Ben Johnston's notation: Difference between revisions
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{{Wikipedia| Ben Johnston (composer) #Staff notation}} | {{Wikipedia| Ben Johnston (composer) #Staff notation}} | ||
'''Ben Johnston's notation''' is a staff notation system for [[just intonation]] | '''Ben Johnston's notation''' is a staff notation system for [[just intonation]] developed by composer [[Ben Johnston]], which supports prime harmonics up to and including 31. It is employed in his String Quartet No. 9, although intervals exceeding the [[13-limit]] are encountered only occasionally in his music. | ||
The base notes (white keys on the piano) are selected so that the chord F A C E G B D consists of three stacked 4:5:6 chords, i.e. F A C, C E G, and G B D are just major triads. Then the following | The base notes (white keys on the piano) are selected so that the chord {{dash|F, A, C, E, G, B, D|med}} consists of three stacked 4:5:6 chords, i.e. {{dash|F, A, C|med}}, {{dash|C, E, G|med}}, and {{dash|G, B, D|med}} are just major triads. This in turn makes {{dash|C, D, E, F, G, A, B, C|med}} a justly-intonated [[Zarlino|Ptolemy–Zarlino "intense" diatonic scale]]. Then the following accidentals are used for inflections, all of which denote [[superparticular ratio]]s or their reciprocals: | ||
{| class="wikitable center-all" | {| class="wikitable center-all" | ||
|+ Johnston notation | |+ style="font-size: 105%;" | Accidentals in Johnston's notation | ||
|- | |- | ||
! Symbol !! Ratio !! Symbol !! Ratio | ! Symbol !! Ratio !! Symbol !! Ratio | ||
|- | |- | ||
| + || [[81/80]] || & | | + || [[81/80]] || − || 80/81 | ||
|- | |- | ||
| | | ♯ || [[25/24]] || ♭ || 24/25 | ||
|- | |- | ||
| 7 || 35/36 || | | 7 || 35/36 || {{invert|7}} || [[36/35]] | ||
|- | |- | ||
| | | ↑ || [[33/32]] || ↓ || 32/33 | ||
|- | |- | ||
| 13 || [[65/64]] || | | 13 || [[65/64]] || {{invert|13}} || 64/65 | ||
|- | |- | ||
| 17 || [[51/50]] || | | 17 || [[51/50]] || {{invert|17}} || 50/51 | ||
|- | |- | ||
| 19 || 95/96 || | | 19 || 95/96 || {{invert|19}} || [[96/95]] | ||
|- | |- | ||
| 23 || [[46/45]] || | | 23 || [[46/45]] || {{invert|23}} || 45/46 | ||
|- | |- | ||
| 29 || [[145/144]] || | | 29 || [[145/144]] || {{invert|29}} || 144/145 | ||
|- | |- | ||
| 31 || [[31/30]] || | | 31 || [[31/30]] || {{invert|31}} || 30/31 | ||
|} | |} | ||
Johnston combines | Johnston combines numeric accidentals (7, {{invert|7}}, ↑, ↓, 13, {{invert|13}}, etc.) with sharps (♯) and flats (♭) if symbols from both categories are present. | ||
A | A chain of just fifths is given by: | ||
Johnston's notation sacrifices some mathematical | ... {{dash|F♭<sup>−−</sup>, C♭<sup>−−</sup>, G♭<sup>−−</sup>, D♭<sup>−−</sup>, A♭<sup>−</sup>, E♭<sup>−</sup>, B♭<sup>−</sup>, F, C, G, D, A<sup>+</sup>, E<sup>+</sup>, B<sup>+</sup>, F♯<sup>++</sup>, C♯<sup>++</sup>, G♯<sup>++</sup>, D♯<sup>++</sup>, A♯<sup>+++</sup>, E♯<sup>+++</sup>, B♯<sup>+++</sup>|hair|long}} ... | ||
with a plus or minus added for every loop around the ends of the core {{dash|F, A, C, E, G, B, D|med}} sequence. | |||
The odd harmonic series up to 31 starting on C is given by: | |||
{{dash|C, G, E, B♭<sup>7</sup>, D, F↑, A♭<sup>13</sup>, B, C♯<sup>17</sup>, E♭<sup>19</sup>, F<sup>7+</sup>, F♯<sup>23+</sup>, G♯, A<sup>+</sup>, B♭<sup>29</sup>, B<sup>31</sup>|hair|long}}. | |||
Johnston's notation sacrifices some mathematical intuition compared to [[Helmholtz–Ellis notation]], as it bases the natural notes on 4:5:6 chords rather than [[Pythagorean tuning]]. This comes at the possible advantage of fewer accidentals needed for music that emphasizes the 5-limit. | |||
== See also == | |||
* [[Johnston–Copper notation]] | |||
* [[Helmholtz–Ellis notation]] | |||
* [[Functional Just System]] | |||
* [[Color notation]] | |||
== External links == | == External links == | ||
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* [http://tonalsoft.com/enc/j/johnston.aspx Johnston notation] on the [[Tonalsoft encyclopedia]] | * [http://tonalsoft.com/enc/j/johnston.aspx Johnston notation] on the [[Tonalsoft encyclopedia]] | ||
* [http://www.marcsabat.com/pdfs/EJItext.pdf Marc Sabat - On Ben Johnston’s Notation and the Performance Practice of Extended Just Intonation] | * [http://www.marcsabat.com/pdfs/EJItext.pdf Marc Sabat - On Ben Johnston’s Notation and the Performance Practice of Extended Just Intonation] | ||
{{Navbox notation}} | |||
[[Category:Just intonation]] | [[Category:Just intonation]] |
Latest revision as of 05:20, 16 July 2025
Ben Johnston's notation is a staff notation system for just intonation developed by composer Ben Johnston, which supports prime harmonics up to and including 31. It is employed in his String Quartet No. 9, although intervals exceeding the 13-limit are encountered only occasionally in his music.
The base notes (white keys on the piano) are selected so that the chord F – A – C – E – G – B – D consists of three stacked 4:5:6 chords, i.e. F – A – C, C – E – G, and G – B – D are just major triads. This in turn makes C – D – E – F – G – A – B – C a justly-intonated Ptolemy–Zarlino "intense" diatonic scale. Then the following accidentals are used for inflections, all of which denote superparticular ratios or their reciprocals:
Symbol | Ratio | Symbol | Ratio |
---|---|---|---|
+ | 81/80 | − | 80/81 |
♯ | 25/24 | ♭ | 24/25 |
7 | 35/36 | 7 | 36/35 |
↑ | 33/32 | ↓ | 32/33 |
13 | 65/64 | 13 | 64/65 |
17 | 51/50 | 17 | 50/51 |
19 | 95/96 | 19 | 96/95 |
23 | 46/45 | 23 | 45/46 |
29 | 145/144 | 29 | 144/145 |
31 | 31/30 | 31 | 30/31 |
Johnston combines numeric accidentals (7, 7, ↑, ↓, 13, 13, etc.) with sharps (♯) and flats (♭) if symbols from both categories are present.
A chain of just fifths is given by:
... F♭−− — C♭−− — G♭−− — D♭−− — A♭− — E♭− — B♭− — F — C — G — D — A+ — E+ — B+ — F♯++ — C♯++ — G♯++ — D♯++ — A♯+++ — E♯+++ — B♯+++ ...
with a plus or minus added for every loop around the ends of the core F – A – C – E – G – B – D sequence.
The odd harmonic series up to 31 starting on C is given by:
C — G — E — B♭7 — D — F↑ — A♭13 — B — C♯17 — E♭19 — F7+ — F♯23+ — G♯ — A+ — B♭29 — B31.
Johnston's notation sacrifices some mathematical intuition compared to Helmholtz–Ellis notation, as it bases the natural notes on 4:5:6 chords rather than Pythagorean tuning. This comes at the possible advantage of fewer accidentals needed for music that emphasizes the 5-limit.
See also
External links
- Kyle Gann - How to Use Ben Johnston's Just Intonation Notation
- Johnston notation on the Tonalsoft encyclopedia
- Marc Sabat - On Ben Johnston’s Notation and the Performance Practice of Extended Just Intonation
View • Talk • EditMusical notation | |
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Universal | Sagittal notation |
Just intonation | Functional Just System • Ben Johnston's notation (Johnston–Copper notation) • Helmholtz–Ellis notation • Color notation |
MOS scales | Diamond-mos notation • KISS notation (Quasi-diatonic MOS notation) |
Temperaments | Circle-of-fifths notation • Ups and downs notation (alternative symbols) • Syntonic–rastmic subchroma notation • Extended meantone notation • Fractional sharp notation |
See musical notation for a longer list of systems by category. See Category:Notation for the most complete, comprehensive list, but not sorted by category. |