29edo/Unque's compositional approach: Difference between revisions
m Noted consideration for enharmonic equivalence in the ^♭II - I cadence |
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Thus, our final progression is ''C ^min ^5 - ^F ^min v5 - D ^min v5 - vA vct ^4''. This progression uses a combination of voice leading and circle of fifths movement to create a sound that is both dynamic and functional. | Thus, our final progression is ''C ^min ^5 - ^F ^min v5 - D ^min v5 - vA vct ^4''. This progression uses a combination of voice leading and circle of fifths movement to create a sound that is both dynamic and functional. | ||
[[Category:Approaches to tuning systems]] | |||