User:Aura/Aura's introduction to 159edo: Difference between revisions
Begin second table for Dorian |
Filled in the table of Dorian tetrads some |
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! Notes | ! Notes | ||
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| | | Ptolemaic Minor with Pythagorean Minor Seventh | ||
| | | D, F↑, A, C | ||
| | | 0, 42, 93, 132 | ||
| | | I | ||
| | | 90:108:135:160 | ||
| | | This dissonant tetrad is perhaps best considered a cross between a suspension and a triad owing to the dissonance of the wolf fifth | ||
|- | |- | ||
| | | Pythagorean Major Seventh | ||
| | | D, F#, A, C# | ||
| | | 0, 54, 93, 147 | ||
| | | VII | ||
| | | 128:162:192:243 | ||
| | | This dissonant tetrad is common in 3-limit music, but still has a role to play in 5-limit music | ||
|- | |- | ||
| | | Pythagorean Minor Seventh | ||
| | | D, F, A, C | ||
| | | 0, 39, 93, 132 | ||
| | | II, V | ||
| | | 54:64:81:96 | ||
| | | This dissonant tetrad is common in 3-limit music, but still has a role to play in 5-limit music | ||
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