User:Inthar: Difference between revisions
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**[[File:Locrian Suite Sarabande.mp3]] IV. Sarabande (with no repeats; [[:File:Locrian Suite Sarabande Score.pdf|score here]]) | **[[File:Locrian Suite Sarabande.mp3]] IV. Sarabande (with no repeats; [[:File:Locrian Suite Sarabande Score.pdf|score here]]) | ||
***[[File:Locrian Suite Sarabande 17edo.mp3]] Sarabande tuned to [[17edo]] | ***[[File:Locrian Suite Sarabande 17edo.mp3]] Sarabande tuned to [[17edo]] | ||
=== Diasem === | === Diasem === | ||
*[[File:Skellan Anthem.mp3]] The national anthem of [https://linguifex.com/wiki/Skellan Skella], a concountry of mine. (Scale used is [[diasem]], tuning is [[36edo]]'s 6:2:1 diasem) | *[[File:Skellan Anthem.mp3]] The national anthem of [https://linguifex.com/wiki/Skellan Skella], a concountry of mine. (Scale used is [[diasem]], tuning is [[36edo]]'s 6:2:1 diasem) | ||
Revision as of 21:29, 18 September 2021
I go by Inthar (in-THAR (th as in thin), meaning 'raven' in the conlang it comes from). I use he/him pronouns. I am Inthar#5959 on Discord.
My main interests are: simple exotic MOS patterns, mainly oneirotonic, smitonic, and semiquartal, and edos that support them. I'm interested in applying counterpoint, and modal and functional harmony] to small MOSes and edos. Here's a list of tuning languages I want to explore:
My main theoretical influences are Baroque counterpoint, Igliashon Jones and Zhea Erose, though I do not consider myself a Zheanist. I contributed to TAMNAMS, Diamond-mos notation and to the mos articles 5L 3s and 4L 3s.
Music
All my music is licensed under CC-BY 4.0, unless specified otherwise.
Smitonic
Oneirotonic
- Prelude II of the WT13C collab project (in J Oneirominor) (score)
- Fugue II of the WT13C collab project (in J Oneirominor) (score)
- 13-edo example composition (File:13edo 1MC score.pdf)
- A Moment of Respite
- The Angels' Library, a 21edo Sarnathian harpsichord piece (it's actually a neji, 73:78:86:92:102:112:120:132:146 on C). (score)
edo version
17edo and parapyth diatonic
Pieces in Locrian
Locrian is my favorite diatonic mode. I've tried to combine it with classical and 8-bit tropes with varying degrees of success.
- Ghosts in the Machine (8-bit chiptune in approximate 17edo)
- Suite for Harpsichord in A Locrian, tuning: Eb-G# in 46edo (on hiatus). My favorite piece is the Sarabande.
- IV. Sarabande (with no repeats; score here)
- Sarabande tuned to 17edo
- IV. Sarabande (with no repeats; score here)
Diasem
- The national anthem of Skella, a concountry of mine. (Scale used is diasem, tuning is 36edo's 6:2:1 diasem)
Neutral thirds scales
- : A short piano piece mostly in 17edo. Last part is in 34edo.
Miscellaneous
Some VGM loop in 31edo.
Pages
JI
Edos and mosses
- Well-Tempered 13-Tone Clavier - Collaborative Discord project to create 26 major and minor preludes and fugues in 13edo (not necessarily in a Baroque style).
- Degree entropy - a measure of how informative a degree of an MOS scale is on average is of what mode the scale is in.
- Dipentatonic scales - What's better than one pentatonic scale? Two pentatonic scales, of course!
- User:IlL/Inthar's EDO impressions
List subpages
- Inthar/13edo
- Inthar/18edo
- Inthar/21edo
- Inthar/311edo
- Inthar/4L 3s
- Inthar/5L3m2s
- Inthar/5L 3s
- Inthar/5L 4s
- Inthar/AGS
- Inthar/Blackville
- Inthar/Code
- Inthar/Epimorphic temperament
- Inthar/List of parallelogram substring scales
- Inthar/List of ternary parallelogram scales
- Inthar/Maximal consistent set
- Inthar/Moshmi
- Inthar/Ringers and Pseudoringers
- Inthar/Sandbox
- Inthar/Simplified UDP
- Inthar/Spoobth
- Inthar/Style guide
- Inthar/Subgroup names
- Inthar/Template:Infobox MOS
- Inthar/Template:Notation
- Inthar/Template:Theorem
- Inthar/Template:Theorem/styles.css
- Inthar/Template:adhoc
- Inthar/Template:display edo gen
- Inthar/Template:display edo mos pattern
- Inthar/Template:display range
- Inthar/Template:edX
- Inthar/Ternary billiard words of length at most 31
- Inthar/common.css
- Inthar/common.js
- Inthar/vector.css