28/27: Difference between revisions

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Rewrite; simplify essentially duplicate names; - "small septimal chroma", not attested anywhere
 
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{{Infobox Interval
{{Infobox Interval
| Name = septimal third-tone, small septimal chroma, subminor second, septimal minor second, septimal subminor second, trienstonic comma
| Name = septimal third-tone, septimal minor second, subminor second, trienstonic comma
| Color name = z2, zo 2nd
| Color name = z2, zo 2nd
| Sound = jid_28_27_pluck_adu_dr220.mp3
| Sound = jid_28_27_pluck_adu_dr220.mp3
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{{Wikipedia| Septimal third tone }}
{{Wikipedia| Septimal third tone }}


The [[superparticular]] interval '''28/27''', '''septimal third-tone''' has the seventh [[triangular number]] as a numerator and is the difference between [[15/14]] and [[10/9]], [[9/8]] and [[7/6]], [[9/7]] and [[4/3]], [[3/2]] and [[14/9]], [[12/7]] and [[16/9]], and [[9/5]] and [[28/15]].  
In [[7-limit]] [[just intonation]], '''28/27''', measuring about 63.0 [[cent]]s, is conventionally known as the '''septimal third-tone'''. It arises as the difference between [[15/14]] and [[10/9]], between [[9/8]] and [[7/6]], between [[9/7]] and [[4/3]], between [[3/2]] and [[14/9]], between [[12/7]] and [[16/9]], and between [[9/5]] and [[28/15]]. Since it is flat of the [[Pythagorean limma]] by a [[64/63|septimal comma (64/63)]], it may be called the '''septimal (sub)minor second''' if treated as an interval in its own right, analogous to the septimal major second [[8/7]], which has the same relationship with [[9/8]], and such classification suggests the function of a strong leading tone added to the traditional harmony.  


It is very accurately approximated by [[19edo]] (1\19), and hence the [[enneadecal]] temperament.  
Finally, since it is a [[superparticular ratio]] which has the seventh [[triangular number]] as a numerator, it a [[triangle-particular]] ratio with factorization ([[49/48]])⋅(64/63).  


== Terminology ==
== Approximation ==
28/27 is traditionally called the '''small septimal chroma''', perhaps for its proximity (and conflation in systems like [[septimal meantone]]) with the classic chroma, [[25/24]]. However, it is a ''[[diatonic semitone]]'' in just intonation notation systems such as [[Sagittal notation]], [[Helmholtz-Ellis notation]], and [[Functional Just System]], viewed as the [[256/243|Pythagorean minor second (256/243)]] altered by the [[64/63|septimal comma (64/63)]]. Hence, it may be described as the '''septimal minor second''' or '''septimal subminor second''' if treated as an interval in its own right. This is analogous to the septimal major second [[8/7]], which has the same relationship with [[9/8]], and such classification suggests the function of a strong leading tone added to the traditional harmony. On the other side of things, it may be called the '''trienstonic comma''' if treated as a [[comma]] to be tempered out.
This interval is very accurately approximated by [[19edo]] (1\19), and hence the [[enneadecal]] temperament. 
 
{{Interval edo approximation|28/27}}


== Temperaments ==
== Temperaments ==
Tempering out 28/27 leads to the [[trienstonic clan]] of temperaments.  
If treated as a [[comma]] to be tempered out, 28/27 may be called the '''trienstonic comma''', which leads to the '''trienstonic''' temperament.  


== Sagittal notation ==
See [[Trienstonic clan]] for the rank-2 [[clan]] of temperaments where it is tempered out.
In the [[Sagittal]] system, this comma (possibly tempered) is represented (in a secondary role) by the sagittal {{sagittal | (|\ }} and is called the '''7 large diesis''', or '''7L''' for short, because the simplest interval it notates is 7/1 (equiv. 7/4), as for example in C-A{{nbhsp}}{{sagittal | (|\ }}. The primary role of {{ sagittal | (|\ }} is [[8505/8192#Sagittal notation | 8505/8192]] (35L). The downward version is called '''1/7L''' or '''7L down''' and is represented (in a secondary role) by {{sagittal| (!/ }}.
 
== Notation ==
=== Sagittal notation ===
In the [[Sagittal]] system, this comma (possibly tempered) is represented (in a secondary role) by the sagittal {{sagittal| (|\ }} and is called the '''7 large diesis''', or '''7L''' for short, because the simplest interval it notates is 7/1 (equivalently, 7/4), as for example in C–A{{nbhsp}}{{sagittal | (|\ }}. The primary role of {{sagittal| (|\ }} is [[8505/8192 #Sagittal notation|8505/8192]] (35L). The downward version is called '''1/7L''' or '''7L down''' and is represented (in a secondary role) by {{sagittal| (!/ }}.


== See also ==
== See also ==
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* [[List of superparticular intervals]]
* [[List of superparticular intervals]]
* [[Gallery of just intervals]]
* [[Gallery of just intervals]]
* [[Trienstonic clan]], where it is tempered out
* [[Trienstonoschisma]], the difference by which a stack of five 28/27's falls short of [[6/5]]
* [[Trienstonisma]], the difference by which a stack of five 28/27's falls short of [[6/5]]


[[Category:Second]]
[[Category:Second]]
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[[Category:Chroma]]
[[Category:Chroma]]
[[Category:Trienstonic]]
[[Category:Trienstonic]]
[[Category:Commas named for their regular temperament properties]]
[[Category:Commas named for the intervals they stack]]
 
{{Todo| improve synopsis }}