Garibaldi: Difference between revisions

Line 337:

[[File:Garibaldi-cassandra 12et Detempering.png|thumb|Garibaldi/cassandra as a 53-tone 12et detempering]]

Garibaldi is very naturally considered as a [[detemperament]] of the [[12edo|12 equal temperament]] (12et), where the chromatic scale becomes a near-equal [[5L 7s]]. The diagram on the right shows a 53-tone detempered scale, with a generator range of -26 to +26. 53 is the largest number of tones for a ~~[[MOSDiagrams|MOS]]~~ where the 12 categories never overlap.

Garibaldi is very naturally considered as a [[detemperament]] of the [[12edo|12 equal temperament]] (12et), where the chromatic scale becomes a near-equal [[5L 7s]]. The diagram on the right shows a 53-tone detempered scale, with a generator range of -26 to +26. 53 is the largest number of tones for a mos where the 12 categories never overlap.

Each pitch category of 12et is further divided into four or five qualities, separated by a [[pythagorean comma]], which represents the syntonic~septimal comma. Combining this division with the minor and major diatonic qualities of 12et, garibaldi can give up to ''eight'' qualities for each diatonic category. Taking thirds as an example:

@@ Line 337: / Line 337: @@
 [[File:Garibaldi-cassandra 12et Detempering.png|thumb|Garibaldi/cassandra as a 53-tone 12et detempering]]
-Garibaldi is very naturally considered as a [[detemperament]] of the [[12edo|12 equal temperament]] (12et), where the chromatic scale becomes a near-equal [[5L 7s]]. The diagram on the right shows a 53-tone detempered scale, with a generator range of -26 to +26. 53 is the largest number of tones for a [[MOSDiagrams|MOS]] where the 12 categories never overlap.
+Garibaldi is very naturally considered as a [[detemperament]] of the [[12edo|12 equal temperament]] (12et), where the chromatic scale becomes a near-equal [[5L 7s]]. The diagram on the right shows a 53-tone detempered scale, with a generator range of -26 to +26. 53 is the largest number of tones for a mos where the 12 categories never overlap.
 Each pitch category of 12et is further divided into four or five qualities, separated by a [[pythagorean comma]], which represents the syntonic~septimal comma. Combining this division with the minor and major diatonic qualities of 12et, garibaldi can give up to ''eight'' qualities for each diatonic category. Taking thirds as an example: