7L 3s

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↖ 6L 2s ↑ 7L 2s 8L 2s ↗
← 6L 3s 7L 3s 8L 3s →
↙ 6L 4s ↓ 7L 4s 8L 4s ↘
┌╥╥╥┬╥╥┬╥╥┬┐
│║║║│║║│║║││
││││││││││││
└┴┴┴┴┴┴┴┴┴┴┘
Scale structure
Step pattern LLLsLLsLLs
sLLsLLsLLL
Equave 2/1 (1200.0 ¢)
Period 2/1 (1200.0 ¢)
Generator size
Bright 7\10 to 5\7 (840.0 ¢ to 857.1 ¢)
Dark 2\7 to 3\10 (342.9 ¢ to 360.0 ¢)
TAMNAMS information
Name dicoid
Prefix dico-
Abbrev. di
Related MOS scales
Parent 3L 4s
Sister 3L 7s
Daughters 10L 7s, 7L 10s
Neutralized 4L 6s
2-Flought 17L 3s, 7L 13s
Equal tunings
Equalized (L:s = 1:1) 7\10 (840.0 ¢)
Supersoft (L:s = 4:3) 26\37 (843.2 ¢)
Soft (L:s = 3:2) 19\27 (844.4 ¢)
Semisoft (L:s = 5:3) 31\44 (845.5 ¢)
Basic (L:s = 2:1) 12\17 (847.1 ¢)
Semihard (L:s = 5:2) 29\41 (848.8 ¢)
Hard (L:s = 3:1) 17\24 (850.0 ¢)
Superhard (L:s = 4:1) 22\31 (851.6 ¢)
Collapsed (L:s = 1:0) 5\7 (857.1 ¢)
↖ 6L 2s ↑ 7L 2s 8L 2s ↗
← 6L 3s 7L 3s 8L 3s →
↙ 6L 4s ↓ 7L 4s 8L 4s ↘
┌╥╥╥┬╥╥┬╥╥┬┐
│║║║│║║│║║││
││││││││││││
└┴┴┴┴┴┴┴┴┴┴┘
Scale structure
Step pattern LLLsLLsLLs
sLLsLLsLLL
Equave 2/1 (1200.0 ¢)
Period 2/1 (1200.0 ¢)
Generator size
Bright 7\10 to 5\7 (840.0 ¢ to 857.1 ¢)
Dark 2\7 to 3\10 (342.9 ¢ to 360.0 ¢)
TAMNAMS information
Name dicoid
Prefix dico-
Abbrev. di
Related MOS scales
Parent 3L 4s
Sister 3L 7s
Daughters 10L 7s, 7L 10s
Neutralized 4L 6s
2-Flought 17L 3s, 7L 13s
Equal tunings
Equalized (L:s = 1:1) 7\10 (840.0 ¢)
Supersoft (L:s = 4:3) 26\37 (843.2 ¢)
Soft (L:s = 3:2) 19\27 (844.4 ¢)
Semisoft (L:s = 5:3) 31\44 (845.5 ¢)
Basic (L:s = 2:1) 12\17 (847.1 ¢)
Semihard (L:s = 5:2) 29\41 (848.8 ¢)
Hard (L:s = 3:1) 17\24 (850.0 ¢)
Superhard (L:s = 4:1) 22\31 (851.6 ¢)
Collapsed (L:s = 1:0) 5\7 (857.1 ¢)

7L 3s(<15/7>) refers to the structure of moment of symmetry scales built from a 10-tone chain of (neutral) thirds (assuming a period of an octave or a minor ninth):

L s L L L s L L s L

Graham Breed has a page on his website dedicated to 7+3 scales. He proposes calling the large step "t" for "tone", lowercase because the large step is a narrow neutral tone, and the small step "q" for "quartertone", because the small step is often close to a quartertone. (Note that the small step is not a quartertone in every instance of 7+3, so do not take that "q" literally.) Thus we have:

t q t t t q t t q t

Names

This MOS is called dicotonic (named after the abstract temperaments dicot and more specifically 11-limit dichotic) in TAMNAMS.

Intervals

The generator (g) will fall between 343 cents (2\7 - two degrees of 7edo and 360 cents (3\10 - three degrees of 10edo), hence a neutral third.

2g, then, will fall between 686 cents (4\7) and 720 cents (3\5), the range of diatonic fifths.

The "large step" will fall between 171 cents (1\7) and 120 cents (1\10), ranging from a submajor second to a sinaic.

The "small step" will fall between 0 cents and 120 cents, sometimes sounding like a minor second, and sometimes sounding like a quartertone or smaller microtone.

The most frequent interval, then is the neutral third (and its inversion, the neutral sixth), followed by the perfect fourth and fifth. Thus, 7+3 combines the familiar sound of perfect fifths and fourths with the unfamiliar sounds of neutral intervals. They are compatible with Arabic and Turkish scales, but not with traditional Western ones.

Note: In TAMNAMS, a k-step interval class in dicotonic may be called a "k-step", "k-mosstep", or "k-dicostep". 1-indexed terms such as "mos(k+1)th" are discouraged for non-diatonic mosses.

# generators up Notation (1/1 = 0) name In L's and s's # generators up Notation of 2/1 inverse name In L's and s's
The 10-note MOS has the following intervals (from some root):
0 0 perfect unison 0 0 0 perfect 10-step 7L+3s
1 7 perfect 7-step 5L+2s -1 3 perfect 3-step 2L+1s
2 4 major 4-step 3L+1s -2 6 minor 6-step 4L+2s
3 1 major (1-)step 1L -3 9v minor 9-step 6L+3s
4 8 major 8-step 6L+2s -4 2v minor 2-step 1L+1s
5 5 major 5-step 4L+1s -5 5v minor 5-step 3L+2s
6 2 major 2-step 2L -6 8v minor 8-step 5L+3s
7 9 major 9-step 7L+2s -7 1v minor (1-)step 1s
8 6^ major 6-step 5L+1s -8 4v minor 4-step 2L+2s
9 3^ augmented 3-step 3L -9 7v diminished 7-step 4L+3s
10 0^ augmented unison 1L-1s -10 0v diminished 10-step 6L+4s
11 7^ augmented 7-step 6L+1s -11 3v diminished 3-step 1L+2s
The chromatic 17-note MOS (either 7L 10s, 10L 7s, or 17edo) also has the following intervals (from some root):
12 4^ augmented 4-step 4L -12 6v diminished 6-step 3L+3s
13 1^ augmented (1-)step 2L-1s -13 9w diminished 9-step 5L+4s
14 8^ augmented 8-step 8L+1s -14 2w diminished 2-step 2s
15 5^ augmented 5-step 5L -15 5w diminished 5-step 2L+3s
16 2^ augmented 2-step 3L-1s -16 8w diminished 8-step 4L+4s

Scale tree

The generator range reflects two extremes: one where L = s (3\10), and another where s = 0 (2\7). Between these extremes, there is an infinite continuum of possible generator sizes. By taking freshman sums of the two edges (adding the numerators, then adding the denominators), we can fill in this continuum with compatible edos, increasing in number of tones as we continue filling in the in-betweens. Thus, the smallest in-between edo would be (3+2)\(10+7) = 5\17 – five degrees of 17edo:

Generator Cents ed17\16 L s L/s Comments
edo Neapolitan (normalized)
7\10 840.000 933.333 (1171.242 śata) 1190.000 1 1 1.000
40\57 842.105 923.077 (1158.371 śata) 1192.9825 6 5 1.200 (Neapolitan-)Restles↑
73\104 842.308 922.105 (1157.152 śata) 1193.269 11 9 1.222
106\151 842.384 921.739 (1156.692 śata) 1193.3775 16 13 1.231
33\47 842.553 920.930 (1155.677 śata) 1193.617 5 4 1.250
92\131 842.748 920.000 (1154.510 śata) 1193.893 14 11 1.273
59\84 842.857 919.4805 (1153.858 śata) 1194.048 9 7 1.286
85\121 842.975 918.919 (1153.153 śata) 1194.215 13 10 1.300
111\158 843.038 918.621 (1152.779 śata) 1194.304 17 13 1.308
26\37 843.243 917.647 (1151.557 śata) 1194.595 4 3 1.333
97\138 843.478 916.535 (1150.162 śata) 1194.9275 15 11 1.364
71\101 843.564 916.129 (1149.652 śata) 1195.0495 11 8 1.375
45\64 843.750 915.254 (1148.554 śata) 1195.3125 7 5 1.400 (Neapolitan-)Beatles
64\91 843.956 914.286 (1147.339 śata) 1195.604 10 7 1.428
83\118 844.068 913.7615 (1146.681 śata) 1195.763 13 9 1.444
102\145 844.138 913.433 (1146.269 śata) 1195.862 16 11 1.4545
121\172 844.186 913.2075 (1145.986 śata) 1195.930 19 13 1.4615
19\27 844.444 912.000 (1144.471 śata) 1196.296 3 2 1.500 L/s = 3/2, (Neapolitan-)suhajira/ringo
107\152 844.736 910.638 (1142.762 śata) 1196.7105 17 11 1.5455
88\125 844.8 910.345 (1142.3935 śata) 1196.800 14 9 1.556
69\98 844.898 909.890 (1141.823 śata) 1196.939 11 7 1.571
50\71 845.070 909.091 (1140.820 śata) 1197.183 8 5 1.600
81\115 845.217 908.411 (1139.967 śata) 1197.391 13 8 1.625 Golden (Neapolitan-)suhajira
31\44 845.455 907.317 (1138.594 śata) 1197.727 5 3 1.667
74\105 845.714 906.122 (1137.095 śata) 1198.095 12 7 1.714
43\61 845.902 905.263 (1136.0165 śata) 1198.361 7 4 1.750
98\139 846.043 904.615 (1135.204 śata) 1198.561 16 9 1.778
55\78 846.154 904.110 (1134.569 śata) 1198.718 9 5 1.800
67\95 846.316 903.371 (1133.642 śata) 1198.947 11 6 1.833
79\112 846.429 902.857 (1132.997 śata) 1199.107 13 7 1.857
12\17 847.059 900.000 (1129.412 śata) 1200.000 2 1 2.000 Basic (Neapolitan-)dicotonic
(Generators smaller than this are proper)
53\75 848.000 352.000 9 4 2.250
41\58 848.273 351.724 7 3 2.333
70\99 848.485 351.515 12 5 2.400 (Neapolitan-)Hemif/hemififths
29\41 848.780 351.220 5 2 2.500 (Neapolitan-)Mohaha/neutrominant
75\106 849.057 350.943 13 5 2.600 (Neapolitan-)Hemif/salsa/karadeniz
46\65 849.231 350.769 8 3 2.667 (Neapolitan-)Mohaha/mohamaq
63\89 849.438 350.562 11 4 2.750
17\24 850.000 350.000 3 1 3.000 L/s = 3/1
56\79 850.633 349.367 10 3 3.333
39\55 850.909 349.091 7 2 3.500
61\86 851.613 358.837 11 3 3.667
22\31 851.613 348.387 4 1 4.000 (Neapolitan-)Mohaha/migration/mohajira
49\69 852.174 347.826 9 2 4.500
27\38 852.632 347.368 5 1 5.000
32\45 853.333 346.667 6 1 6.000 (Neapolitan-)Mohaha/ptolemy
5\7 857.143 342.867 1 0 → inf

The scale produced by stacks of 5\17 is the 17edo neutral scale. Between 11/38 and 16/55, with 9/31 in between, is the mohajira/mohaha/mohoho range, where mohaha and mohoho use the MOS as the chromatic scale of a chromatic pair.

Other compatible edos include: 37edo, 27edo, 44edo, 41edo, 24edo, 31edo.

You can also build this scale by stacking neutral thirds that are not members of edos – for instance, frequency ratios 11:9, 49:40, 27:22, 16:13 – or the square root of 3:2 (a bisected just perfect fifth).

Rank-2 temperaments

7-note subsets

If you stop the chain at 7 tones, you have a heptatonic scale of the form 3L 4s:

L s s L s L s

The large steps here consist of t+s of the 10-tone system, and the small step is the same as t. Graham proposes calling the large step here T for "tone," uppercase because it is a wider tone than t. Thus, we have:

T t t T t T t

This scale (and its rotations) is not the only possible heptatonic scale. Graham also gives us:

T t t T t t T

which is not a complete moment of symmetry scale in itself, but a subset of one.

Tetrachordal structure

Due to the frequency of perfect fourths and fifths in this scale, it can also be analyzed as a tetrachordal scale. The perfect fourth can be traversed by 3 t's and a q, or 2 t's and a T.

I ( - Andrew Heathwaite) offer "a" to refer to a step of 2t (for "augmented second")

Thus, the possible tetrachords are:

T t t

t T t

t t T

a q t

a t q

t a q

t q a

q a t

q t a