Marvel is a rank-3 temperament with the same lattice structure as 5-limit JI, while identifying the harmonic seventh (7/4) as a stack of two classical major sevenths (15/8) octave-reduced, tempering out 225/224. It is the head of the marvel family.

Marvel
Subgroups 2.3.5.7, 2.3.5.7.11
Comma basis 225/224 (7-limit);
225/224, 385/384 (11-limit)
Reduced mapping ⟨1; 1 0 2 -1; 0 1 2 -3]
ET join 19 & 22 & 31
Generators (CWE) ~3/2 = 700.6 ¢, ~5/4 = 383.5 ¢
MOS scales n/a
Ploidacot n/a
Pergen (P8, P5, ^1)
Color name Ruyoyoti
Minimax error 9-odd-limit: 2.57 ¢;
11-limit 21-odd-limit: 3.86 ¢
Target scale size 9-odd-limit: ? notes;
11-limit 21-odd-limit: ? notes

Marvel tends to tune 5/4 flat, such that a stack of two such thirds give a sharp 14/9, and a stack of three such thirds give a sub-octave of 35/18 just short of the octave by a quartertone of 36/35. The canonical 11-limit extension, sometimes aliased unimarv, identifies the quartertone as 33/32, so that 11/8 is that plus a perfect fourth. This adds 385/384 and 540/539 to the comma list and makes it a member of both keenansimic and swetismic temperaments.

The temperament was named by Gene Ward Smith in 2002–2003, when the 11-limit version was found first[1][2]. Gene carried it to the 7-limit restriction in 2004[3].

Extending marvel to the 13-limit is not as obvious. Gene has chosen helios, tempering out 351/350, as the canonical extension, but hecate, tempering out 325/324 and 729/728, arguably makes more sense as it is closer in tuning[4]. Hecate has a natural extension to the no-17 19-limit, by tempering out 400/399 and 513/512.

See Marvel family #Marvel for technical data.

Interval lattice

Notation

Marvel can be notated the same as 5-limit just intonation since they share the same lattice structure. One way to do this is to take the conventional circle-of-fifths notation with an additional module of accidentals for the 81/80 comma. In this system, 5/4 is a major third, 7/4 an augmented sixth, and 11/8 a double diminished 5th.

Marvel/hecate nomenclature
for selected intervals
Ratio Nominal Example
3/2 Perfect fifth C-G
5/4 Down major third C-vE
7/4 Dudaugmented sixth C-vvA#
11/8 Trup double-diminished fifth C-^3Gbb
13/8 Dup minor sixth C-^^Ab
19/16 Minor third C-Eb

Alternatively, it can be notated the same as full prime-limit just intonation, with a distinct accidental pair for each prime. That makes some intervals more intuitive, at the cost of hiding the structure of marvel tempering. For example, it is customary of the 5/4 to be a major third, and 7/4 to be a minor seventh. As a result, the fact that the 14/9 is a stack of two 5/4's is not revealed, and the related chords can be less convenient.

Chords and harmony

Marvel enables essentially tempered chords of marvel, keenanismic, swetismic, and undecimal marvel.

Extending the temperament to the 13-limit through 325/324, resulting in hecate, enables chords of marveltwin and squbemic. Hecate hexad is a chord peculiar to this temperament. Alternatively, helios enables chords of ratwolfsmic.

Alternative 11-limit extensions give different sets of chords. One notable example, tempering out 441/440, enables prodigy chords.

Scales

Marvel hobbit scales

Undecimal marvel hobbit scales

Other marvel scales

Tunings

In the 7-limit, the optimal way such as that taken by TE and derivatives to close out the comma 225/224 is to tune primes 3 and 5 flat, and 2 and 7 sharp. If we tune the octave pure, the other inclinations remain. This indicates that the diminished third ~256/225 should be sharp (towards ~8/7), the augmented second ~75/64 be flat (towards ~7/6), the diminished fourth ~32/25 be sharp (towards ~9/7) and the tritone ~45/32 be flat (towards ~7/5), such that every 7-limit 9-odd-limit interval is tuned between itself and the 5-limit interpretation it is separated from by 225/224. If we take these as hard constraints, then 53edo and 84edo are the smallest edo tunings to satisfy them, but if overtempering is allowed, many smaller edos are possible, such as 31- and 41edo. Interestingly, 72edo, though very performant as a 7- and 11-limit tuning, is overtempered for some of these constraints, whereas 53edo, though satisfying these constraints, tempers the intervals closer to the more complex 5-limit interpretations, though the 7-limit concordances of the 9-odd-limit still clearly work. 84edo, another superset of 12edo, is an interesting edo to look at for its high performance in large odd-limits. Going up to larger edos, 125-, 166-, 178-, 197-, and 240edo are all great choices with different intonational characteristics.

The marvel extension hecate has the no-17's 19-limit as its subgroup, and helios is in the 13-limit. They merge in the rank-2 temperament catakleismic, which can be conceptualized as accepting both rank-3 marvel structures simultaneously. One such tuning is excellently given by 125edo. If we are looking for a small edo tuning instead, 53edo and 72edo are also reasonable edo tunings for the full no-17's 19-limit catakleismic, though in 53edo the 11 and 19 are a little off and in 72edo the 13 and 19 are a little off instead; 72edo is positioned better as a full 17-limit marvel system while 53edo is positioned better as a (potentially no-11's) 13-limit marvel system. If we focus on the 11-limit of undecimal marvel (discarding the mapping of 13), 31edo and 41edo are the smallest to clearly succeed, though many accept 41edo's mapping of ~13/8 to the neutral sixth and some accept that mapping for 31edo as contextually usable too.

Norm-based tunings

7-limit norm-based tunings
Euclidean
Constrained Constrained & skewed Destretched
Tenney CTE: ~3/2 = 700.9740 ¢, ~5/4 = 384.2084 ¢ CWE: ~3/2 = 700.6222 ¢, ~5/4 = 383.8540 ¢ POTE: ~3/2 = 700.4075 ¢, ~5/4 = 383.6376 ¢
11-limit norm-based tunings
Euclidean
Constrained Constrained & skewed Destretched
Tenney CTE: ~3/2 = 701.3729 ¢, ~5/4 = 383.1461 ¢ CWE: ~3/2 = 700.6048 ¢, ~5/4 = 383.4538 ¢ POTE: ~3/2 = 700.3887 ¢, ~5/4 = 383.5403 ¢

Tuning spectrum

This spectrum assumes pure 2 and 7.

Eigenmonzo
(Unchanged-interval)
Perfect
fifth (¢)
Classical
major third (¢)
Comments
5/4 698.099 386.314
6/5 700.027 384.386 7-odd-limit minimax
15/11 700.351 384.062
10/9 700.670 383.743 9-odd-limit minimax
11/10 700.885 383.528
15/13 700.916 383.497 15-odd-limit hecate minimax
13/10 701.065 383.348 13-odd-limit hecate minimax
13/11 701.199 383.214
18/13 701.361 383.052
13/12 701.480 382.933
16/13 701.559 382.854
4/3 701.955 382.458
14/11 702.278 382.135
11/8 702.278 382.135
12/11 702.602 381.811

Music

Billy Stiltner
Chris Vaisvil

See also

References