User talk:SAKryukov: Difference between revisions

Line 555:

::::::::: What do you think of my idea of auto-repeated tones? On the example of your scale, you write only the degrees, in your case, 7 of them. Instead of second 1st, you write the special object <code>repeat</code>, for example:

::::::::: <code>[interval(1), interval(9,8), interval(5,4), interval(4,3), interval(3,2), interval(27,16), interval(15,8), repeat],</code> and then the system automatically fills missing key data to the end of the key row, moving to next octave on each next 1/1... — [[User:SAKryukov|SA]], ''Wednesday 2020 December 9, 00:12 UTC'' 00:12, 9 December 2020 (UTC)

::::::::: What is <code>interval</code>? Even though for this particular application numbers would suffice, what it returns is not a number! This is a more complicated object; the set of them implements the same very systems of ''regular intervals'', a ''free Abelian group'' used in this part of musical theory. I developed this formalism for wider purposes, such as generator systems and other group theory approaches. This object is semantically similar to Gonzo, it is maintained in the factorized form, the group operations are done on the maps of prime factors, and so on, complete operation set. Are you familiar with all that? I would assume you are, and a lot of material on this site assumes the readers can work with such notions. Right? — [[User:SAKryukov|SA]], ''Wednesday 2020 December 9, 00:27 UTC''

::::::::: Also, only today I faced the problem with sound degraded with time, don't know how to reproduce; this problem was never exposed with the rest of the applications based on the same synthesis engine. That problem may take time... — [[User:SAKryukov|SA]], ''Wednesday 2020 December 9, 00:01 UTC''

@@ Line 555: / Line 555: @@
 ::::::::: What do you think of my idea of auto-repeated tones? On the example of your scale, you write only the degrees, in your case, 7 of them. Instead of second 1st, you write the special object <code>repeat</code>, for example:
 ::::::::: <code>[interval(1), interval(9,8), interval(5,4), interval(4,3), interval(3,2), interval(27,16), interval(15,8), repeat],</code> and then the system automatically fills missing key data to the end of the key row, moving to next octave on each next 1/1... &mdash;&nbsp;[[User:SAKryukov|SA]],&nbsp;''Wednesday&nbsp;2020&nbsp;December&nbsp;9,&nbsp;00:12&nbsp;UTC'' 00:12, 9 December 2020 (UTC)
+::::::::: What is <code>interval</code>? Even though for this particular application numbers would suffice, what it returns is not a number! This is a more complicated object; the set of them implements the same very systems of ''regular intervals'', a ''free Abelian group'' used in this part of musical theory. I developed this formalism for wider purposes, such as generator systems and other group theory approaches. This object is semantically similar to Gonzo, it is maintained in the factorized form, the group operations are done on the maps of prime factors, and so on, complete operation set. Are you familiar with all that? I would assume you are, and a lot of material on this site assumes the readers can work with such notions. Right? &mdash;&nbsp;[[User:SAKryukov|SA]],&nbsp;''Wednesday&nbsp;2020&nbsp;December&nbsp;9,&nbsp;00:27&nbsp;UTC''
 ::::::::: Also, only today I faced the problem with sound degraded with time, don't know how to reproduce; this problem was never exposed with the rest of the applications based on the same synthesis engine. That problem may take time... &mdash;&nbsp;[[User:SAKryukov|SA]],&nbsp;''Wednesday&nbsp;2020&nbsp;December&nbsp;9,&nbsp;00:01&nbsp;UTC''