4L 3s
User:IlL/Template:RTT restriction
| ↖ 3L 2s | ↑ 4L 2s | 5L 2s ↗ |
| ← 3L 3s | 4L 3s | 5L 3s → |
| ↙ 3L 4s | ↓ 4L 4s | 5L 4s ↘ |
sLsLsLL
4L 3s refers to the structure of MOS scales with generators ranging from 1\4edo (one degree of 4edo, 300¢) to 2\7edo (two degrees of 7edo, or approx. 342.857¢). The name smitonic smy-TON-ik /smaɪˈtɒnɪk/ has been proposed (derived from 'sharp minor third', taking sharp to mean sharp of the 12edo minor third).
4L 3s is a distorted diatonic, because it has one large step of diatonic (5L 2s, LLsLLLs) replaced with a small step (yielding LLsLsLs).
Notation
The notation used in this article is LsLsLsL = JKLMNOPJ unless specified otherwise. We denote raising and lowering by a chroma (L − s) by & "amp" and @ "at". (Mnemonics: & "and" means additional pitch. @ "at" rhymes with "flat".)
Thus the 11edo gamut is as follows:
J/Q& J&/K@ K/L@ L/K& L&/M@ M/N@ N/M& N&/O@ O/P@ P/O@ P&/J@ J
Scale tree
The spectrum looks like this:
| Generator | Tetrachord | g in cents | 2g | 3g | 4g | Comments | |||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1\4 | 1 0 1 | 300 | 600 | 900 | 0 | ||||||||
| 9\35 | 8 1 8 | 308.571 | 617.143 | 925.714 | 34.286 | ||||||||
| 8\31 | 7 1 7 | 309.677 | 619.355 | 929.023 | 38.71 | ||||||||
| 7\27 | 6 1 6 | 311.111 | 622.222 | 933.333 | 44.444 | ||||||||
| 6\23 | 5 1 5 | 313.043 | 626.087 | 939.13 | 52.174 | ||||||||
| 5\19 | 4 1 4 | 315.789 | 631.579 | 947.368 | 63.158 | ||||||||
| 9\34 | 7 2 7 | 317.647 | 634.294 | 951.941 | 70.588 | ||||||||
| 4\15 | 3 1 3 | 320 | 640 | 960 | 80 | L/s = 3. | |||||||
| 11\41 | 8 3 8 | 321.951 | 643.902 | 965.854 | 87.805 | ||||||||
| 29\108 | 21 8 21 | 322.222 | 644.444 | 966.667 | 88.889 | ||||||||
| 18\67 | 13 5 13 | 322.388 | 644.776 | 967.364 | 89.522 | ||||||||
| 7\26 | 5 2 5 | 323.077 | 646.154 | 969.231 | 92.308 | ||||||||
| 31/115 | 22 9 22 | 323.478 | 646.956 | 970.434 | 93.913 | ||||||||
| 2.44 1 2.44 | 323.501 | 647.002 | 970.003 | 94.004 | |||||||||
| 24/89 | 17 7 17 | 323.595 | 647.191 | 970.786 | 94.382 | ||||||||
| 17/63 | 12 5 12 | 323.809 | 647.619 | 971.428 | 95.238 | ||||||||
| 10/37 | 7 3 7 | 324.324 | 648.648 | 972.972 | 97.297 | ||||||||
| 3\11 | 2 1 2 | 327.273 | 654.545 | 981.818 | 109.091 | Boundary of propriety (generators larger than this are proper) | |||||||
| 8\29 | 5 3 5 | 331.034 | 662.069 | 993.013 | 124.138 | ||||||||
| 21\76 | 13 8 13 | 331.579 | 663.158 | 994.739 | 126.316 | ||||||||
| 34\123 | 21 13 21 | 331.707 | 663.415 | 995.122 | 126.829 | Golden smitonic | |||||||
| 13\47 | 8 5 8 | 331.915 | 663.83 | 995.745 | 127.66 | ||||||||
| 5\18 | 3 2 3 | 333.333 | 666.667 | 1000 | 133.333 | Optimum rank range (L/s=3/2) | |||||||
| 7\25 | 4 3 4 | 336 | 672 | 1008 | 144 | ||||||||
| 9\32 | 5 4 5 | 337.5 | 675 | 1012.5 | 150 | ||||||||
| 11\39 | 6 5 6 | 338.462 | 676.923 | 1015.385 | 153.846 | ||||||||
| 13\46 | 7 6 7 | 339.13 | 678.261 | 1017.391 | 156.522 | ||||||||
| 15\53 | 8 7 8 | 339.623 | 679.245 | 1018.868 | 158.491 | ||||||||
| 2\7 | 1 1 1 | 342.857 | 685.714 | 1028.571 | 171.429 | ||||||||
Intervals
| Generators | Notation (1/1 = J) | Heptatonic interval category name | Generators | Notation of 2/1 inverse | Heptatonic interval category name |
|---|---|---|---|---|---|
| The 7-note MOS has the following intervals (from some root): | |||||
| 0 | J | perfect unison | 0 | J | octave |
| 1 | L | perfect smithird | -1 | O | perfect smisixth |
| 2 | N | minor smififth (aka minor fifth) | -2 | M | major smifourth (aka major fourth) |
| 3 | P | minor smiseventh | -3 | K | major smisecond |
| 4 | K@ | minor smisecond | -4 | Q& | major smiseventh |
| 5 | M@ | minor smifourth (aka minor fourth) | -5 | N& | major smififth (aka major fifth) |
| 6 | O@ | diminished smisixth | -6 | L& | augmented smithird |
| The chromatic 11-note MOS (either 7L 4s or 4L 7s) also has the following intervals (from some root): | |||||
| 7 | J@ | diminished octave | -7 | J& | augmented unison |
| 8 | L@ | diminished smithird | -8 | O& | augmented smisixth |
| 9 | N@ | diminished smififth | -9 | M& | augmented smifourth |
| 10 | P@ | diminished smiseventh | -10 | K& | augmented smisecond |
Modes
Pseudo-diatonic theory
Samples
A fugue in 18edo (WIP)