11- to 15-odd-limit<br />and 13-limit 21-odd-limit diamond monotone
| Lower bound of 11- to 15-odd-limit<br>and (13-limit) 21-odd-limit diamond monotone
|-
|-
|  
|  
Line 351: Line 554:
| 25/24
| 25/24
| 351.472
| 351.472
| Very close to [[Logarithmic approximants#Argent temperament|argent temperament]] with neutral intervals (351.47186 cents)
| Very close to [[Argent tuning|argent tuning]] with neutral intervals (351.47186 cents)
|-
|-
|  
|  
Line 396: Line 599:
| 15/13
| 15/13
| 351.705
| 351.705
| 15-odd-limit minimax
| 15-odd-limit and (13-limit) 21-odd-limit minimax
|-
|-
| [[58edo|17\58]]
| [[58edo|17\58]]
Line 451: Line 654:
|  
|  
| 352.941
| 352.941
| Upper bound of 7- to 15-odd-limit<br />and 13-limit 21-odd-limit diamond monotone
| Upper bound of 7- to 15-odd-limit<br>and (13-limit) 21-odd-limit diamond monotone
|-
|-
|  
|  
Line 463: Line 666:
|  
|  
|}
|}
<nowiki />* Besides the octave
<nowiki/>* Besides the octave


== Notes ==
== References ==
<references/>


[[Category:Temperaments]]
[[Category:Hemififths| ]] <!-- Main article -->
[[Category:Hemififths| ]] <!-- Main article -->
[[Category:Rank-2 temperaments]]
[[Category:Breedsmic temperaments]]
[[Category:Breedsmic temperaments]]
[[Category:Hemifamity temperaments]]
[[Category:Hemifamity temperaments]]
[[Category:Hemimage temperaments]]
[[Category:Hemimage temperaments]]

Latest revision as of 09:18, 9 February 2026

This page is about the regular temperament. For the irrational interval of a hemififth, see Sqrt(3/2).
Hemififths
Subgroups 2.3.5.7, 2.3.5.7.11, 2.3.5.7.11.13
Comma basis 2401/2400, 5120/5103 (7-limit);
243/242, 441/440, 896/891 (11-limit);
144/143, 196/195, 243/242, 364/363 (13-limit)
Reduced mapping ⟨1; 2 25 13 5 -1]
ET join 41 & 58
Generators (CWE) ~49/40 = 351.5 ¢
MOS scales 3L 4s, 7L 3s, 7L 10s, 17L 7s, 17L 24s
Ploidacot dicot
Pergen (P8, P5/2)
Minimax error 9-odd-limit: 1.90 ¢;
13-limit 21-odd-limit: 7.77 ¢
Target scale size 9-odd-limit: 41 notes;
13-limit 21-odd-limit: 41 notes

Hemififths is a temperament that uses a neutral third as a generator, just as the name suggests. A stack of 13 generators represents 7/4 and a stack of 25 generators represents 5/4, tempering out the breedsma, 2401/2400, and the argent comma, 5120/5103.

It extends fairly naturally to the 11- and 13-limit by treating the generator as 11/9~16/13. This lowers the overall accuracy, but supplies more harmonic resources. The no-5 subgroup restriction, called hemif, is also notable. Possible tunings include 41-, 58-, and 99edo (using the 99ef val in the 13-limit).

Hemififths was named by Gene Ward Smith in 2004[1].

See Breedsmic temperaments #Hemififths and No-fives subgroup temperaments #Hemif for more technical data.

Interval chain

In the following table, odd harmonics 1–21 and their inversions are labeled in bold.

# Cents* Approximate ratios
7-limit 13-limit extension
0 0.0 1/1
1 351.5 49/40, 60/49 11/9, 16/13, 27/22, 39/32
2 702.9 3/2
3 1054.4 90/49 11/6, 24/13
4 205.9 9/8
5 557.3 112/81 11/8, 18/13
6 908.8 27/16 22/13
7 60.3 28/27 33/32, 27/26
8 411.7 80/63, 81/64 14/11, 33/26
9 763.2 14/9
10 1114.7 40/21 21/11
11 266.1 7/6
12 617.6 10/7
13 969.1 7/4
14 120.5 15/14 14/13
15 472.0 21/16
16 823.5 45/28 21/13
17 1174.9 63/32, 160/81 55/28, 65/33, 77/39
18 326.4 98/81, 135/112 40/33
19 677.9 40/27
20 1029.3 49/27 20/11
21 180.8 10/9
22 532.3 49/36 15/11
23 883.7 5/3
24 35.2 49/48, 50/49 40/39, 45/44, 55/54, 65/64
25 386.7 5/4
26 738.1 49/32 20/13
27 1089.6 15/8
28 241.1 147/128 15/13
29 592.5 45/32

* In 7-limit CWE tuning, octave reduced

As a detemperament of 17et

Hemififths as a 58-tone 17et detempering

Hemififths is very naturally considered as a detemperament of the 17 equal temperament. The diagram on the right shows a 58-tone detempered scale, with a generator range of -28 to +29. 58 is the largest number of tones for a mos where intervals in the 17 categories do not overlap. Each category may be further divided into "sub", "plain" and "super" qualities, separated by -17 generator steps, which represents the syntonic~septimal comma. Combining this division with the minor, neutral, and major qualities of the 17 equal temperament, hemififths gives us at least nine qualities for each diatonic category: subminor, minor, supraminor, subneutral, neutral, supraneutral, submajor, major, and supermajor.

Notice also the little interval between the largest of a category and the smallest of the next. This interval separates supraminor from subneutral and supraneutral from submajor, and spans 41 generator steps. 41edo tempers it out so that it conflates supraminor with subneutral and supraneutral with submajor, whereas 58edo exaggerates it to the size of the syntonic~septimal comma. 99edo tunes it to one half the size of the syntonic~septimal comma, which can be seen as a good compromise.

Notation

Hemififths can be notated in neutral chain-of-fifths notation, in which case 5/4 is represented by a sesqui-augmented second (C–D⁠ ⁠), and 7/4 by a semi-augmented sixth (C–A⁠ ⁠). In the 13-limit extension, 11/8 is represented by the semi-augmented fourth (C–F⁠ ⁠), and 13/8 by the neutral sixth (C–A⁠ ⁠). This, of course, defies the tradition of tertian harmony. The just major triad on C is C – D⁠ ⁠ – G, for example. One may want to adopt one or more additional modules of accidentals such as arrows or +/- signs to represent the comma steps. There are two notable comma steps:

  1. The syntonic~septimal comma (-17 gensteps, semidiminished second);
  2. The Pythagorean comma (+24 gensteps, inverse diminished second).

Below is tabulated how to notate the prime harmonics with an arrow representing a syntonic~septimal comma (thus ^C = Ddb).

Hemififths nomenclature
for selected intervals
Ratio Nominal Example
3/2 Perfect fifth C–G
5/4 Down major third C–vE
7/4 Down minor seventh C–vBb
11/8 Semi-augmented fourth C–Ft
13/8 Neutral sixth C–Ad

Below is tabulated how to notate the prime harmonics with an arrow representing a Pythagorean comma (thus ^C = B#).

Hemififths nomenclature
for selected intervals
Ratio Nominal Example
3/2 Perfect fifth C–G
5/4 Up neutral third C–^Ed
7/4 Up semidiminished seventh C–^Bdb
11/8 Semi-augmented fourth C–Ft
13/8 Neutral sixth C–Ad

Ups and downs notation

In Kite's ups and downs notation, the equivalences are vvA1 and v\m2. Let c be the amount by which the fifth exceeds 7\12, then ^1 = 50 ¢ + 3.5c and /1 = 50 ¢ − 8.5c. For 7-limit CWE tuning, c = 2.934 ¢.

# Cents* Ups and downs
notation 		Associated ratios
0 0.0 P1 1/1
1 351.5 ~3 = ^m3 = vM3 11/9~16/13
2 702.9 P5 3/2
3 1054.4 ~7 = ^m7 = vM7 11/6~24/13
4 205.9 M2 9/8
5 557.3 ~4 = ^4 = vA4 11/8~18/13
6 908.8 M6 22/13~27/16
7 60.3 ^1 = \m2 27/26~33/32
8 411.7 M3 14/11~33/26
9 763.2 ^5 = \m6 14/9
10 1114.7 M7 21/11~40/21
11 266.1 ^M2 = \m3 7/6
12 617.6 A4 = \~5 10/7
13 969.1 ^M6 = \m7 7/4
14 120.5 A1 = \~2 14/13~15/14
15 472.0 ^M3 = \4 21/16
16 823.5 A5 = \~6 21/13
17 1174.9 ^M7 = \8 63/32~160/81
18 326.4 A2 = \~3 40/33
19 677.9 ^A4 = \5 40/27
20 1029.3 A6 = \~7 20/11
21 180.8 ^A1 = \M2 10/9
22 532.3 A3 = \~4 15/11
23 883.7 ^A5 = \M6 5/3
24 35.2 A7 - P8 = -d2 = ^\1 49/48~50/49
25 386.7 ^A2 = \M3 5/4
26 738.1 AA4 = ^\5 20/13
27 1089.6 ^A6 = \M7 15/8
28 241.1 AA1= ^\2 15/13
29 592.5 ^A3 = \A4 45/32

* In 7-limit CWE tuning, octave reduced

Chords and harmony

See also: Chords of hemififths

Scales

Tunings

7-limit norm-based tunings
Euclidean
Constrained Constrained & skewed Destretched
Equilateral CEE: ~49/40 = 351.4464 ¢ CSEE: ~49/40 = 351.4671 ¢ POEE: ~49/40 = 351.4774 ¢
Tenney CTE: ~49/40 = 351.4492 ¢ CWE: ~49/40 = 351.4639 ¢ POTE: ~49/40 = 351.4834 ¢
Benedetti,
Wilson 		CBE: ~49/40 = 351.4447 ¢ CSBE: ~49/40 = 351.4675 ¢ POBE: ~49/40 = 351.4787 ¢
13-limit norm-based tunings
Euclidean
Constrained Constrained & skewed Destretched
Equilateral CEE: ~11/9 = 351.4230 ¢ CSEE: ~11/9 = 351.5800 ¢ POEE: ~11/9 = 351.6627 ¢
Tenney CTE: ~11/9 = 351.4331 ¢ CWE: ~11/9 = 351.5438 ¢ POTE: ~11/9 = 351.5734 ¢
Benedetti,
Wilson 		CBE: ~11/9 = 351.4380 ¢ CSBE: ~11/9 = 351.5144 ¢ POBE: ~11/9 = 351.5243 ¢

Tuning spectrum

Edo
generator 		Unchanged interval
(eigenmonzo)* 		Generator (¢) Comments
11/9 347.408
11/6 349.788
7\24 350.000 Lower bound of 7- and 9-odd-limit diamond monotone
11/8 350.264
3/2 350.978
12\41 351.220 Lower bound of 11- to 15-odd-limit
and (13-limit) 21-odd-limit diamond monotone
21/16 351.385
15/14 351.389
15/8 351.417
41\140 351.429
7/4 351.448 7-, 9- and 11-odd-limit hemif minimax
5/4 351.453 5-, 7-, 9- and 11-odd-limit minimax
7/5 351.457
25/24 351.472 Very close to argent tuning with neutral intervals (351.47186 cents)
49/48 351.487
5/3 351.494
29\99 351.515
7/6 351.534
9/5 351.543
21/20 351.553
9/7 351.657
15/11 351.680
15/13 351.705 15-odd-limit and (13-limit) 21-odd-limit minimax
17\58 351.724
11/10 351.750
13/10 351.761 13-odd-limit minimax
13/11 351.798 13- and 15-odd-limit hemif minimax
21/13 351.891
21/11 351.946
22\75 352.000
13/7 352.021
11/7 352.188
13/9 352.676
5\17 352.941 Upper bound of 7- to 15-odd-limit
and (13-limit) 21-odd-limit diamond monotone
13/12 353.809
13/8 359.472

* Besides the octave

References

  1. ↑ Yahoo! Tuning Group (Archive) | Names for important high-complexity temperaments
Retrieved from "https://en.xen.wiki/index.php?title=Hemififths&oldid=223643"