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== Theory == | == Theory == | ||
111edo is [[consistent]] through to the [[21-odd-limit]], and is the smallest edo [[distinctly consistent]] through the [[15-odd-limit]], marking it as an important higher limit tuning. It has a sharp tendency, with [[harmonic]]s 3 through 19 all tuned sharp. 111 = | 111edo is [[consistent]] through to the [[21-odd-limit]], and is the smallest edo [[distinctly consistent]] through the [[15-odd-limit]], marking it as an important higher limit tuning. It has a sharp tendency, with [[harmonic]]s 3 through 19 all tuned sharp. Since 111 = {{factorisation|111}}}}, 111edo shares the mappings for [[5/1|5]], [[7/1|7]], [[11/1|11]], and [[13/1|13]] with [[37edo]]. | ||
It is also significant for lower limits, especially in terms of what it [[tempering out|tempers out]] in its [[patent val]]; for example, it tempers out [[176/175]] and gives an excellent [[optimal patent val]] for the corresponding [[11-limit]] [[rank-4 temperament]]. | It is also significant for lower limits, especially in terms of what it [[tempering out|tempers out]] in its [[patent val]]; for example, it tempers out [[176/175]] and gives an excellent [[optimal patent val]] for the corresponding [[11-limit]] [[rank-4 temperament]]. | ||
In fact in the [[7-limit]] it tempers out [[1728/1715]], [[3136/3125]] and [[5120/5103]], and in the 11-limit, 176/175, [[540/539]], 1331/1323, [[1375/1372]], and notably the [[quartisma]]. | In fact in the [[7-limit]] it tempers out [[1728/1715]], [[3136/3125]], and [[5120/5103]], and in the 11-limit, 176/175, [[540/539]], 1331/1323, [[1375/1372]], and notably the [[quartisma]]. | ||
It is a particularly good tuning for the 11- or 13-limit versions of [[semisept]], the 31 & 80 temperament, and [[buzzard]], the 53 & 58 temperament. [[Gene Ward Smith]]'s trio in [[#Music]] section is in [[Orwellismic family #Guanyin|guanyin temperament]], the [[planar temperament]] [[tempering out]] 176/175 and 540/539, for which 111 also provides the optimal patent val. | It is a particularly good tuning for the 11- or 13-limit versions of [[semisept]], the 31 & 80 temperament, and [[buzzard]], the 53 & 58 temperament. [[Gene Ward Smith]]'s trio in [[#Music]] section is in [[Orwellismic family #Guanyin|guanyin temperament]], the [[planar temperament]] [[tempering out]] 176/175 and 540/539, for which 111 also provides the optimal patent val. | ||
| Line 35: | Line 35: | ||
| {{monzo| 176 -111 }} | | {{monzo| 176 -111 }} | ||
| {{mapping| 111 176 }} | | {{mapping| 111 176 }} | ||
| | | −0.236 | ||
| 0.236 | | 0.236 | ||
| 2.18 | | 2.18 | ||
| Line 42: | Line 42: | ||
| 78732/78125, 67108864/66430125 | | 78732/78125, 67108864/66430125 | ||
| {{mapping| 111 176 258 }} | | {{mapping| 111 176 258 }} | ||
| | | −0.570 | ||
| 0.510 | | 0.510 | ||
| 4.72 | | 4.72 | ||
| Line 49: | Line 49: | ||
| 1728/1715, 3136/3125, 5120/5103 | | 1728/1715, 3136/3125, 5120/5103 | ||
| {{mapping| 111 176 258 312 }} | | {{mapping| 111 176 258 312 }} | ||
| | | −0.797 | ||
| 0.591 | | 0.591 | ||
| 5.47 | | 5.47 | ||
| Line 56: | Line 56: | ||
| 176/175, 540/539, 1331/1323, 5120/5103 | | 176/175, 540/539, 1331/1323, 5120/5103 | ||
| {{mapping| 111 176 258 312 384 }} | | {{mapping| 111 176 258 312 384 }} | ||
| | | −0.639 | ||
| 0.615 | | 0.615 | ||
| 5.69 | | 5.69 | ||
| Line 63: | Line 63: | ||
| 176/175, 351/350, 540/539, 676/675, 1331/1323 | | 176/175, 351/350, 540/539, 676/675, 1331/1323 | ||
| {{mapping| 111 176 258 312 384 411 }} | | {{mapping| 111 176 258 312 384 411 }} | ||
| | | −0.655 | ||
| 0.562 | | 0.562 | ||
| 5.21 | | 5.21 | ||
| Line 70: | Line 70: | ||
| 176/175, 256/255, 351/350, 442/441, 540/539, 715/714 | | 176/175, 256/255, 351/350, 442/441, 540/539, 715/714 | ||
| {{mapping| 111 176 258 312 384 411 454 }} | | {{mapping| 111 176 258 312 384 411 454 }} | ||
| | | −0.672 | ||
| 0.523 | | 0.523 | ||
| 4.84 | | 4.84 | ||
| Line 77: | Line 77: | ||
| 176/175, 256/255, 286/285, 324/323, 351/350, 400/399, 476/475 | | 176/175, 256/255, 286/285, 324/323, 351/350, 400/399, 476/475 | ||
| {{mapping| 111 176 258 312 384 411 454 472 }} | | {{mapping| 111 176 258 312 384 411 454 472 }} | ||
| | | −0.740 | ||
| 0.521 | | 0.521 | ||
| 4.83 | | 4.83 | ||
| Line 204: | Line 204: | ||
|- | |- | ||
| 3 | | 3 | ||
| 23\111<br>(14\111) | | 23\111<br />(14\111) | ||
| 248.65<br>(151.35) | | 248.65<br />(151.35) | ||
| 15/13<br>(12/11) | | 15/13<br />(12/11) | ||
| [[Hemimist]] | | [[Hemimist]] | ||
|- | |- | ||
| 3 | | 3 | ||
| 46\111<br>(9\111) | | 46\111<br />(9\111) | ||
| 497.30<br>(97.30) | | 497.30<br />(97.30) | ||
| 4/3<br>(18/17~19/18) | | 4/3<br />(18/17~19/18) | ||
| [[Misty]] | | [[Misty]] | ||
|} | |} | ||
<nowiki />* [[Normal lists|Octave-reduced form]], reduced to the first half-octave, and [[Normal lists|minimal form]] in parentheses if | <nowiki />* [[Normal lists|Octave-reduced form]], reduced to the first half-octave, and [[Normal lists|minimal form]] in parentheses if distinct | ||
== Scales == | == Scales == | ||
| Line 223: | Line 223: | ||
== Music == | == Music == | ||
; [[Gene Ward Smith]] | ; [[Gene Ward Smith]] | ||
* ''Trio for SoftSaturn, NebulaSing and TromBonehead'' (archived 2010) | * ''Trio for SoftSaturn, NebulaSing and TromBonehead'' (archived 2010) – [https://soundcloud.com/genewardsmith/trio-gorts SoundCloud] | [https://www.archive.org/details/TrioForSoftsaturnNebulasingAndTrombonehead_297 details] | [https://www.archive.org/download/TrioForSoftsaturnNebulasingAndTrombonehead_297/trio-gorts.mp3 play] – guanyin[22] in 111edo tuning | ||
[[Category:Buzzard]] | [[Category:Buzzard]] | ||
Revision as of 14:53, 16 January 2025
| ← 110edo | 111edo | 112edo → |
Theory
111edo is consistent through to the 21-odd-limit, and is the smallest edo distinctly consistent through the 15-odd-limit, marking it as an important higher limit tuning. It has a sharp tendency, with harmonics 3 through 19 all tuned sharp. Since 111 = 3 × 37}}, 111edo shares the mappings for 5, 7, 11, and 13 with 37edo.
It is also significant for lower limits, especially in terms of what it tempers out in its patent val; for example, it tempers out 176/175 and gives an excellent optimal patent val for the corresponding 11-limit rank-4 temperament.
In fact in the 7-limit it tempers out 1728/1715, 3136/3125, and 5120/5103, and in the 11-limit, 176/175, 540/539, 1331/1323, 1375/1372, and notably the quartisma.
It is a particularly good tuning for the 11- or 13-limit versions of semisept, the 31 & 80 temperament, and buzzard, the 53 & 58 temperament. Gene Ward Smith's trio in #Music section is in guanyin temperament, the planar temperament tempering out 176/175 and 540/539, for which 111 also provides the optimal patent val.
Prime harmonics
| Harmonic | 2 | 3 | 5 | 7 | 11 | 13 | 17 | 19 | 23 | 29 | 31 | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Error | Absolute (¢) | +0.00 | +0.75 | +2.88 | +4.15 | +0.03 | +2.72 | +3.15 | +5.19 | -1.25 | -2.55 | +0.91 |
| Relative (%) | +0.0 | +6.9 | +26.6 | +38.4 | +0.3 | +25.1 | +29.2 | +48.0 | -11.5 | -23.6 | +8.4 | |
| Steps (reduced) |
111 (0) |
176 (65) |
258 (36) |
312 (90) |
384 (51) |
411 (78) |
454 (10) |
472 (28) |
502 (58) |
539 (95) |
550 (106) | |
Subsets and supersets
333edo, which slices the step of 111edo in three, is a significant tuning.
Intervals
| Steps | Cents | Approximate ratios | Ups and downs notation |
|---|---|---|---|
| 0 | 0 | 1/1 | D |
| 1 | 10.8 | ^D, ^4E♭♭ | |
| 2 | 21.6 | ^^D, ^5E♭♭ | |
| 3 | 32.4 | ^3D, v5E♭ | |
| 4 | 43.2 | 39/38, 40/39, 41/40, 42/41 | ^4D, v4E♭ |
| 5 | 54.1 | 32/31, 33/32 | ^5D, v3E♭ |
| 6 | 64.9 | 27/26, 28/27 | v5D♯, vvE♭ |
| 7 | 75.7 | 23/22, 24/23, 47/45 | v4D♯, vE♭ |
| 8 | 86.5 | 21/20, 41/39 | v3D♯, E♭ |
| 9 | 97.3 | 18/17 | vvD♯, ^E♭ |
| 10 | 108.1 | 33/31 | vD♯, ^^E♭ |
| 11 | 118.9 | 15/14, 46/43 | D♯, ^3E♭ |
| 12 | 129.7 | 14/13, 41/38 | ^D♯, ^4E♭ |
| 13 | 140.5 | 13/12, 38/35 | ^^D♯, ^5E♭ |
| 14 | 151.4 | 12/11 | ^3D♯, v5E |
| 15 | 162.2 | 45/41 | ^4D♯, v4E |
| 16 | 173 | 21/19 | ^5D♯, v3E |
| 17 | 183.8 | 10/9 | v5D𝄪, vvE |
| 18 | 194.6 | 19/17, 28/25, 47/42 | v4D𝄪, vE |
| 19 | 205.4 | 9/8 | E |
| 20 | 216.2 | 17/15 | ^E, ^4F♭ |
| 21 | 227 | 41/36 | ^^E, ^5F♭ |
| 22 | 237.8 | 31/27, 39/34, 47/41 | ^3E, v5F |
| 23 | 248.6 | 15/13 | ^4E, v4F |
| 24 | 259.5 | 36/31, 43/37 | ^5E, v3F |
| 25 | 270.3 | v5E♯, vvF | |
| 26 | 281.1 | 20/17, 47/40 | v4E♯, vF |
| 27 | 291.9 | 45/38 | F |
| 28 | 302.7 | 25/21, 31/26 | ^F, ^4G♭♭ |
| 29 | 313.5 | 6/5 | ^^F, ^5G♭♭ |
| 30 | 324.3 | 41/34, 47/39 | ^3F, v5G♭ |
| 31 | 335.1 | 17/14, 40/33 | ^4F, v4G♭ |
| 32 | 345.9 | 11/9 | ^5F, v3G♭ |
| 33 | 356.8 | v5F♯, vvG♭ | |
| 34 | 367.6 | 21/17, 26/21, 47/38 | v4F♯, vG♭ |
| 35 | 378.4 | 46/37 | v3F♯, G♭ |
| 36 | 389.2 | vvF♯, ^G♭ | |
| 37 | 400 | 29/23, 34/27 | vF♯, ^^G♭ |
| 38 | 410.8 | 19/15, 33/26 | F♯, ^3G♭ |
| 39 | 421.6 | 37/29 | ^F♯, ^4G♭ |
| 40 | 432.4 | ^^F♯, ^5G♭ | |
| 41 | 443.2 | 31/24, 40/31 | ^3F♯, v5G |
| 42 | 454.1 | 13/10 | ^4F♯, v4G |
| 43 | 464.9 | 17/13 | ^5F♯, v3G |
| 44 | 475.7 | 25/19 | v5F𝄪, vvG |
| 45 | 486.5 | 45/34 | v4F𝄪, vG |
| 46 | 497.3 | 4/3 | G |
| 47 | 508.1 | ^G, ^4A♭♭ | |
| 48 | 518.9 | 27/20, 31/23 | ^^G, ^5A♭♭ |
| 49 | 529.7 | 19/14 | ^3G, v5A♭ |
| 50 | 540.5 | 41/30 | ^4G, v4A♭ |
| 51 | 551.4 | 11/8 | ^5G, v3A♭ |
| 52 | 562.2 | 18/13, 47/34 | v5G♯, vvA♭ |
| 53 | 573 | 32/23, 39/28, 46/33 | v4G♯, vA♭ |
| 54 | 583.8 | 7/5 | v3G♯, A♭ |
| 55 | 594.6 | 31/22 | vvG♯, ^A♭ |
| 56 | 605.4 | 44/31 | vG♯, ^^A♭ |
| 57 | 616.2 | 10/7 | G♯, ^3A♭ |
| 58 | 627 | 23/16, 33/23 | ^G♯, ^4A♭ |
| 59 | 637.8 | 13/9 | ^^G♯, ^5A♭ |
| 60 | 648.6 | 16/11 | ^3G♯, v5A |
| 61 | 659.5 | 41/28 | ^4G♯, v4A |
| 62 | 670.3 | 28/19 | ^5G♯, v3A |
| 63 | 681.1 | 40/27, 43/29, 46/31 | v5G𝄪, vvA |
| 64 | 691.9 | v4G𝄪, vA | |
| 65 | 702.7 | 3/2 | A |
| 66 | 713.5 | ^A, ^4B♭♭ | |
| 67 | 724.3 | 38/25, 41/27 | ^^A, ^5B♭♭ |
| 68 | 735.1 | 26/17 | ^3A, v5B♭ |
| 69 | 745.9 | 20/13 | ^4A, v4B♭ |
| 70 | 756.8 | 31/20 | ^5A, v3B♭ |
| 71 | 767.6 | v5A♯, vvB♭ | |
| 72 | 778.4 | 47/30 | v4A♯, vB♭ |
| 73 | 789.2 | 30/19, 41/26 | v3A♯, B♭ |
| 74 | 800 | 27/17, 46/29 | vvA♯, ^B♭ |
| 75 | 810.8 | vA♯, ^^B♭ | |
| 76 | 821.6 | 37/23, 45/28 | A♯, ^3B♭ |
| 77 | 832.4 | 21/13, 34/21 | ^A♯, ^4B♭ |
| 78 | 843.2 | ^^A♯, ^5B♭ | |
| 79 | 854.1 | 18/11 | ^3A♯, v5B |
| 80 | 864.9 | 28/17, 33/20 | ^4A♯, v4B |
| 81 | 875.7 | ^5A♯, v3B | |
| 82 | 886.5 | 5/3 | v5A𝄪, vvB |
| 83 | 897.3 | 42/25, 47/28 | v4A𝄪, vB |
| 84 | 908.1 | B | |
| 85 | 918.9 | 17/10 | ^B, ^4C♭ |
| 86 | 929.7 | ^^B, ^5C♭ | |
| 87 | 940.5 | 31/18 | ^3B, v5C |
| 88 | 951.4 | 26/15, 45/26 | ^4B, v4C |
| 89 | 962.2 | ^5B, v3C | |
| 90 | 973 | v5B♯, vvC | |
| 91 | 983.8 | 30/17 | v4B♯, vC |
| 92 | 994.6 | 16/9 | C |
| 93 | 1005.4 | 25/14, 34/19 | ^C, ^4D♭♭ |
| 94 | 1016.2 | 9/5 | ^^C, ^5D♭♭ |
| 95 | 1027 | 38/21, 47/26 | ^3C, v5D♭ |
| 96 | 1037.8 | ^4C, v4D♭ | |
| 97 | 1048.6 | 11/6 | ^5C, v3D♭ |
| 98 | 1059.5 | 24/13, 35/19 | v5C♯, vvD♭ |
| 99 | 1070.3 | 13/7 | v4C♯, vD♭ |
| 100 | 1081.1 | 28/15, 43/23 | v3C♯, D♭ |
| 101 | 1091.9 | 47/25 | vvC♯, ^D♭ |
| 102 | 1102.7 | 17/9 | vC♯, ^^D♭ |
| 103 | 1113.5 | 40/21 | C♯, ^3D♭ |
| 104 | 1124.3 | 23/12, 44/23 | ^C♯, ^4D♭ |
| 105 | 1135.1 | 27/14 | ^^C♯, ^5D♭ |
| 106 | 1145.9 | 31/16 | ^3C♯, v5D |
| 107 | 1156.8 | 39/20, 41/21 | ^4C♯, v4D |
| 108 | 1167.6 | ^5C♯, v3D | |
| 109 | 1178.4 | v5C𝄪, vvD | |
| 110 | 1189.2 | v4C𝄪, vD | |
| 111 | 1200 | 2/1 | D |
Regular temperament properties
| Subgroup | Comma list | Mapping | Optimal 8ve stretch (¢) |
Tuning error | |
|---|---|---|---|---|---|
| Absolute (¢) | Relative (%) | ||||
| 2.3 | [176 -111⟩ | [⟨111 176]] | −0.236 | 0.236 | 2.18 |
| 2.3.5 | 78732/78125, 67108864/66430125 | [⟨111 176 258]] | −0.570 | 0.510 | 4.72 |
| 2.3.5.7 | 1728/1715, 3136/3125, 5120/5103 | [⟨111 176 258 312]] | −0.797 | 0.591 | 5.47 |
| 2.3.5.7.11 | 176/175, 540/539, 1331/1323, 5120/5103 | [⟨111 176 258 312 384]] | −0.639 | 0.615 | 5.69 |
| 2.3.5.7.11.13 | 176/175, 351/350, 540/539, 676/675, 1331/1323 | [⟨111 176 258 312 384 411]] | −0.655 | 0.562 | 5.21 |
| 2.3.5.7.11.13.17 | 176/175, 256/255, 351/350, 442/441, 540/539, 715/714 | [⟨111 176 258 312 384 411 454]] | −0.672 | 0.523 | 4.84 |
| 2.3.5.7.11.13.17.19 | 176/175, 256/255, 286/285, 324/323, 351/350, 400/399, 476/475 | [⟨111 176 258 312 384 411 454 472]] | −0.740 | 0.521 | 4.83 |
- 111et has lower absolute errors than any previous equal temperaments in the 13-, 17-, 19-, and 23-limit, beating 94 and 103h before being superseded by 121i.
Rank-2 temperaments
Note: 2.5.7.11.13 subgroup temperaments supported by 37edo are not listed.
| Periods per 8ve |
Generator* | Cents* | Associated ratio* |
Temperament |
|---|---|---|---|---|
| 1 | 11\111 | 118.92 | 15/14 | Subsedia |
| 1 | 13\111 | 140.54 | 13/12 | Quanic |
| 1 | 14\111 | 151.35 | 12/11 | Browser |
| 1 | 16\111 | 172.97 | 400/363 | Undetrita |
| 1 | 20\111 | 216.22 | 17/15 | Tremka |
| 1 | 23\111 | 248.65 | 15/13 | Hemikwai |
| 1 | 31\111 | 335.14 | 17/14 | Cohemimabila |
| 1 | 35\111 | 378.38 | 56/45 | Subpental |
| 1 | 41\111 | 443.24 | 22/17 | Warrior |
| 1 | 43\111 | 464.86 | 17/13 | Semisept |
| 1 | 44\111 | 475.68 | 21/16 | Buzzard |
| 1 | 46\111 | 497.30 | 4/3 | Kwai |
| 1 | 49\111 | 529.73 | 19/14 | Tuskaloosa |
| 1 | 55\111 | 594.59 | 55/39 | Gaster |
| 3 | 7\111 | 75.68 | 24/23 | Terture |
| 3 | 12\111 | 129.73 | 14/13 | Trimabila |
| 3 | 13\111 | 140.54 | 243/224 | Septichrome |
| 3 | 17\111 | 183.55 | 10/9 | Mirkat |
| 3 | 23\111 (14\111) |
248.65 (151.35) |
15/13 (12/11) |
Hemimist |
| 3 | 46\111 (9\111) |
497.30 (97.30) |
4/3 (18/17~19/18) |
Misty |
* Octave-reduced form, reduced to the first half-octave, and minimal form in parentheses if distinct
Scales
- Direct sunlight (subset of Sensi[19]): 5 7 34 19 5 36 5 ((5, 12, 46, 65, 70, 106, 111)\111)
- Hypersakura (subset of Sensi[19]): 5 41 19 5 41 ((5, 46, 65, 70, 111)\111)
Music
- Trio for SoftSaturn, NebulaSing and TromBonehead (archived 2010) – SoundCloud | details | play – guanyin[22] in 111edo tuning