EDe: Difference between revisions
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{{Mathematical interest}} | {{Mathematical interest}} | ||
'''Equal division of the [[natave]]''' ('''EDe''' or '''EDN''') is the equal division of | '''Equal division of the [[natave]]''' ('''EDe''' or '''EDN''') is the equal division of [[Acoustic e|acoustic ''e'']] (where ''e'' is treated as a musical interval in the same way as ''2'' is an octave or ''1.5'' is a perfect fifth). | ||
''e'' is of particular interest because of its relationship with logarithms, given the fact that pitch is perceived logarithmically, and the fact that equal divisions are logarithmic. | ''e'' is of particular interest because of its relationship with logarithms, given the fact that pitch is perceived logarithmically, and the fact that equal divisions are logarithmic. | ||
Sometimes it is convenient to treat [[equal-step tuning]]s as (possibly non-integer) EDes in mathematics and computer programs, since it makes the logarithm used in equations the natural logarithm. | |||
== Correspondence of EDe to EDO == | == Correspondence of EDe to EDO == | ||
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== Zeta function and tuning == | == Zeta function and tuning == | ||
In [[Gene Ward Smith | In [[Gene Ward Smith]]’s derivation of the [[Riemann zeta function]], it is mathematically more "natural" to consider the number of divisions to the natave rather than the octave, thus scaling the graph of |''Z''(''x'')| horizontally by a factor of 1 instead of 1/ln(2). | ||
The sequence of non-[[stretched and compressed tuning|stretched]] zeta peak EDe's are 1, 2, 3, 10, 20, 36, 39, 72, 111, 163, 202, 264, 466, 538, 740, 1349, 1887... corresponding to {{EDOs|1, 1, 2, 7, 14, 25, 27, 50, 77, 113, 140, 183, 323, 373, 513, 935, 1308}}... edos. | The sequence of non-[[stretched and compressed tuning|stretched]] zeta peak EDe's are 1, 2, 3, 10, 20, 36, 39, 72, 111, 163, 202, 264, 466, 538, 740, 1349, 1887... corresponding to {{EDOs|1, 1, 2, 7, 14, 25, 27, 50, 77, 113, 140, 183, 323, 373, 513, 935, 1308}}... edos. | ||
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24-EDe has third tones so far sharp of 17-EDO that it becomes a stretched 50-ED8 (50\24 is 3606.74 cents). However, 43\24 is essentially the 6th harmonic (1514.83+1586.965=3101.79 cents). | 24-EDe has third tones so far sharp of 17-EDO that it becomes a stretched 50-ED8 (50\24 is 3606.74 cents). However, 43\24 is essentially the 6th harmonic (1514.83+1586.965=3101.79 cents). | ||
{{Harmonics in equal|24|1457|536|title=Approximation of harmonics in 24-EDe}} | {{Harmonics in equal|24|1457|536|title=Approximation of harmonics in 24-EDe}} | ||
== See also == | |||
* [[Edϕ]] | |||
* [[Acoustic pi]] | |||
* [[User:Eliora/Phi to the phi]] | |||
[[Category:Transcendental]] | [[Category:Transcendental]] | ||
[[Category:Equal-step tuning]] | [[Category:Equal-step tuning]] | ||