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{{Infobox ET}} | |||
{{ED intro}} | |||
== Theory == | |||
52edo has [[26edo]]'s very flat [[meantone]] [[perfect|fifth]] and a very sharp fifth close to 1/2-[[64/63|septimal-comma]] [[superpyth]]. The [[patent val]] has the same mapping for [[3/1|3]], [[7/1|7]], [[11/1|11]] and [[13/1|13]] as 26 does, but its [[5/1|5]] is sharp rather than flat. From this it tempers out [[648/625]] rather than [[81/80]] in the 5-limit, and [[225/224]] and [[1029/1024]] in the 7-limit, showing it [[support]]s [[miracle]], albeit badly, and may be defined by the tempering out of both 648/625 and miracle. In the 11-limit it tempers out [[99/98]] and [[176/175]] and in the 13-limit [[78/77]], [[144/143]] and [[169/168]]. It supplies the [[optimal patent val]] for then 12 & 40 temperament of the diminished family in the 7- and 11-limit, and also in the 13-limit where it can be defined as tempering out 78/77, 99/98, 176/175, 567/550 rather than by two patent vals. It also gives the 13-limit patent val for the {{nowrap|21 & 52}} variant of miracle. | |||
=Music= | Using the sharp fifth rather than the flat fifth (that is, using the 52b val), it contains a version of [[porcupine]] temperament, and combining 30\52 with 31\52 leads to a whole tone of 9\52, or 208 cents, which can be used inconsistently. | ||
[ | |||
The 5\52 interval approximates [[31/29]] well, and when used as a generator produces [[tricesimoprimal miracloid]] temperament. The relationship is also preserved exactly in the period-52 [[french deck]] temperament. | |||
The 11\52 (253.846{{c}}) [[semifourth]] is a very accurate [[22/19]], with an error of only +0.041{{c}} and a closing error of only 9.3%. | |||
=== Odd harmonics === | |||
{{Harmonics in equal|52}} | |||
=== Subsets and supersets === | |||
Since 52 factors into {{factorization|52}}, 52edo contains subset edos {{EDOs| 2, 4, 13, and 26 }}. | |||
== Intervals == | |||
{| class="wikitable center-all right-2 left-3" | |||
|- | |||
! Degrees | |||
! [[Cents]]s | |||
! colspan="3" | [[Ups and downs notation]] | |||
|- | |||
| 0 | |||
| 0.000 | |||
| Perfect 1sn | |||
| P1 | |||
| D | |||
|- | |||
| 1 | |||
| 23.077 | |||
| Up 1sn | |||
| ^1 | |||
| ^D | |||
|- | |||
| 2 | |||
| 46.154 | |||
| Aug 1sn | |||
| A1 | |||
| D# | |||
|- | |||
| 3 | |||
| 69.231 | |||
| Downdim 2nd, Upaug 1sn | |||
| vd2, ^A1 | |||
| vEbb, ^D# | |||
|- | |||
| 4 | |||
| 92.308 | |||
| Dim 2nd | |||
| d2 | |||
| Ebb | |||
|- | |||
| 5 | |||
| 115.358 | |||
| Downminor 2nd | |||
| vm2 | |||
| vEb | |||
|- | |||
| 6 | |||
| 138.462 | |||
| Minor 2nd | |||
| m2 | |||
| Eb | |||
|- | |||
| 7 | |||
| 161.538 | |||
| Mid 2nd | |||
| ~2 | |||
| vE, ^Eb | |||
|- | |||
| 8 | |||
| 184.615 | |||
| Major 2nd | |||
| M2 | |||
| E | |||
|- | |||
| 9 | |||
| 207.692 | |||
| Upmajor 2nd | |||
| ^M2 | |||
| ^E | |||
|- | |||
| 10 | |||
| 230.769 | |||
| Aug 2nd | |||
| A2 | |||
| E# | |||
|- | |||
| 11 | |||
| 253.846 | |||
| Downdim 3rd, Upaug 2nd | |||
| vd3, ^A2 | |||
| vFb, ^E# | |||
|- | |||
| 12 | |||
| 276.923 | |||
| Dim 3rd | |||
| d3 | |||
| Fb | |||
|- | |||
| 13 | |||
| 300.000 | |||
| Downminor 3rd | |||
| vm3 | |||
| vF | |||
|- | |||
| 14 | |||
| 323.077 | |||
| Minor 3rd | |||
| m3 | |||
| F | |||
|- | |||
| 15 | |||
| 346.154 | |||
| Mid 3rd | |||
| ~3 | |||
| ^F, vF# | |||
|- | |||
| 16 | |||
| 369.231 | |||
| Major 3rd | |||
| M3 | |||
| F# | |||
|- | |||
| 17 | |||
| 392.308 | |||
| Upmajor 3rd | |||
| ^M3 | |||
| ^F# | |||
|- | |||
| 18 | |||
| 415.385 | |||
| Aug 3rd | |||
| A3 | |||
| Fx | |||
|- | |||
| 19 | |||
| 438.462 | |||
| Downdim 4th, Upaug 3rd | |||
| vd4, ^A4 | |||
| vGb, ^Fx | |||
|- | |||
| 20 | |||
| 461.538 | |||
| Dim 4th | |||
| d4 | |||
| Gb | |||
|- | |||
| 21 | |||
| 484.615 | |||
| Down 4th | |||
| v4 | |||
| vG | |||
|- | |||
| 22 | |||
| 507.692 | |||
| Perfect 4th | |||
| P4 | |||
| G | |||
|- | |||
| 23 | |||
| 530.769 | |||
| Up 4th | |||
| ^4 | |||
| ^G | |||
|- | |||
| 24 | |||
| 553.846 | |||
| Aug 4th | |||
| A4 | |||
| G# | |||
|- | |||
| 25 | |||
| 576.293 | |||
| Upaug 4th | |||
| ^A4 | |||
| ^G# | |||
|- | |||
| 26 | |||
|600.000 | |||
| Double-aug 4th, Double-dim 5th | |||
| AA4, dd5 | |||
| Gx, Abb | |||
|- | |||
| 27 | |||
| 623.077 | |||
| Downdim 5th | |||
| vd5 | |||
| vAb | |||
|- | |||
| 28 | |||
| 646.154 | |||
| Dim 5th | |||
| d5 | |||
| Ab | |||
|- | |||
| 29 | |||
| 669.231 | |||
| Down 5th | |||
| v5 | |||
| vA | |||
|- | |||
| 30 | |||
| 692.308 | |||
| Perfect 5th | |||
| P5 | |||
| A | |||
|- | |||
| 31 | |||
| 715.385 | |||
| Up 5th | |||
| ^5 | |||
| ^A | |||
|- | |||
| 32 | |||
| 738.462 | |||
| Aug 5th | |||
| A5 | |||
| A# | |||
|- | |||
| 33 | |||
| 761.538 | |||
| Downdim 6th, Upaug 5th | |||
| vd6, ^A5 | |||
| vBbb, ^A# | |||
|- | |||
| 34 | |||
| 784.615 | |||
| Dim 6th | |||
| d6 | |||
| Bbb | |||
|- | |||
| 35 | |||
| 807.692 | |||
| Downminor 6th | |||
| vm6 | |||
| vBb | |||
|- | |||
| 36 | |||
| 830.769 | |||
| Minor 6th | |||
| m6 | |||
| Bb | |||
|- | |||
| 37 | |||
| 853.846 | |||
| Mid 6th | |||
| ~6 | |||
| vB, ^Bb | |||
|- | |||
| 38 | |||
| 876.923 | |||
| Major 6th | |||
| M6 | |||
| B | |||
|- | |||
| 39 | |||
| 900.000 | |||
| Upmajor 6th | |||
| ^M6 | |||
| ^B | |||
|- | |||
| 40 | |||
| 923.077 | |||
| Aug 6th | |||
| A6 | |||
| B# | |||
|- | |||
| 41 | |||
| 946.154 | |||
| Downdim 7th, Upaug 6th | |||
| vd7, ^A6 | |||
| vCb, ^B# | |||
|- | |||
| 42 | |||
| 969.231 | |||
| Dim 7th | |||
| d7 | |||
| Cb | |||
|- | |||
| 43 | |||
| 992.308 | |||
| Downminor 7th | |||
| vm7 | |||
| vC | |||
|- | |||
| 44 | |||
| 1015.385 | |||
| Minor 7th | |||
| m7 | |||
| C | |||
|- | |||
| 45 | |||
| 1038.462 | |||
| Mid 7th | |||
| ~7 | |||
| ^C, vC# | |||
|- | |||
| 46 | |||
| 1061.538 | |||
| Major 7th | |||
| M7 | |||
| C# | |||
|- | |||
| 47 | |||
| 1084.615 | |||
| Upmajor 7th | |||
| ^M7 | |||
| ^C# | |||
|- | |||
| 48 | |||
| 1107.692 | |||
| Aug 7th | |||
| A7 | |||
| Cx | |||
|- | |||
| 49 | |||
| 1130.769 | |||
| Downdim 8ve, Upaug 7th | |||
| vd8, ^A7 | |||
| vDb, ^Cx | |||
|- | |||
| 50 | |||
| 1153.846 | |||
| Dim 8ve | |||
| d8 | |||
| Db | |||
|- | |||
| 51 | |||
| 1176.923 | |||
| Down 8ve | |||
| v8 | |||
| vD | |||
|- | |||
| 52 | |||
| 1200.000 | |||
| Perfect 8ve | |||
| P8 | |||
| D | |||
|} | |||
== Notation == | |||
[[13edo#Notation|13edo notation]] can be used together with +/- eighth-tone accidentals. | |||
=== Ups and downs notation === | |||
Using [[Helmholtz–Ellis]] accidentals, 52edo can also be notated using [[ups and downs notation]] or Stein–Zimmerman [[24edo#Notation|quarter tone]] accidentals: | |||
{{Sharpness-sharp2a}} | |||
{{sharpness-sharp2}} | |||
=== Sagittal notation === | |||
This notation uses the same sagittal sequence as EDOs [[45edo#Sagittal notation|45]] and [[59edo#Second-best fifth notation|59b]], and is a superset of the notations for EDOs [[26edo#Sagittal notation|26]] and [[13edo#Sagittal notation|13]]. | |||
==== Evo flavor ==== | |||
<imagemap> | |||
File:52-EDO_Evo_Sagittal.svg | |||
desc none | |||
rect 80 0 300 50 [[Sagittal_notation]] | |||
rect 300 0 615 80 [https://sagittal.org#periodic-table Periodic table of EDOs with sagittal notation] | |||
rect 20 80 130 106 [[36/35]] | |||
default [[File:52-EDO_Evo_Sagittal.svg]] | |||
</imagemap> | |||
==== Revo flavor ==== | |||
<imagemap> | |||
File:52-EDO_Revo_Sagittal.svg | |||
desc none | |||
rect 80 0 300 50 [[Sagittal_notation]] | |||
rect 300 0 623 80 [https://sagittal.org#periodic-table Periodic table of EDOs with sagittal notation] | |||
rect 20 80 130 106 [[36/35]] | |||
default [[File:52-EDO_Revo_Sagittal.svg]] | |||
</imagemap> | |||
==== Evo-SZ flavor ==== | |||
<imagemap> | |||
File:52-EDO_Evo-SZ_Sagittal.svg | |||
desc none | |||
rect 80 0 300 50 [[Sagittal_notation]] | |||
rect 300 0 583 80 [https://sagittal.org#periodic-table Periodic table of EDOs with sagittal notation] | |||
rect 20 80 130 106 [[36/35]] | |||
default [[File:52-EDO_Evo-SZ_Sagittal.svg]] | |||
</imagemap> | |||
Because it contains no Sagittal symbols, this Evo-SZ Sagittal notation is also a Stein-Zimmerman notation. | |||
== Instruments == | |||
'''Lumatone''' | |||
See [[Lumatone mapping for 52edo]] | |||
== Music == | |||
; [[Bryan Deister]] | |||
* [https://www.youtube.com/shorts/lNJCZz7EjL0 ''microtonal improvisation in 52edo''] (2025) | |||
* [https://www.youtube.com/watch?v=3uo24YpEN0E ''Waltz in 52edo''] (2025) | |||
; [[Claudi Meneghin]] | |||
* [https://www.youtube.com/watch?v=5HkEM0ZchP0 ''5-in-1 Canon on Happy Birthday''] (2020) | |||
; [[Jon Lyle Smith]] | |||
* [https://archive.org/download/TheHiddenTempleOfEmpathicaIii/TheHiddenTempleOfEmpathicaIii.mp3 ''The Hidden Temple of Empathica III'']{{dead link}} | |||
[[Category:Listen]] | |||
[[Category:Todo:add rank 2 temperaments table]] |
Latest revision as of 01:07, 20 August 2025
← 51edo | 52edo | 53edo → |
52 equal divisions of the octave (abbreviated 52edo or 52ed2), also called 52-tone equal temperament (52tet) or 52 equal temperament (52et) when viewed under a regular temperament perspective, is the tuning system that divides the octave into 52 equal parts of about 23.1 ¢ each. Each step represents a frequency ratio of 21/52, or the 52nd root of 2.
Theory
52edo has 26edo's very flat meantone fifth and a very sharp fifth close to 1/2-septimal-comma superpyth. The patent val has the same mapping for 3, 7, 11 and 13 as 26 does, but its 5 is sharp rather than flat. From this it tempers out 648/625 rather than 81/80 in the 5-limit, and 225/224 and 1029/1024 in the 7-limit, showing it supports miracle, albeit badly, and may be defined by the tempering out of both 648/625 and miracle. In the 11-limit it tempers out 99/98 and 176/175 and in the 13-limit 78/77, 144/143 and 169/168. It supplies the optimal patent val for then 12 & 40 temperament of the diminished family in the 7- and 11-limit, and also in the 13-limit where it can be defined as tempering out 78/77, 99/98, 176/175, 567/550 rather than by two patent vals. It also gives the 13-limit patent val for the 21 & 52 variant of miracle.
Using the sharp fifth rather than the flat fifth (that is, using the 52b val), it contains a version of porcupine temperament, and combining 30\52 with 31\52 leads to a whole tone of 9\52, or 208 cents, which can be used inconsistently.
The 5\52 interval approximates 31/29 well, and when used as a generator produces tricesimoprimal miracloid temperament. The relationship is also preserved exactly in the period-52 french deck temperament.
The 11\52 (253.846 ¢) semifourth is a very accurate 22/19, with an error of only +0.041 ¢ and a closing error of only 9.3%.
Odd harmonics
Harmonic | 3 | 5 | 7 | 9 | 11 | 13 | 15 | 17 | 19 | 21 | 23 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | -9.6 | +6.0 | +0.4 | +3.8 | +2.5 | -9.8 | -3.7 | +10.4 | +2.5 | -9.2 | -5.2 |
Relative (%) | -41.8 | +26.0 | +1.8 | +16.4 | +11.0 | -42.3 | -15.8 | +45.2 | +10.8 | -40.1 | -22.5 | |
Steps (reduced) |
82 (30) |
121 (17) |
146 (42) |
165 (9) |
180 (24) |
192 (36) |
203 (47) |
213 (5) |
221 (13) |
228 (20) |
235 (27) |
Subsets and supersets
Since 52 factors into 22 × 13, 52edo contains subset edos 2, 4, 13, and 26.
Intervals
Degrees | Centss | Ups and downs notation | ||
---|---|---|---|---|
0 | 0.000 | Perfect 1sn | P1 | D |
1 | 23.077 | Up 1sn | ^1 | ^D |
2 | 46.154 | Aug 1sn | A1 | D# |
3 | 69.231 | Downdim 2nd, Upaug 1sn | vd2, ^A1 | vEbb, ^D# |
4 | 92.308 | Dim 2nd | d2 | Ebb |
5 | 115.358 | Downminor 2nd | vm2 | vEb |
6 | 138.462 | Minor 2nd | m2 | Eb |
7 | 161.538 | Mid 2nd | ~2 | vE, ^Eb |
8 | 184.615 | Major 2nd | M2 | E |
9 | 207.692 | Upmajor 2nd | ^M2 | ^E |
10 | 230.769 | Aug 2nd | A2 | E# |
11 | 253.846 | Downdim 3rd, Upaug 2nd | vd3, ^A2 | vFb, ^E# |
12 | 276.923 | Dim 3rd | d3 | Fb |
13 | 300.000 | Downminor 3rd | vm3 | vF |
14 | 323.077 | Minor 3rd | m3 | F |
15 | 346.154 | Mid 3rd | ~3 | ^F, vF# |
16 | 369.231 | Major 3rd | M3 | F# |
17 | 392.308 | Upmajor 3rd | ^M3 | ^F# |
18 | 415.385 | Aug 3rd | A3 | Fx |
19 | 438.462 | Downdim 4th, Upaug 3rd | vd4, ^A4 | vGb, ^Fx |
20 | 461.538 | Dim 4th | d4 | Gb |
21 | 484.615 | Down 4th | v4 | vG |
22 | 507.692 | Perfect 4th | P4 | G |
23 | 530.769 | Up 4th | ^4 | ^G |
24 | 553.846 | Aug 4th | A4 | G# |
25 | 576.293 | Upaug 4th | ^A4 | ^G# |
26 | 600.000 | Double-aug 4th, Double-dim 5th | AA4, dd5 | Gx, Abb |
27 | 623.077 | Downdim 5th | vd5 | vAb |
28 | 646.154 | Dim 5th | d5 | Ab |
29 | 669.231 | Down 5th | v5 | vA |
30 | 692.308 | Perfect 5th | P5 | A |
31 | 715.385 | Up 5th | ^5 | ^A |
32 | 738.462 | Aug 5th | A5 | A# |
33 | 761.538 | Downdim 6th, Upaug 5th | vd6, ^A5 | vBbb, ^A# |
34 | 784.615 | Dim 6th | d6 | Bbb |
35 | 807.692 | Downminor 6th | vm6 | vBb |
36 | 830.769 | Minor 6th | m6 | Bb |
37 | 853.846 | Mid 6th | ~6 | vB, ^Bb |
38 | 876.923 | Major 6th | M6 | B |
39 | 900.000 | Upmajor 6th | ^M6 | ^B |
40 | 923.077 | Aug 6th | A6 | B# |
41 | 946.154 | Downdim 7th, Upaug 6th | vd7, ^A6 | vCb, ^B# |
42 | 969.231 | Dim 7th | d7 | Cb |
43 | 992.308 | Downminor 7th | vm7 | vC |
44 | 1015.385 | Minor 7th | m7 | C |
45 | 1038.462 | Mid 7th | ~7 | ^C, vC# |
46 | 1061.538 | Major 7th | M7 | C# |
47 | 1084.615 | Upmajor 7th | ^M7 | ^C# |
48 | 1107.692 | Aug 7th | A7 | Cx |
49 | 1130.769 | Downdim 8ve, Upaug 7th | vd8, ^A7 | vDb, ^Cx |
50 | 1153.846 | Dim 8ve | d8 | Db |
51 | 1176.923 | Down 8ve | v8 | vD |
52 | 1200.000 | Perfect 8ve | P8 | D |
Notation
13edo notation can be used together with +/- eighth-tone accidentals.
Ups and downs notation
Using Helmholtz–Ellis accidentals, 52edo can also be notated using ups and downs notation or Stein–Zimmerman quarter tone accidentals:
Step offset | −4 | −3 | −2 | −1 | 0 | +1 | +2 | +3 | +4 |
---|---|---|---|---|---|---|---|---|---|
Symbol | ![]() |
![]() ![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() ![]() |
![]() |
Step offset | −4 | −3 | −2 | −1 | 0 | +1 | +2 | +3 | +4 |
---|---|---|---|---|---|---|---|---|---|
Symbol | ![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
Sagittal notation
This notation uses the same sagittal sequence as EDOs 45 and 59b, and is a superset of the notations for EDOs 26 and 13.
Evo flavor

Revo flavor

Evo-SZ flavor

Because it contains no Sagittal symbols, this Evo-SZ Sagittal notation is also a Stein-Zimmerman notation.
Instruments
Lumatone
See Lumatone mapping for 52edo
Music
- microtonal improvisation in 52edo (2025)
- Waltz in 52edo (2025)