112edo: Difference between revisions
+subsets and supersets |
mNo edit summary Tags: Visual edit Mobile edit Mobile web edit |
||
| (One intermediate revision by one other user not shown) | |||
| Line 1: | Line 1: | ||
{{Infobox ET}} | {{Infobox ET}} | ||
{{ | {{ED intro}} | ||
== Theory == | == Theory == | ||
112edo has two great [[3/2|perfect fifth]]s, the lower of which approximates [[quarter-comma meantone]] (just a tad lower), and the upper of | 112edo has two great [[3/2|perfect fifth]]s, the lower of which approximates [[quarter-comma meantone]] (just a tad lower), and the upper of which—the [[patent fifth]]—is identical to the perfect fifth of [[56edo]], a great inverse gentle fifth where +5 fifths gives a near-just [[28/27]] while −8 fifths gives a near-just [[39/32]] (identical to 2 degrees of [[7edo]]) and +9 fifths gives a close approximation to [[21/17]]. | ||
One can form a 17-tone circle by taking 15 large fifths and 2 small fifths, as above, which gives some nice interval shadings a wee bit different from [[17edo]], but sharing a similar structure. | One can form a 17-tone circle by taking 15 large fifths and 2 small fifths, as above, which gives some nice interval shadings a wee bit different from [[17edo]], but sharing a similar structure. | ||
| Line 20: | Line 20: | ||
* [https://soundcloud.com/camtaylor-1/17_112edo-circulating-2371113-floaty-piano-improv ''Circulating 2.3.7.11.13 Floaty Piano Improv''] | * [https://soundcloud.com/camtaylor-1/17_112edo-circulating-2371113-floaty-piano-improv ''Circulating 2.3.7.11.13 Floaty Piano Improv''] | ||
== See also == | |||
[[Skip fretting system 112 9 11]] | |||
[[Category:Listen]] | [[Category:Listen]] | ||