29edo/Unque's compositional approach: Difference between revisions
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In this example, the circle of submajor thirds is extremely relevant to our scale, as this is the circle that defines the scale; if we were to visualize this circle, we would see that C - vE - ^G - B forms a continuous sequence, and thus we can move through ''vmaj ^5'' chords on each of these roots to smoothly move from C to B. If we treat the submajor third as an approximation of 5/4, this can also be seen as drifting by the comma [[128/125]]. | In this example, the circle of submajor thirds is extremely relevant to our scale, as this is the circle that defines the scale; if we were to visualize this circle, we would see that C - vE - ^G - B forms a continuous sequence, and thus we can move through ''vmaj ^5'' chords on each of these roots to smoothly move from C to B. If we treat the submajor third as an approximation of 5/4, this can also be seen as drifting by the comma [[128/125]]. | ||
== See Also == | |||
* [[User:Unque/29edo Counterpoint Treatise]] | |||
[[Category:Approaches to tuning systems]] | [[Category:Approaches to tuning systems]] | ||
[[Category:29edo]] | [[Category:29edo]] | ||