EDe: Difference between revisions

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'''Equal division of the [[natave]]''' ('''EDe''' or '''EDN''') is the equal division of ~~the constant~~ ''e'' (where ''e'' is treated as a musical interval in the same way as ''2'' is an octave or ''1.5'' is a perfect fifth).

'''Equal division of the [[natave]]''' ('''EDe''' or '''EDN''') is the equal division of [[Acoustic e|acoustic ''e'']] (where ''e'' is treated as a musical interval in the same way as ''2'' is an octave or ''1.5'' is a perfect fifth).

''e'' is of particular interest because of its relationship with logarithms, given the fact that pitch is perceived logarithmically, and the fact that equal divisions are logarithmic.

Sometimes it is convenient to treat [[equal-step tuning]]s as (possibly non-integer) EDes in mathematics and computer programs, since it makes the logarithm used in equations the natural logarithm.

== Correspondence of EDe to EDO ==

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== Zeta function and tuning ==

In [[Gene Ward Smith~~|Gene~~]]’s [[~~the~~ Riemann zeta function ~~and tuning#The Black Magic Formulas|black magic formulas~~]], it is mathematically more "natural" to consider the number of divisions to the natave rather than the octave, thus scaling the graph of |''Z''(''x'')| horizontally by a factor of 1 instead of 1/ln(2).

In [[Gene Ward Smith]]’s derivation of the [[Riemann zeta function]], it is mathematically more "natural" to consider the number of divisions to the natave rather than the octave, thus scaling the graph of |''Z''(''x'')| horizontally by a factor of 1 instead of 1/ln(2).

The sequence of non-[[stretched and compressed tuning|stretched]] zeta peak EDe's are 1, 2, 3, 10, 20, 36, 39, 72, 111, 163, 202, 264, 466, 538, 740, 1349, 1887... corresponding to {{EDOs|1, 1, 2, 7, 14, 25, 27, 50, 77, 113, 140, 183, 323, 373, 513, 935, 1308}}... edos.

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 {{Mathematical interest}}
-'''Equal division of the [[natave]]''' ('''EDe''' or '''EDN''') is the equal division of the constant ''e'' (where ''e'' is treated as a musical interval in the same way as ''2'' is an octave or ''1.5'' is a perfect fifth).
+'''Equal division of the [[natave]]''' ('''EDe''' or '''EDN''') is the equal division of [[Acoustic e|acoustic ''e'']] (where ''e'' is treated as a musical interval in the same way as ''2'' is an octave or ''1.5'' is a perfect fifth).
 ''e'' is of particular interest because of its relationship with logarithms, given the fact that pitch is perceived logarithmically, and the fact that equal divisions are logarithmic.
+Sometimes it is convenient to treat [[equal-step tuning]]s as (possibly non-integer) EDes in mathematics and computer programs, since it makes the logarithm used in equations the natural logarithm.
 == Correspondence of EDe to EDO ==
@@ Line 103: / Line 105: @@
 == Zeta function and tuning ==
-In [[Gene Ward Smith|Gene]]’s [[the Riemann zeta function and tuning#The Black Magic Formulas|black magic formulas]], it is mathematically more "natural" to consider the number of divisions to the natave rather than the octave, thus scaling the graph of |''Z''(''x'')| horizontally by a factor of 1 instead of 1/ln(2).
+In [[Gene Ward Smith]]’s derivation of the [[Riemann zeta function]], it is mathematically more "natural" to consider the number of divisions to the natave rather than the octave, thus scaling the graph of |''Z''(''x'')| horizontally by a factor of 1 instead of 1/ln(2).
 The sequence of non-[[stretched and compressed tuning|stretched]] zeta peak EDe's are 1, 2, 3, 10, 20, 36, 39, 72, 111, 163, 202, 264, 466, 538, 740, 1349, 1887... corresponding to {{EDOs|1, 1, 2, 7, 14, 25, 27, 50, 77, 113, 140, 183, 323, 373, 513, 935, 1308}}... edos.