9edo: Difference between revisions
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== Notation == | == Notation == | ||
9edo can be notated with conventional notation, including the staff, note names, relative notation, etc. in two ways. The first | 9edo can be notated with conventional notation, including the staff, note names, relative notation, etc. in two ways. The first defines sharp/flat, major/minor and aug/dim in terms of the native antidiatonic scale, such that sharp is higher pitched than flat, and major/aug is wider than minor/dim, as would be expected. Because it does not follow diatonic conventions, conventional interval arithmetic no longer works, e.g. {{nowrap|M2 + M2}} isn't M3, and {{nowrap|D + M2}} isn't E. Because antidiatonic is the sister scale to diatonic, you can solve this by swapping major and minor in interval arithmetic rules. Chord names don't follow diatonic nominals because {{dash|C, E, G|med}} is not {{dash|P1, M3, P5|med}}. | ||
The second approach | The second approach is to essentially pretend 9edo's antidiatonic scale is a normal diatonic, meaning that sharp is lower in pitch than flat (since the "S" step is larger than the "L" step) and major/aug is narrower than minor/dim. This allows music notated in 12edo or another diatonic system to be directly translated to 9edo "on the fly", and it carries over the way interval arithmetic and chord names work from diatonic notation. | ||
In this notation, the [[enharmonic unison]] is the augmented 2nd, e.g. E♭ to F♯. | |||
{| class="wikitable center-all right-1 right-2" | {| class="wikitable center-all right-1 right-2" | ||
|- | |- | ||
! [[degree]] | ![[degree]] | ||
! [[cent]]s | ![[cent]]s | ||
! Approximate<br />Ratios | ! Approximate<br />Ratios | ||
! colspan="2" | | ! colspan="2" | Antidiatonic<br />Major wider than minor | ||
! colspan="2" | | ! colspan="2" | Diatonic<br />Major narrower than minor | ||
! Audio | ! Audio | ||
|- | |- | ||
| 0 | | 0 | ||
| 0.00 | | 0.00 | ||
| [[1/1]] | |[[1/1]] | ||
| perfect unison | | perfect unison | ||
| D | | D | ||
| perfect unison | | perfect unison | ||
| D | | D | ||
| [[File:0-0 unison.mp3|frameless]] | |[[File:0-0 unison.mp3|frameless]] | ||
|- | |- | ||
| 1 | | 1 | ||
| 133.33 | | 133.33 | ||
| [[14/13]] (+5.035), [[13/12]] (−5.239),<br />[[12/11]] (−17.304) | |[[14/13]] (+5.035), [[13/12]] (−5.239),<br />[[12/11]] (−17.304) | ||
| minor 2nd | | minor 2nd | ||
| E | | E | ||
| major 2nd | | major 2nd | ||
| E | | E | ||
| [[File:0-133,33 minor second (9-EDO).mp3|frameless]] | |[[File:0-133,33 minor second (9-EDO).mp3|frameless]] | ||
|- | |- | ||
| 2 | | 2 | ||
| 266.67 | | 266.67 | ||
| [[7/6]] (−0.204) | |[[7/6]] (−0.204) | ||
| major 2nd, minor 3rd | | major 2nd, minor 3rd | ||
| E♯, F♭ | | E♯, F♭ | ||
| minor 2nd, major 3rd | | minor 2nd, major 3rd | ||
| E♭, F♯ | | E♭, F♯ | ||
| [[File:0-266,67 major 2nd, minor 3rd (9-EDO).mp3|frameless]] | |[[File:0-266,67 major 2nd, minor 3rd (9-EDO).mp3|frameless]] | ||
|- | |- | ||
| 3 | | 3 | ||
| 400.00 | | 400.00 | ||
| [[5/4]] (+13.686), [[14/11]] (−17.508),<br />[[9/7]] (−35.084) | |[[5/4]] (+13.686), [[14/11]] (−17.508),<br />[[9/7]] (−35.084) | ||
| major 3rd | | major 3rd | ||
| F | | F | ||
| minor 3rd | | minor 3rd | ||
| F | | F | ||
| [[File:0-400 major third (12-EDO).mp3|frameless]] | |[[File:0-400 major third (12-EDO).mp3|frameless]] | ||
|- | |- | ||
| 4 | | 4 | ||
| 533.33 | | 533.33 | ||
| [[4/3]] (+35.288), [[11/8]] (−17.985) | |[[4/3]] (+35.288), [[11/8]] (−17.985) | ||
| perfect 4th | | perfect 4th | ||
| G | | G | ||
| perfect 4th | | perfect 4th | ||
| G | | G | ||
| [[File:0-533,33 fourth (9-EDO).mp3|frameless]] | |[[File:0-533,33 fourth (9-EDO).mp3|frameless]] | ||
|- | |- | ||
| 5 | | 5 | ||
| 666.67 | | 666.67 | ||
| [[16/11]] (+17.985), [[3/2]] (−35.288) | |[[16/11]] (+17.985), [[3/2]] (−35.288) | ||
| perfect 5th | | perfect 5th | ||
| A | | A | ||
| perfect 5th | | perfect 5th | ||
| A | | A | ||
| [[File:0-666,67 fifth (9-EDO).mp3|frameless]] | |[[File:0-666,67 fifth (9-EDO).mp3|frameless]] | ||
|- | |- | ||
| 6 | | 6 | ||
| 800.00 | | 800.00 | ||
| [[14/9]] (+35.084) [[11/7]] (+17.508),<br />[[8/5]] (−13.686) | |[[14/9]] (+35.084) [[11/7]] (+17.508),<br />[[8/5]] (−13.686) | ||
| minor 6th | | minor 6th | ||
| B | | B | ||
| major 6th | | major 6th | ||
| B | | B | ||
| [[File:0-800 minor sixth (12-EDO).mp3|frameless]] | |[[File:0-800 minor sixth (12-EDO).mp3|frameless]] | ||
|- | |- | ||
| 7 | | 7 | ||
| 933.33 | | 933.33 | ||
| [[12/7]] (+0.204) | |[[12/7]] (+0.204) | ||
| major 6th, minor 7th | | major 6th, minor 7th | ||
| B♯, C♭ | | B♯, C♭ | ||
| minor 6th, major 7th | | minor 6th, major 7th | ||
| B♭, C♯ | | B♭, C♯ | ||
| [[File:0-933,33 major 6th, minor 7th (9-EDO).mp3|frameless]] | |[[File:0-933,33 major 6th, minor 7th (9-EDO).mp3|frameless]] | ||
|- | |- | ||
| 8 | | 8 | ||
| 1066.67 | | 1066.67 | ||
| [[11/6]] (+17.304) [[13/7]] (−5.035) | |[[11/6]] (+17.304) [[13/7]] (−5.035) | ||
| major 7th | | major 7th | ||
| C | | C | ||
| minor 7th | | minor 7th | ||
| C | | C | ||
| [[File:0-1066,67 major seventh (9-EDO).mp3|frameless]] | |[[File:0-1066,67 major seventh (9-EDO).mp3|frameless]] | ||
|- | |- | ||
| 9 | | 9 | ||
| 1200.00 | | 1200.00 | ||
| [[2/1]] | |[[2/1]] | ||
| octave | | octave | ||
| D | | D | ||
| octave | | octave | ||
| D | | D | ||
| [[File:0-1200 octave.mp3|frameless]] | |[[File:0-1200 octave.mp3|frameless]] | ||
|} | |} | ||