43edo: Difference between revisions
→Intervals: Removed 7mus column |
updated ups/down notation, general cleanup |
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= | ==Theory== | ||
'''43edo''' divides the [[Octave|octave]] into 43 [[Equal|equal]] parts of 27.907 [[cent|cent]]s each. It is strongly associated with meantone temperament, particularly 1/5 comma meantone, being a good tuning system in the 5, 7, 11, and 13-limit. The version of 11-limit meantone is the one tempering out 99/98, 176/175 and 441/440 sometimes called Huygens. 43-equal has the first good 13-limit meantone available as an equal division of the octave. The baroque, French, ironically hearing and speech impaired acoustician [http://en.wikipedia.org/wiki/Joseph_Sauveur Joseph Sauveur] based his system on 43 equal tones to the octave, calling them "merides". Further information: http://tonalsoft.com/enc/m/meride.aspx | '''43edo''' divides the [[Octave|octave]] into 43 [[Equal|equal]] parts of 27.907 [[cent|cent]]s each. It is strongly associated with meantone temperament, particularly 1/5 comma meantone, being a good tuning system in the 5, 7, 11, and 13-limit. The version of 11-limit meantone is the one tempering out 99/98, 176/175 and 441/440 sometimes called Huygens. 43-equal has the first good 13-limit meantone available as an equal division of the octave. The baroque, French, ironically hearing and speech impaired acoustician [http://en.wikipedia.org/wiki/Joseph_Sauveur Joseph Sauveur] based his system on 43 equal tones to the octave, calling them "merides". Further information: http://tonalsoft.com/enc/m/meride.aspx | ||
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==Intervals== | ==Intervals== | ||
The distance from C to C# is 3 keys or frets or edosteps. Thus one edostep equals one third of a sharp. | |||
{| class="wikitable" | {| class="wikitable" | ||
|- | |- | ||
| style="text-align:center;" | Degrees | | style="text-align:center;" | Degrees | ||
| style="text-align:center;" | Cents | | style="text-align:center;" | Cents | ||
| | Approximate 13-limit Ratios | | | Approximate 13-limit Ratios | ||
| colspan="3" style="text-align:center;" | [[Ups_and_Downs_Notation|ups and downs notation]] | | colspan="3" style="text-align:center;" | [[Ups_and_Downs_Notation|ups and downs notation]] | ||
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| style="text-align:center;" | ^1, d2 | | style="text-align:center;" | ^1, d2 | ||
| style="text-align:center;" | up unison, dim 2nd | | style="text-align:center;" | up unison, dim 2nd | ||
| style="text-align:center;" | D | | style="text-align:center;" | ^D, Ebb | ||
|- | |- | ||
| style="text-align:center;" | 2 | | style="text-align:center;" | 2 | ||
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| style="text-align:center;" | vA1, ^d2 | | style="text-align:center;" | vA1, ^d2 | ||
| style="text-align:center;" | downaug unison, updim 2nd | | style="text-align:center;" | downaug unison, updim 2nd | ||
| style="text-align:center;" | | | style="text-align:center;" | vD#, ^Ebb | ||
|- | |- | ||
| style="text-align:center;" | 3 | | style="text-align:center;" | 3 | ||
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| style="text-align:center;" | vm2 | | style="text-align:center;" | vm2 | ||
| style="text-align:center;" | downminor 2nd | | style="text-align:center;" | downminor 2nd | ||
| style="text-align:center;" | | | style="text-align:center;" | vEb | ||
|- | |- | ||
| style="text-align:center;" | 4 | | style="text-align:center;" | 4 | ||
| Line 60: | Line 60: | ||
| style="text-align:center;" | ^m2 | | style="text-align:center;" | ^m2 | ||
| style="text-align:center;" | upminor 2nd | | style="text-align:center;" | upminor 2nd | ||
| style="text-align:center;" | Eb | | style="text-align:center;" | ^Eb | ||
|- | |- | ||
| style="text-align:center;" | 6 | | style="text-align:center;" | 6 | ||
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| style="text-align:center;" | vM2 | | style="text-align:center;" | vM2 | ||
| style="text-align:center;" | downmajor 2nd | | style="text-align:center;" | downmajor 2nd | ||
| style="text-align:center;" | | | style="text-align:center;" | vE | ||
|- | |- | ||
| style="text-align:center;" | 7 | | style="text-align:center;" | 7 | ||
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| style="text-align:center;" | ^M2 | | style="text-align:center;" | ^M2 | ||
| style="text-align:center;" | upmajor 2nd | | style="text-align:center;" | upmajor 2nd | ||
| style="text-align:center;" | E | | style="text-align:center;" | ^E | ||
|- | |- | ||
| style="text-align:center;" | 9 | | style="text-align:center;" | 9 | ||
| Line 88: | Line 88: | ||
| style="text-align:center;" | vA2, ^d3 | | style="text-align:center;" | vA2, ^d3 | ||
| style="text-align:center;" | downaug 2nd, updim 3rd | | style="text-align:center;" | downaug 2nd, updim 3rd | ||
| style="text-align:center;" | | | style="text-align:center;" | vE#, ^Fb | ||
|- | |- | ||
| style="text-align:center;" | 10 | | style="text-align:center;" | 10 | ||
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| style="text-align:center;" | vm3 | | style="text-align:center;" | vm3 | ||
| style="text-align:center;" | downminor 3rd | | style="text-align:center;" | downminor 3rd | ||
| style="text-align:center;" | | | style="text-align:center;" | vF | ||
|- | |- | ||
| style="text-align:center;" | 11 | | style="text-align:center;" | 11 | ||
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| style="text-align:center;" | ^m3 | | style="text-align:center;" | ^m3 | ||
| style="text-align:center;" | upminor 3rd | | style="text-align:center;" | upminor 3rd | ||
| style="text-align:center;" | F | | style="text-align:center;" | ^F | ||
|- | |- | ||
| style="text-align:center;" | 13 | | style="text-align:center;" | 13 | ||
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| style="text-align:center;" | vM3 | | style="text-align:center;" | vM3 | ||
| style="text-align:center;" | downmajor 3rd | | style="text-align:center;" | downmajor 3rd | ||
| style="text-align:center;" | | | style="text-align:center;" | vF# | ||
|- | |- | ||
| style="text-align:center;" | 14 | | style="text-align:center;" | 14 | ||
| Line 130: | Line 130: | ||
| style="text-align:center;" | ^M3 | | style="text-align:center;" | ^M3 | ||
| style="text-align:center;" | upmajor 3rd | | style="text-align:center;" | upmajor 3rd | ||
| style="text-align:center;" | F# | | style="text-align:center;" | ^F# | ||
|- | |- | ||
| style="text-align:center;" | 16 | | style="text-align:center;" | 16 | ||
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| style="text-align:center;" | vA3, ^d4 | | style="text-align:center;" | vA3, ^d4 | ||
| style="text-align:center;" | downaug 3rd, updim 4th | | style="text-align:center;" | downaug 3rd, updim 4th | ||
| style="text-align:center;" | | | style="text-align:center;" | vFx, ^Gb | ||
|- | |- | ||
| style="text-align:center;" | 17 | | style="text-align:center;" | 17 | ||
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| style="text-align:center;" | v4 | | style="text-align:center;" | v4 | ||
| style="text-align:center;" | down 4th | | style="text-align:center;" | down 4th | ||
| style="text-align:center;" | | | style="text-align:center;" | vG | ||
|- | |- | ||
| style="text-align:center;" | 18 | | style="text-align:center;" | 18 | ||
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| style="text-align:center;" | ^4 | | style="text-align:center;" | ^4 | ||
| style="text-align:center;" | up 4th | | style="text-align:center;" | up 4th | ||
| style="text-align:center;" | G | | style="text-align:center;" | ^G | ||
|- | |- | ||
| style="text-align:center;" | 20 | | style="text-align:center;" | 20 | ||
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| style="text-align:center;" | vA4 | | style="text-align:center;" | vA4 | ||
| style="text-align:center;" | downaug 4th | | style="text-align:center;" | downaug 4th | ||
| style="text-align:center;" | | | style="text-align:center;" | vG# | ||
|- | |- | ||
| style="text-align:center;" | 21 | | style="text-align:center;" | 21 | ||
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| style="text-align:center;" | A4, vd5 | | style="text-align:center;" | A4, vd5 | ||
| style="text-align:center;" | aug 4th, downdim 5th | | style="text-align:center;" | aug 4th, downdim 5th | ||
| style="text-align:center;" | G#, | | style="text-align:center;" | G#, ^Ab | ||
|- | |- | ||
| style="text-align:center;" | 22 | | style="text-align:center;" | 22 | ||
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| style="text-align:center;" | ^A4, d5 | | style="text-align:center;" | ^A4, d5 | ||
| style="text-align:center;" | upaug 4th, dim 5th | | style="text-align:center;" | upaug 4th, dim 5th | ||
| style="text-align:center;" | G# | | style="text-align:center;" | ^G#, Ab | ||
|- | |- | ||
| style="text-align:center;" | 23 | | style="text-align:center;" | 23 | ||
| Line 186: | Line 186: | ||
| style="text-align:center;" | ^d5 | | style="text-align:center;" | ^d5 | ||
| style="text-align:center;" | updim 5th | | style="text-align:center;" | updim 5th | ||
| style="text-align:center;" | Ab | | style="text-align:center;" | ^Ab | ||
|- | |- | ||
| style="text-align:center;" | 24 | | style="text-align:center;" | 24 | ||
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| style="text-align:center;" | v5 | | style="text-align:center;" | v5 | ||
| style="text-align:center;" | down 5th | | style="text-align:center;" | down 5th | ||
| style="text-align:center;" | | | style="text-align:center;" | vA | ||
|- | |- | ||
| style="text-align:center;" | 25 | | style="text-align:center;" | 25 | ||
| Line 207: | Line 207: | ||
| style="text-align:center;" | ^5 | | style="text-align:center;" | ^5 | ||
| style="text-align:center;" | up 5th | | style="text-align:center;" | up 5th | ||
| style="text-align:center;" | A | | style="text-align:center;" | ^A | ||
|- | |- | ||
| style="text-align:center;" | 27 | | style="text-align:center;" | 27 | ||
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| style="text-align:center;" | vA5, ^d6 | | style="text-align:center;" | vA5, ^d6 | ||
| style="text-align:center;" | downaug 5th, updim 6th | | style="text-align:center;" | downaug 5th, updim 6th | ||
| style="text-align:center;" | | | style="text-align:center;" | vA#, ^Bbb | ||
|- | |- | ||
| style="text-align:center;" | 28 | | style="text-align:center;" | 28 | ||
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| style="text-align:center;" | vm6 | | style="text-align:center;" | vm6 | ||
| style="text-align:center;" | downminor 6th | | style="text-align:center;" | downminor 6th | ||
| style="text-align:center;" | | | style="text-align:center;" | vBb | ||
|- | |- | ||
| style="text-align:center;" | 29 | | style="text-align:center;" | 29 | ||
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| style="text-align:center;" | ^m6 | | style="text-align:center;" | ^m6 | ||
| style="text-align:center;" | upminor 6th | | style="text-align:center;" | upminor 6th | ||
| style="text-align:center;" | Bb | | style="text-align:center;" | ^Bb | ||
|- | |- | ||
| style="text-align:center;" | 31 | | style="text-align:center;" | 31 | ||
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| style="text-align:center;" | vM6 | | style="text-align:center;" | vM6 | ||
| style="text-align:center;" | downmajor 6th | | style="text-align:center;" | downmajor 6th | ||
| style="text-align:center;" | | | style="text-align:center;" | vB | ||
|- | |- | ||
| style="text-align:center;" | 32 | | style="text-align:center;" | 32 | ||
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| style="text-align:center;" | ^M6 | | style="text-align:center;" | ^M6 | ||
| style="text-align:center;" | upmajor 6th | | style="text-align:center;" | upmajor 6th | ||
| style="text-align:center;" | B | | style="text-align:center;" | ^B | ||
|- | |- | ||
| style="text-align:center;" | 34 | | style="text-align:center;" | 34 | ||
| Line 263: | Line 263: | ||
| style="text-align:center;" | vA6, ^d7 | | style="text-align:center;" | vA6, ^d7 | ||
| style="text-align:center;" | downaug 6th, updim 7th | | style="text-align:center;" | downaug 6th, updim 7th | ||
| style="text-align:center;" | | | style="text-align:center;" | vB#, ^Cb | ||
|- | |- | ||
| style="text-align:center;" | 35 | | style="text-align:center;" | 35 | ||
| Line 270: | Line 270: | ||
| style="text-align:center;" | vm7 | | style="text-align:center;" | vm7 | ||
| style="text-align:center;" | downminor 7th | | style="text-align:center;" | downminor 7th | ||
| style="text-align:center;" | | | style="text-align:center;" | vC | ||
|- | |- | ||
| style="text-align:center;" | 36 | | style="text-align:center;" | 36 | ||
| Line 284: | Line 284: | ||
| style="text-align:center;" | ^m7 | | style="text-align:center;" | ^m7 | ||
| style="text-align:center;" | upminor 7th | | style="text-align:center;" | upminor 7th | ||
| style="text-align:center;" | C | | style="text-align:center;" | ^C | ||
|- | |- | ||
| style="text-align:center;" | 38 | | style="text-align:center;" | 38 | ||
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| style="text-align:center;" | vM7 | | style="text-align:center;" | vM7 | ||
| style="text-align:center;" | downmajor 7th | | style="text-align:center;" | downmajor 7th | ||
| style="text-align:center;" | | | style="text-align:center;" | vC# | ||
|- | |- | ||
| style="text-align:center;" | 39 | | style="text-align:center;" | 39 | ||
| Line 305: | Line 305: | ||
| style="text-align:center;" | ^M7 | | style="text-align:center;" | ^M7 | ||
| style="text-align:center;" | upmajor 7th | | style="text-align:center;" | upmajor 7th | ||
| style="text-align:center;" | C# | | style="text-align:center;" | ^C# | ||
|- | |- | ||
| style="text-align:center;" | 41 | | style="text-align:center;" | 41 | ||
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| style="text-align:center;" | vA7, ^d8 | | style="text-align:center;" | vA7, ^d8 | ||
| style="text-align:center;" | downaug 7th, updim 8ve | | style="text-align:center;" | downaug 7th, updim 8ve | ||
| style="text-align:center;" | | | style="text-align:center;" | vCx, ^Db | ||
|- | |- | ||
| style="text-align:center;" | 42 | | style="text-align:center;" | 42 | ||
| Line 319: | Line 319: | ||
| style="text-align:center;" | A7, v8 | | style="text-align:center;" | A7, v8 | ||
| style="text-align:center;" | aug 7th, down 8ve | | style="text-align:center;" | aug 7th, down 8ve | ||
| style="text-align:center;" | Cx, | | style="text-align:center;" | Cx, vD | ||
|- | |- | ||
| style="text-align:center;" | 43 | | style="text-align:center;" | 43 | ||
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| style="text-align:center;" | D | | style="text-align:center;" | D | ||
|} | |} | ||
Chords can be named using ups and downs as C upminor, D downmajor seven, etc. See [[Ups and Downs Notation#Chords and Chord Progressions|Ups and Downs Notation - Chords and Chord Progressions]]. | |||
==Selected just intervals by error== | ==Selected just intervals by error== | ||
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|} | |} | ||
==Notation | ==Red-Blue Notation== | ||
Because 43edo is a meantone system, this makes it easier to adapt traditional Western notation to it than to some other tunings. A# and Bb are distinct and the distance between them is one meride. The whole tone is divided into seven merides so this means we can use "third-sharps", "two-thirds-sharps", "third-flats", and "two-thirds-flats" to reach the remaining notes between A and B; notes elsewhere on the scale can be notated similarly. | Because 43edo is a meantone system, this makes it easier to adapt traditional Western notation to it than to some other tunings. A# and Bb are distinct and the distance between them is one meride. The whole tone is divided into seven merides so this means we can use "third-sharps", "two-thirds-sharps", "third-flats", and "two-thirds-flats" to reach the remaining notes between A and B; notes elsewhere on the scale can be notated similarly. | ||